▲（藝術家按年齡排序）
Art Central
藝·凱旋畫廊 | Triumph Gallery
展位 | Booth D06
貴賓預覽 | VIP Preview：
3/26 (周二）14:00-17:00
First Night：
3/26 (周二）17:00-21:00
公眾開放 | Public Open：
3/27 (周三）11:00-17:00
3/28 (周四）12:00-21:00
3/29 (周五）12:00-21:00
3/30 (周六）11:00-19:00
3/31 (周日）11:00-17:00
地點 | Venue：
香港中環海濱活動中心
Central Harbourfront Hong Kong
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Art Central將於2019年3月26日至31日（26日為貴賓預覽及開幕之夜）第五度載譽回歸香港中環海濱活動空間，令人熱切期待。此次藝·凱旋畫廊將在展位D06呈15位當代藝術家的精彩作品，他們包括：周春芽、方力鈞、蔡錦、章劍、徐弘、楊黎明、姜淼、李關關、塗曦、王濛莎、許宏翔、張凱、劉銧銧、草間彌生、田中敦子。
The 5th edition of Art Central will open during 26-31, March, 2019 at Central Harbourfront Hong Kong (26, March is for the VIP Preview and First Night).Triumph Gallery will present fifteen contemporary artists』 works in 2019 Art Central, at booth D06, including Zhou Chunya, Fang Lijun, Cai Jin, Zhang Jian, Xu Hong, Yang Liming, Jiang Miao, Li Guanguan, Tu Xi, Wang Mengsha, Xu Hongxiang, Zhang Kai, and Liu guangguang, Yayoi Kusama, and Atsuko Tanaka.
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精選藝術家介紹
Selected Artists
周春芽 | Zhou Chunya
▲周春芽，《綠狗（公）》（一公一母），2008年，玻璃鋼烤漆，5/8 版，117×90×48釐米. Zhou Chunya, Green Dog (Male) (a male and a female), 2008, FRP, acrylic lacquer, 5/8，117×90×48cm.
▲周春芽，《綠狗（母）》（一公一母），2008年，玻璃鋼烤漆，5/8 版，112×102×48釐米. Zhou Chunya, Green Dog (female) (a male and a female), 2008, FRP, acrylic lacquer, 5/8，112×102×48cm.
周春芽1955生於中國重慶，1982畢業於四川美術學院版畫系，1988 畢業於德國卡塞爾美術學院自由藝術系，現工作生活於成都、上海。周春芽的繪畫風格、語言、觀念和方式一直關注當下。他的技藝精湛，吸收西方當代藝術成果，既叛逆又不脫離傳統，既強調追求自我個性又不局限於本土。找到了屬於自己的話語方式，既有傳統的中國圖式內容，也有更富強勁表現力的西方油畫技巧。
近期個人展覽包括：「春‧芽——周春芽作品港島集粹」（保利香港藝術空間，香港，中國，2018）、「凌雲一笑：周春芽香港個展」（Amanda Wei Gallery，香港，中國，2018）、「始終是開始——周春芽作品2015展覽」（澳門藝術博物館，澳門，中國，2015），等。
Zhou Chunya was born in 1955 in Chongqing, China. He graduated from the Painting Department of Sichuan Academy of Fine Art in 1982. Then in 1988, he graduated from Experiment Art department of Kassel Academy of Fine Art, Kassel, Germany. Now Zhou Chunya lives and works in Chengdu and Shanghai, China. Zhou Chunya’s painting style, language, ideas and methods have been paying close attention to the present。 His exquisite craftsmanship, absorbing the fruits of western contemporary art, is neither conventional nor out of the tradition. His painting is very individualized, while not confined to the local taste. He found his own way of expression, with, both traditional Chinese image and more powerful western oil painting skills.
Zhou Chunya’s latest solo exhibitions include: 「Spring ‧ Sprout」(POLY GALLERY II, Hong Kong, China, 2018), 「Zhou Chunya: Hong Kong Solo Exhibition」(Amanda Wei Gallery, Hong Kong, China, 2018),「Zhou Chunya New Works 2015」 (Macao Museum of Art, Macao, China, 2015), etc.
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方力鈞 | Fang Lijun
▲方力鈞，《2013-2016》，2013-2016年，木刻版畫，112x163釐米. Fang Lijun, 2013-2016, 2013-2016, Woodcut print, 36.5 x 44.2cm.
方力鈞1963年生於河北邯鄲，1989年畢業於中央美術學院版畫系。20世紀80年代曾經開創「玩世現實主義」的藝術風格，成為改革開放以來中國當代藝術最具代表性、最鮮明的視覺符號。方力鈞學習版畫出身，一直期望在版畫上有所突破。自20世紀90年代後期以來，方力鈞製作了許多幅巨大的版畫。巨大而能保持刀法的流暢自如，是方力鈞木刻版畫的技術難題，也是方力鈞在版畫製作上的貢獻。此次展出的幾幅版畫作品展現了方力鈞一貫的玩笑幽默的風格。以明亮的色彩和富有個性的呈現，建立了獨一無二的方力鈞當代版畫語言。
近期個人展覽包括：「方力鈞：面部識別」（朱雀畫廊，雪梨，澳大利亞，2019）、「人間世」（漢雅軒，香港，中國，2017）、「方力鈞：一個人的藝術史」（北京民生現代美術館，北京，中國，2017），等。
Fang Lijun was born in Handan, Hebei Province, China. He graduated from the printmaking department of China Central Academy of Fine Arts in 1989. In the 1980s, Fang Lijun pioneered the cynical realism style, which has been applauded as the most representative and recognizable visual symbols since the 「reform and opening up」 policy. He has created several huge prints since the late 1990s. With his print-making learning background, he has always expected to make some breakthrough in woodcut print. Huge size but still with fluent knife-wielding techniques is a technical puzzle in Fang Lijun’s woodcut prints, but also his contribution to it. The exhibiting works by Fang Lijun present his humorous and playful style. He has created his unique contemporary woodcut print language with vibrant colour and individualized presentation.
Fang Lijun’s latest solo exhibitions include: 「Fang Lijun: Facial Recognition」 (Vermilion Art, Sydney, Australia, 2019), 「This All Too Human World」 (Hanart Gallery, Hong Kong, China, 2017), 「Art History of Fang Lijun」 (Beijing Minsheng Art Museum, Beijing, China, 2017), etc.
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蔡錦 | Cai Jin
▲蔡錦，《風景87》，2013年，布面油畫，40x40釐米. Cai Jin, Landscape 87, 2013，Oil on Canvas，40x40cm.
蔡錦1965年出生於安徽屯溪，1986年畢業於安徽師範大學藝術系，1987-1989年在鐵道部第四工程局學校任教，1991年畢業於中央美術學院油畫研修班，至今在天津美術學院實驗藝術學院任教。閱讀蔡錦的作品實際上是在閱讀蔡錦這個人。蔡錦的畫就像「屋漏痕」，她極力捕捉那種詭秘，以至於對五光十色的誘人現實毫無興趣。她把精力傾注在那些不為人們關注的、但是能夠讓她激動的孤寂無助的題材之中。
近期個人展覽包括：「閬苑仙葩」（前波畫廊，北京，中國，2018）、「花仙集：蔡錦個展」（藝·凱旋畫廊，北京，中國，2017）、「靜態與流變」（藝·凱旋藝術空間，北京，中國，2015）、「溯源」（前波畫廊，紐約，美國，2014）、「溯源」（前波畫廊，北京，中國，2013）等。
Cai Jin was born in Tunxi, Anhui， China in 1965. In 1986, she graduated from the fine arts department, Anhui Normal University, Wuhu, China. In 1991, she graduated from the oil painting department, Central Academy of Fine Arts, Beijing, China. She has been teaching at the Tianjin Fine Arts Institute, Tianjin, China since 1991. Cai Jin's art works is in fact the reflection of herself. The artworks of Cai Jin are just like the 「water traces on the wall」. She tries to capture the weirdness, and shows no interest in the colorful attractive reality. She devotes herself to the loneliness subject that makes her excited but calls no attention of others.
Cai Jin’s latest solo exhibitions include: Arcadia (Chambers Fine Art, Beijing, China, 2018), A Gathering of Flower Fairies: Cai Jin Solo Exhibition (Triumph Gallery, Beijing, China, 2017), Static and Flowing (Triumph Art Space, Beijing, China, 2015), Cai Jin: Return to the Source (Chambers Fine Art, New York, USA, 2014), Cai Jin: Return to the Source (Chambers Fine Art, Beijing, China, 2013)，etc.
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楊黎明 | Yang Liming
▲楊黎明，《書寫系列 No. 3》，2018年，布面油畫，200x150釐米. Yang Liming, Writing Series No. 3, 2018, Oil on Canvas，200x150cm.
楊黎明1975年出生於四川，1999年畢業於四川師範大學藝術學院油畫專業，職業藝術家，現居住、工作於北京，職業藝術家。他的抽象藝術實踐獨樹一幟。作品畫面的「書寫性曲線」貫穿各個時期，也是他重要的語言元素，這種元素即源自書法的個人化書寫與心靈感應的對應，而曲線運行始終有音樂般的節奏和韻律，則源自他對音樂的痴迷和細膩的體味。這種帶有詩意的抽象表達，使畫面中不僅蘊藏了古典元素，也彰顯了其作品的當代內涵。
近期個人展覽包括：「無相」（藝·凱旋藝術空間，北京，2017）、「空間·律動-楊黎明個展」（LOFT畫廊 ，巴黎，法國，2015）、「寫-楊黎明個展」（保利香港藝術空間，香港，2015），等。
Yang Liming was born in Sichuan Province, China in 1975. He graduated from the Fine Arts College of Sichuan Normal University, majored in oil painting. Yang Liming now is a professional artist based in Beijing. The abstract artistic experiment of Yang Liming creates a separate school of his own. The 「curves of graphology」 in Yang’s works that run through each phase of his creation is a fatal language element in his paintings. The origin of this element lies in the interaction between personal graphology and spiritual feeling of calligraphy, while the harmonic cadence and rhythm in the motion of Yang’s curves come from his obsession and appreciation of classical music. This kind of abstract expression with poetic flavor makes the picture not only contain classical elements, but also reflects the contemporary connotation of his works.
Yang Liming’s latest solo exhibitions include: 「ANIMITTA」 (Triumph Art Space, Beijing, China, 2017), 「ESPACES VIVANTS-Solo Exhibition of Yang Liming」 (GALERIE LOFT, Paris, France, 2015), 「WRITE-Solo Exhibition of Yang Liming」 (Poly Gallery Hong Kong, Hong Kong, China, 2015), etc.
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張凱 | Zhang Kai
▲張凱，《尋覓或遇見你》，2014年，布面油畫，100x100釐米. Zhang Kai, Find or Meet You, 2014, Oil on Canvas，100x100cm.
張凱1985年生於山西，2007年畢業於山西師範大學美術學院。現工作、生活於北京。他的作品以賦有擬人化與精神性的貓與兔子為主角，呈現出安靜，神秘，詩意的畫面氛圍。以當代視角對藝術史的梳理分析與個人審美傾向為出發點，通過對古典與當代的融合與重建展現了藝術家對時間，精神，表象與本質的思考。
個人展覽包括：「禮物——張凱個展」（藝•凱旋畫廊，中國北京，2018）、「中國進行時——當代青年藝術家」（藝•凱旋藝術空間，皇家藝術學院，英國倫敦，2015）、「把我的世界留在這兒——張凱作品展」（藝•凱旋藝術空間，中國北京，2013）、「請帶著我一起飛——張凱個展」（臺北寒舍藝術中心，中國臺北，2010）、「斷續的夢——張凱個展」（凱旋新銳藝術空間，中國北京，2008）。
Zhang Kai was born in 1985 in Shanxi province, China. He graduated from the School of Arts, Shanxi Normal University, currently works and lives in Beijing. In his painting, the protagonists are personified and spiritualized cats and rabbits, which present the tranquil, mysterious and poetic atmosphere. Through the synthesis and reconstruction of the classical and the contemporary, Zhang Kai presents his thinking on time, spirit, appearance，and essence, with his analysis of art history from the contemporary perspective, and his own aesthetic tendencies.
His latest solo exhibitions are: 「Present— Zhang Kai Solo Exhibition」 (Triumph Gallery, Beijing, China, 2018), 「China Now—Young Artist Duet」 (Triumph Art Space, Royal College of Art, London, United Kingdom, 2015), 「Leave My World Here: Zhang Kai Art Exhibition」 (Triumph Art Space, Beijing, China, 2013), 「Please Take Me to The Sky: Zhang Kai Solo Exhibition」, (My Humblehouse Art Center, Taipei, 2010), 「Broken Dream- Zhang Kai Solo Exhibition」, (Triumph Alternative Space, Beijing, China, 2008).
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草間彌生 | Yayoi Kusama
▲草間彌生，《Pumpkin MY》，1999年，絲網版畫，36.5 x 44.2釐米. Yayoi Kusama, Pumpkin MY, 1999, Serigraph, 36.5 x 44.2cm.
草間彌生1929年出生於日本長野縣松本市，1948-1949年就讀於京都市立工藝美術學校主修日本畫。1957年移居美國紐約市，並開始展現她佔有領導地位的前衛藝術創作。草間彌生現居日本東京，被認為是來自日本的最重要的在世藝術家之一。草間彌生的藝術創作最初以雕塑和裝置為主，但同時也進行繪畫、行為、影像 、時尚、文學等方面的藝術創作。她的作品以觀念藝術為基礎，體現了女權主義、極簡主義、超現實主義、原生藝術、波普藝術，和抽象表現主義的特點，同時混合有自傳性、心理學，和性方面的主題。
近期個人展覽包括：「草間彌生：愛的一切終將永恆」（復興藝術中興，上海，中國，2019）、「Rockaway! 2018：草間彌生的水仙花園」(Gateway國家娛樂區，Fort Tilden，紐約，美國，2018）、「草間彌生：我的所愛」（松本市美術館，松本市，日本，2018），等。
Yayoi Kusama was born in 1929 in Matsumoto, Japan. From 1948 to 1949, she studied in Kyoto Municipal School of Arts and Crafts, Kyoto, Japan. In 1957, Kusama moved to New York, USA, and started her dominant avant-garde artistic creation. Now she lives in Tokyo, Japanese. Kusama works primarily in sculpture and installation, but is also active in painting, performance, film, fashion, poetry, fiction, and other arts. Her work is based in conceptual art and shows some attributes of feminism, minimalism, surrealism, Art Brut, pop art, and abstract expressionism, and is infused with autobiographical, psychological, and sexual content.
Yayoyi Kusama’s latest solo exhibitions include: 「Yayoyi Kusama: All About Love Speaks Forever」（Fosun Foundation, Shanghai, China，2019），「Rockaway! 2018: Narcissus Garden by Yayoi Kusama」 （Gateway National Recreation Area at Fort Tilden, New York，2018），「Yayoi Kusama: All About My Love」 （Matsumoto City Museum of Art, Matsumoto, Japan，2018）, etc.
Triumph Gallery
藝·凱旋畫廊2007年在798藝術區創立，作為亞洲私人收藏和公共收藏重要的顧問機構，藝·凱旋為藏家和收藏機構提供切實可靠的名家傑作來源和鑑定機制，與泛亞地區的眾多藏家建立了良好關係。
藝·凱旋通過策劃不同形式的展覽和藝術項目，進一步梳理了二十世紀以來中國藝術發展的內在脈絡，並根據美術史的傳承和發展方向經紀代理了方力鈞、潘德海、賈滌非、梁纓、李玉端、李新建、蔡錦、吳達新、徐弘、楊黎明、潘劍、何杰、塗曦、李關關、許宏翔、張凱、等知名中青年藝術家。藝·凱旋對當下藝術創作產生了積極影響，引導當代藝術潮流的走向，使藝·凱旋在激烈的藝術市場競爭中始終保持活力，實現畫廊快速、平穩發展，為中國藝術市場的規範化和健康發展做出了卓越貢獻。
Triumph Gallery was founded in 2007, located in 798 Art Zone. As an important consulting agency to the private collectors and public collection, Triumph Gallery has guaranteed reliable provenance of masterpieces of well-known artists and offered an estimation scheme. We also have established strong relations with Asian collectors.
In the academic structure of the gallery, Triumph Gallery has organized various exhibitions and art projects, which represent the mainstream development of Chinese Art. Triumph Gallery has exclusive cooperation with important artists including Fang Lijun, Pan Dehai, Jia Difei, Liang Ying, Li Yuduan, Li Xinjian, Cai Jin, Wu Daxin, Xu Hong, Yang Liming, Pan Jian, He Jie, Tu Xi, Li Guanguan, Xu Hongxiang, Zhang Kai and so on. Triumph Gallery has positive influence to contemporary art and stays competitive in the art market. We have achieved strong and stable development and contributed to the healthy development of the Chinese art market.
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地址：北京市朝陽區酒仙橋路798藝術區2號院A-05
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開放時間：周二至周日 10：00-19：00
Opening Hours：Tuesday-Sunday 10:00-19:00