中央財經大學系列室內音樂會——單簧管三重奏
Chamber Music Concert Series - Clarinet Trio
時間：2018年3月13日（星期二）晚7：00
地點：中央財經大學學院南路校區學術會堂712
Date : Tuesday Mar 13, 2018 7:00 pm.
Venue : Academic Hall 712, Xueyuan South Road Campus, CUFE
主辦單位：中央財經大學校園文化建設組委會
承辦單位：中國經濟與管理研究院
請點擊文章底部「閱讀原文」進入報名界面
問卷填寫、提交成功即為報名成功
節目單
馬克斯·克裡斯蒂安·腓特烈·布魯赫（1838-1920）
《八幅畫面》 單簧管、中提琴與鋼琴，作品83號（1910）
1.行板
2.活躍的快板
3.行板－快板
4.激動的快板
5.羅馬尼亞旋律－行板
6.歌唱地－行板
7.適中的、歡快活潑的
8.溫和地
羅伯特·舒曼 (1810–1856)
《幻想曲》 單簧管與鋼琴，作品73號（1849）
1.溫和地、表達地
2.活潑地、容易地
3.快速地、火熱地
沃爾夫岡·阿馬狄烏斯·莫扎特 (1756–1791)
《滾木球三重奏》 降E大調三重奏；鋼琴、單簧管和中提琴, KV 498, (1786)
1. 行板
2. 小步舞曲
3. 迴旋曲，小快板
Program
Max Bruch (1838 –1920)
Acht Stückefür Klarinette, Viola und Klavier, op. 83 (1910)
1. Andante
2. Allegro con moto
3. Andante con moto – Andante
4. Allegro agitato
5. Rumänische Melodie. Andante
6. Nachtgesang. Andante con moto
7. Allegro vivace, ma non troppo
8. Moderato
Robert Schumann (1810 –1856)
Fantasiestücke für Klarinette undKlavier, op. 73 (1849)
1. Zart und mit Ausdruck
2. Lebhaft leicht
3. Rasch und mit Feuer
Wolfgang Amadeus Mozart (1756 –1791)
Trio Es-Dur für Klavier, Klarinetteund Viola, KV 498, 「Kegelstatt-Trio」 (1786)
1. Andante
2. Menuetto
3. Rondo. Allegretto
曲目介紹
在這場音樂會中，我們將以60年為一個跨度來認識一種少有的合奏形式：結合了單簧管、中提琴和鋼琴的單簧管三重奏。這場音樂會使用了木管樂器、弦樂器、和聲樂器，並且將它們全部的演奏可能性結合在了一起。
馬克斯·克裡斯蒂安·腓特烈·布魯赫(1838–1920) 為他的兒子創作了八幅「畫面」。他的兒子小布魯赫是一位著名的鋼琴家，想要在老布魯赫70歲生日時演奏這位父親的一首作品。老布魯赫將短時間的碎片以保守的方式創作了出來。不像浪漫主義派代表人華格納與李斯特創作的《音樂的未來》 (音樂劇、編排音樂)，他以傳統的方式創作了這部作品：不使用程序化的任何設定，使用不同音域的樂器展現出的不同色彩，將充滿戲劇效果的旋律縮影描繪出來。
羅伯特·舒曼 (1810–1856) 創作了《兒時情景》。他和19世紀中葉的許多作曲家一樣，是老布魯赫的偶像之一。有趣的是，我們可以用鋼琴的各種可能性來演奏相同體裁的《幻想曲》，從而窺見舒曼的風格和創作習慣。這部作品利用了主題循環的創作模式，但是沒有任何具體的程序編排，可以給聽眾帶來無限遐想。六十年之前，和聲的重要程度沒有給這部作品帶來累贅。相反，這部作品旋律結構清晰，同時具有一個有節奏的、有趣的、編織的伴奏。
在單簧管三重奏這一體裁作品的萌芽期，我們可以看到首位為此種組合作曲的作曲家——沃爾夫岡·阿馬狄烏斯·莫扎特（1756-1791）活躍的身影。在曲目首演中，他作為中提琴演奏者和他的兩位朋友共同完成了演奏。在那場演奏中，他對中提琴表達域的駕馭是令人咋舌的。這部三重奏以一段行板開場，鋼琴首先和中提琴一起揭示主題，然後單簧管接過旋律，隨後展開第二個主題，中提琴在再現部中重新出現。第二樂章是一段中提琴旋律貫穿始終的小步舞曲。最終的迴旋曲以單簧管演奏的主題旋律開場，這一樂章包含了一段中提琴向C小調的偏移並為莫扎特音樂生涯的創作巔峰提供了使他在音樂精妙細節的把握和哀悽之美的表達上更進一步的機會。這些特質使得這部三重奏成為一部在形式和表達上傑出的作品，同時以一個放恣的笑容和樂觀的態度為這場音樂會畫上了一個完滿的句號並擁抱即將到來的春天。
「瑞辛伯格三重奏」將在他們接下來的音樂會中演奏19世紀的其它兩部作品——„Märchenerzählngen「 和„Fantasiestücke「來進行對比和補充。「瑞辛伯格三重奏」期待與你們相逢在一個清涼的春夜，共同做一個美麗的夢！
曲目資料：
1. 《八幅畫面》Video: https://www.youtube.com/watch?v=moNDX_HPvLE
2. 《幻想曲》Video: https://www.youtube.com/watch?v=0d1eVNRmgNM
3. 《滾木球三重奏》Video : https://www.youtube.com/watch?v=g_cfok4QxdU
Program Notes
In this concert we do 60 years steps to the beginningof a rare ensemble: the clarinet trio, combining viola, piano and clarinet. Soit consists of a woodwind-, a string- and a harmonyinstrument and unit alltheir possibilities of expression.
Max Bruch (1838– 1920) composed 8 „pictures「 for his son, who was a wellknownclarinetist and wanted to perform a concert for the 7oth birthday of his fatherwith a work of him. Bruch composed in the conservative style of his time shortpieces. Not like the „neudeutsche Schule「 with Wagner and Liszt who wrote „Musik der Zukunft「 (musical drama andprogrammed music「), he did it in the traditional way: miniatures canatblemelodies with dramatic moments using the colours of the instruments in thedifferent ranges … without any programmatic predescrition.
Robert Schumann (1810 – 1856), who composed „Märchenerzählungen「 also like a lotof composers of the middle of the 19th century, was one of his idols. So it isinteresting to take a look of his style and idioms of using the possibilitiesof clarinet in the same genre of „Fantasiestücke「. The pieces composed in a thematic cyclewithout any concret programmatic intention, which would lead the imagination ofthe audience. Sixty years before it is not so overloaded with harmonic weight,with clear melodic structures but a rhythmically interesting wovenaccompaniment.
And in the beginning of this genre of trio compositionwe can find WolfgangAmadeus Mozart (1756 –1791). He was the first who wrote for this combination. Together with two ofhis friends he was playing the viola part by himself at the first performance. It is amazing how he used the range of expression of„his「 viola. The Trio openswith an Andante in which the piano, initially together with the viola,announces the theme, then capped by the clarinet, which is later entrusted withthe second subject, given to the viola in its re-appearance in the recapitulation.The second movement is a Minuet, with a Trio section that puts the violathrough its paces. The final Rondeaux opens with the principal theme played bythe clarinet. The movement includes a dramatic excursion into C minor for theviola and further brief opportunities for virtuosity in music of subtlerefinement and moments of poignant beautyinmusic written at the height of Mozart's career. So it is an outstandingcomposition in form and expression and conclude the concert with a bright smile and optimistic view towards theupcoming spring.
The Rechenberg-Trio will perform in their next concerts the other „Märchenerzählngen「 and „Fantasiestücke「 of this 19th century in a comparing and eachother complementing way. Dreaming together in a Spring night … looking forward … „Rechenberg Trio「.
Jochen Settili Introduction / 介紹
Jochen Settili 單簧管Jochen Settili曾與Georg Zeretzke, SabineMeyer, Giora Feidman一起在德國柏林藝術學院學習，並在那裡獲得了單簧管碩士學位。他有豐富的管弦樂團演奏經歷，並參加了包括《悲慘世界》、《吸血鬼之舞》在內的音樂劇演出和遍布德國的其他演出。在環遊歐洲的眾多演奏會中，他幾乎演奏了單簧管曲目中的所有篇章。Settili的音樂職業生涯廣闊，他不懈地投入到表演、指揮、博士論文寫作和教學中，目前在北京的德國大使館教授音樂和哲學。他還精通長笛、雙簧管和薩克斯，這讓他在古典樂和爵士樂演奏方面都遊刃有餘。他曾多年擔任柏林Neuköllner歌劇院負責人，並在德國的青年藝術家音樂比賽以及最近的中國青少年音樂比賽中擔任評委。他是正歐樂器公司的藝術家和顧問，目前作為樂器演奏家和指揮家在中國推廣這些樂器。同時，他還在貴州的專業團體和瀋陽的音樂學院裡教授碩士課程。
Jochen Settili, clarinet
Jochen Settili studied with Georg Zeretzke, Sabine Meyer, Giora Feidman and earned his Master in clarinet at the University of the Arts Berlin, Germany. His orchestral experience includes a wide diversity including 「Les miserables」 or 「Tanz der Vampire」 also as engagements in Symphony Orchestras all over Germany. In numerous performances throughout Europe he performed the entire range of the clarinet repertoire (incl. Bass- and Eb-Clarinet). Settili’s career profile in music is broad based with ongoing commitments in performance, conducting, writing a doctoral thesis, and teaching, currently as a teacher for music and philosophy at the School of the German Embassy Beijing. Additional professional skills in flute, oboe and saxes let him feels at home in classical music as well as jazz. Many years he was an executive of 「Neuköllner Oper, Berlin」 and jury member of the German music competition 「Jugend musiziert」 and latest in 「China Youth Music Competition」 .He is artist and consultant of Zhengou-Instruments Company and promoting these instruments all over China as instrumentalist and conductor. Also teaching in master classes in Guizhou and Shenyang.
I-fun Wu Introduction / 介紹I-fun Wu 中提琴
I-fun Wu出生於臺北，8歲開始學習小提琴和13歲轉學中提琴。1979 至 1987 年，她擔任臺北世紀交響樂團首席中提琴手。在此期間，她贏得臺北南部區青少年中提琴比賽第一名和並在1982年獲得臺灣區青少年比賽冠軍。 1985 年，她與臺北世紀交響樂團合作到歐洲演出，並且在演出《莫扎特降E大調小提琴、中提琴與管弦樂協奏曲》，K.364時負責中提琴獨奏。在歐洲，她被選為英國阿伯丁國際夏季營研討會樂團的成員。同年，她在臺北實踐大廳與Yi-Ta Chen和I-Fang Wu共同舉辦了音樂會 。I-funWu於 1986 年加入臺北交響樂團並在第二年演出和樂團演奏了CarlStamitz的《D大調中提琴協奏曲》。
1987 年 9 月，I-fun Wu到維也納音樂與表演藝術大學學習，師從HattoBeyerle教授，並在第二年師從Wolfgan Klos教授。1991年 3 月她曾參與音樂禮堂舉行的正規音樂演出會，並擔任首席中提琴手。並在同年多次獨奏巴赫的《B大調布蘭登堡協奏曲第六號》。她於1991年成為維也納國際中提琴大會Lecher中提琴二重奏（Lecher Viola Duos in International Viola- congress inWien）的首席中提琴手，並於1993年獲得演奏碩士學位。
I-fun在1994年9月舉行的音樂會上與高雄交響樂團演奏gnaz Pleyel的 《小提琴與中提琴協奏曲》。她也曾在香港小交響樂團, 長榮交響樂團以及北京交響樂團任職。2008年至今， I-fun在北京居住。
I-fun Wu, Viola
I-fun Wu was born in Taipei and trained as a violin student since eight and as a viola student since thirteen. She served as Principal Violist of Taipei Century Symphony Orchestra between 1979 and 1987. During which time she won the first place in Taipei Southern District Adolescent Viola Competition and the championship in Taiwan District Adolescent Competition in 1982. In 1985, she performed with Taipei Century Symphony Orchestra in Europe and played viola solo in Mozart's Symphony Concertante, KV364 E-flat Major for Violin, Viola and Orchestra, and was elected as member of United Kingdom Aberdeen International Summer Camp Symposium Orchestra. In the same year, she held a recital with Yi-Ta Chen and I-Fang Wu in Shih Chien Hall in Taipei. I-fun joined Taipei Symphony Orchestra in 1986 and performed Carl Stamitz's D-Major Viola Concerto with the orchestra in the next year.
She was enrolled in University of Musik and Performing Arts in Vienna in September 1987 under the instruction of Prof. Hatto Beyerle in the first year and of Prof. Wolfgang Klos in the next year. She served as the first violist in regular concert held in music auditorium in March 1991 and played viola solo of J.S. Bach's Brandenburgisches Concerto No. 6 B-Major for several times in that year. In 1992, she served as the first violist playing Lecher Viola Duos in International Viola- congress in Wien. I-fun was awarded Diploma for performer and Master by the university in 1993.
She played viola solo of Ignaz Pleyel Violin and Viola Concerto in concert with Kaohsiung Symphony Orchestra in September 1994. She has also worked in Hong Kong Sinfoniett, Evergreen Symphony Orchestra and Beijing Symphony Orchestra. I-fun has been living in Beijing since 2008.
Narey Park Introduction / 介紹
Narey Park 鋼琴
NareyPark 1982年出生於韓國，在首爾梨花女子大學學習鋼琴。2005年至2008年，她在德國卡爾斯魯危的國家音樂學院師從Saule教授學習鋼琴和室內音樂。她以優異的成績畢業並獲得藝術教育學的碩士學位。2008至2012年，她在Staatlichen Hochschule für MusikTrossingen und Schloss師從Wolfgang Wagenhäuser教授學習鋼琴和室內樂。2006年她獲得PietroArgento國際室內樂比賽的第一名，2007年獲得GaetanoZinetti國際室內樂比賽的榮譽獎。2008年，獲得斯克裡亞賓國際鋼琴比賽第三名。她還因鋼琴演奏與雙簧管、巴松的出色配合，獲得過許多最佳演繹獎。
她在管弦樂團中擔綱鋼琴獨奏，作為演唱會和室內音樂的演奏家演出不斷，足跡遍布德國、瑞士、澳大利亞、法國、義大利、波蘭、羅馬尼亞、俄羅斯、瑞典、日本、韓國和中國。近幾年她在韓國和中國舉辦了許多音樂會。
Narey Park, piano
Pianist Narey Park was born inSouth Korea in 1982 and studied piano in Ewha Womans University in Seoul. From2005 to 2008, she studied piano and chamber music under Professor Dr. SauleTatubaeva in Staatlichen Hochschule für Musik in Karlsruhe. She graduated with a masterdegree in art education with distinguish. From 2008 to 2012, she studied pianoand chamber music from professor Wolfgang Wagenhäuser in Staatlichen Hochschule für MusikTrossingen und schloss. In 2006, she won the first prize in InternationalChamber Music Competition Pietro Argento「 in Gioia del Colle, Italien and in 2007Honorable Mention in International Chamber Music Competition Gaetano Zinetti inVerona, Italien. Also in 2008, she won the third prize in InternationalSkriabin Piano Competition in Paris, France. In addition, she won numerous bestinterpretation prices for piano with Fach Oboe, Oboe and Bassoon.
She played asa soloist with Orchestras and is active as a concert pianist and chamber musicpianist in Germany, Switzerland, Austria, France, Italy, Poland, Romania,Russia, Sweden, Japan, Korea and China. These years she has concert sessions inKorea and China.
來源：中國經濟與管理研究院
編輯：一繁
顧問：呂世彥 李愛民