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kind of charm; and yet, at times, she was so soft and sympathetic
that Molly could not resist her, even when she affirmed the most
startling things. The little account she made of her own beauty
pleased Mr Gibson extremely; and her pretty deference to him
won his heart. She was restless too, till she had attacked Molly’s
dress, after she had remodelled her mother’s.
『Now for you, sweet one,』 said she as she began upon one of
Molly’s gowns. 『I』ve been working as connoisseur until now. Now I
begin as amateur.』
She brought down her pretty artificial flowers, plucked out of
her own best bonnet to put into Molly’s, saying they would suit her
complexion, and that a knot of ribbons would do well enough for
her. All the time she worked, she sang; she had a sweet voice in
singing, as well as in speaking, and used to run up and down her
gay French chansons without any difficulty; so flexible in the art
was she. Yet she did not seem to care for music. She rarely
touched the piano, on which Molly practised with daily
conscientiousness. Cynthia was always willing to answer questions
about her previous life, though, after the first, she rarely alluded to
it of herself; but she was a most sympathetic listener to all Molly’s
innocent confidences of joys and sorrows; sympathising even to
the extent of wondering how she could endure Mr Gibson’s second
marriage, and why she did not take some active steps of rebellion.
In spite of all this agreeable and pungent variety of
companionship at home, Molly yearned after the Hamleys. If there
had been a woman in that family she would probably have
received many little notes, and heard of numerous details which
were now lost to her, or summed up in condensed accounts of her
father’s visits at the Hall, which, since his dear patient was dead,
were only occasional.
『Yes! The squire is a good deal changed; but he’s better than he
was. There’s an unspoken estrangement between him and
Osborne; one can see it in the silence and constraint of their
manners; but outwardly they are friendly—civil at any rate. The
squire will always respect Osborne as his heir, and the future
representative of the family. Osborne doesn’t look well; he says he
wants change. I think he’s weary of the domestic tête-à-tête, or
domestic dissension. But he feels his mother’s death acutely. It’s a
wonder that he and his father are not drawn together by their
common loss. Roger’s away at Cambridge too—examination for
the mathematical tripos. Altogether the aspect of both people and
place is changed; it is but natural!』
Such is perhaps the summing-up of the news of the Hamleys, as
contained in many bulletins. They always ended in some kind
message to Molly.
Mrs Gibson generally said, as a comment upon her husband’s
account of Osborne’s melancholy:
『My dear! why don’t you ask him to dinner here? A little quiet
dinner, you know. Cook is quite up to it; and we would all of us
wear blacks and lilacs;』 he couldn’t consider that as gaiety.』
Mr Gibson took no more notice of these suggestions than by
shaking his head. He had grown accustomed to his wife by this
time, and regarded silence on his own part as a great preservative
against long inconsequential arguments. But every time that Mrs
Gibson was struck by Cynthia’s beauty, she thought it more and
more advisable that Mr Osborne Hamley should be cheered up by
a quiet little dinner-party. As yet no one but the ladies of
Hollingford and Mr Ashton, the vicar—that hopeless and
Elizabeth Gaskell