However, Galo finds out Lio is not an enemy: the Burnish will be arrested for only being mutant and Lio is helping his people. Because of being mutants, the Burnish are cast out from their homes, becoming a margin group of the society. Galo feels indignant for the Burnish. As he keeps investigating for the truth, a more insidious (adj. 潛藏的) villain is unmasked.
接著，加洛發現裡奧並不是自己的敵人——所有變異人都會因為「燃燒者」的身份被逮捕，而裡奧只是在幫助他的同伴。燃燒者被迫背井離鄉，成為社會的邊緣人群。加洛為燃燒者感到氣憤，他繼續追蹤真相，真正的幕後黑手逐漸浮出水面。
Fear for spoilers, here we are not going to further discuss the plot or themes. Some critics comment that Promare appears to be weak in the narrative, but any narrative quibbles (n. 牢騷，小意見) feel minor in light of Promare's sheer technological achievements.
因為不想給大家劇透，小V先略過《普羅米亞》的故事和主題。有的影評人認為《普羅米亞》在敘事上略顯單薄，但這部電影最為突出的是它獨樹一幟的風格。在技術層面，《普羅米亞》做出了前所未有的大膽嘗試，讓所有人眼前一亮。
Promare feels like a testament to Studio Trigger's skill and capacity to create endless, nearly-overwhelming eye candy. "[Studio Trigger] leveraged(v.提升，加強) past experiences into this film, so I can say this is close to the culmination(n. 巔峰，頂點) of our works," said Director Hiroyuki Imaishi. For Trigger fans, in Promare, they will be thrilled to find frequent references to Gurren Lagann, Kill la Kill, and Space Patrol Luluco; for all the audience, the blending 2D and 3D animation styles, the unusual neon colors, the high-energy, exaggerating fighting scenes, and the driving soundtrack together put us on a stunning visionary ride.
扳機社用《普羅米亞》向世人展示了其在視覺效果上的創新能力。本片導演今石洋之說：「製作《普羅米亞》時，扳機社在本社以往作品的基礎上繼續打磨，可以說《普羅米亞》是我們所有作品的巔峰。」片中頻頻對《天元突破》、《斬服少女》、《宇宙巡警露露子》的致敬會讓扳機社粉絲興奮不已；對全體觀眾而言，2D、3D混合的視效風格、大膽的用色、誇張的戰鬥場面和引人入勝的音樂共同組合成一場突破想像的視聽盛宴。