青·微舍工作室聯合創始人、主持設計師
華中科技大學建築學博士研究生
英國鄧迪大學建築學碩士
青·微舍工作室成立於2018年。熱衷於日常生活視野下的城市「非正規性」空間研究，記錄居住者們樸素而精彩的日常智慧與美學價值。並努力將其轉化為某種設計驅動力，反哺於自己微觀且低技的設計實踐。作品曾參展第十三屆全國美術作品展，獲得2019年香港室內設計協會亞太區室內設計大獎評委之選獎，2019年美國建築大師獎（AMP）年度發現獎，同年在德國 S. Arch 國際建築獎和美國《Interior Design》雜誌Best of Year 獎中獲得提名，併入選Archdaily 2019年最佳住宅合集。相關論文發表於《新建築》、《世界建築》、《建築創作》等期刊。
Hu Xing
Co-founder and host designer of Qingwei Studio
Doctoral candidate in architecture, Huazhong University of Science and Technology
Master of Architecture, University of Dundee
Qingwei Studio was founded in 2018. He is keen on the study of urban "informal" space from the perspective of daily life, and records the simple but wonderful daily wisdom and aesthetic value of residents. And strive to transform it into a design driving force, feeding back to their micro and low-tech design practice. His works have been exhibited in the 13th National Fine Arts Exhibition, and won the Judges' Choice Award of 2019 Asia-pacific Interior Design Award of Hong Kong Interior Design Association, and the Annual Discovery Award of 2019 American Architect Award (AMP). In the same Year, he was nominated for the S. Arch International Architecture Award and Interior Design magazine's Best of Year Award, and was selected for Archdaily's 2019 Best House Collection. Related papers have been published in journals such as "New Architecture", "World Architecture" and "Architectural Creation".
《Experience as Dance》
[美] Anna Halprin
安娜·哈爾普林開創了後來被稱為「後現代舞蹈」的藝術，她的創作是開啟戲劇、音樂、偶發事件和表演藝術實驗之門的關鍵。這是第一部全面的傳記，在美國文化的背景下審視了哈普林迷人的生活，尤其是流行文化和西海岸作為一個藝術實驗中心，從「垮掉的一代」到「嬉皮士」。賈尼斯羅斯記載哈普林的長，非凡的職業生涯，開始與舞者的祖父母，逃脫了東歐大屠殺和來到美國在上世紀初，與今天的結局，當哈普林繼續挑戰界限之間的藝術流派以及參與者和觀察者。隨著她跟隨哈普林從青年到老年的發展，羅斯描述了引人入勝的細節，藝術家的角色是舞者，編舞，表演理論家，社區領導人，癌症倖存者，治療師，妻子和母親。哈普林的朋友和熟人包括許多設計後現代表演路線的藝術家。她的學生中有特裡莎·布朗、西蒙娜·福爾蒂、伊馮娜·萊納、梅雷迪思·蒙克和羅伯特·莫裡斯。羅斯把這段時期實驗的重要意義表現得栩栩如生。她還通過Anna Halprin的丈夫，重要的景觀設計師Lawrence Halprin的妻子的環境舞蹈工作來闡釋他的工作。以哈普林的舞蹈實踐和工作為重點，羅斯探索了舞蹈故事對表演它們的身體的影響。其結果是對經驗如何成為表現的創新思考，以及對非凡生活的熟練描述。
Anna Halprin pioneered what became known as 'postmodern dance', creating work that was key to unlocking the door to experimentation in theater, music, Happenings, and performance art. This first comprehensive biography examines Halprin's fascinating life in the context of American culture - in particular popular culture and the West Coast as a center of artistic experimentation from the Beats through the Hippies. Janice Ross chronicles Halprin's long, remarkable career, beginning with the dancer's grandparents - who escaped Eastern European pogroms and came to the United States at the turn of the last century - and ending with the present day, when Halprin continues to defy boundaries between artistic genres as well as between participants and observers. As she follows Halprin's development from youth into old age, Ross describes in engrossing detail the artist's roles as dancer, choreographer, performance theorist, community leader, cancer survivor, healer, wife, and mother. Halprin's friends and acquaintances include a number of artists who charted the course of postmodern performance. Among her students were Trisha Brown, Simone Forti, Yvonne Rainer, Meredith Monk, and Robert Morris. Ross brings to life the vital sense of experimentation during this period. She also illuminates the work of Anna Halprin's husband, the important landscape architect Lawrence Halprin, in the context of his wife's environmental dance work. Using Halprin's dance practices and works as her focus, Ross explores the effects of danced stories on the bodies who perform them. The result is an innovative consideration of how experience becomes performance as well as a masterful account of an extraordinary life.
推薦理由
Reason for Recommendation
如果說建築乃至城市，與人具有某種「身體性」的聯繫，那應該是時間和空間感所構成的、可被數理描述的關係，即節奏（rhythm），那是一種舞蹈般的經驗。在該書作者Anna Halprin 及其丈夫Lawrence Halprin 的一系列研究與實踐中，節奏既是一種設計方法也是一種思維模式。
If architecture, even a city, has a "physical" connection with people, it should be the mathematically described relationship formed by the sense of time and space, namely rhythm, which is a kind of dance-like experience. In a series of research and practice of author Anna Halprin and her husband Lawrence Halprin, rhythm is both a design method and a mode of thinking.
本書以獨特的歷史的和批判的視角提供了一篇關於日常生活理論的導論。作者探究了日常生活諸概念從格奧爾格·席美爾的文化社會學，通過1930年代的民意調查項目到米歇爾·德塞爾託等人的當代理論的發展歷程。
This book provides an introduction to the theory of everyday life from a unique historical and critical perspective. The author explores the development of concepts of everyday life from georg Schimel's cultural sociology through the polling projects of the 1930s to the contemporary theories of Michel d 'Esselto and others.
推薦理由
Reason for Recommendation
「日常」，是一個我們熱衷於使用的詞彙，但作為一個術語，它始於理性主義危機背景下，整個西方世界的思想轉變，並關涉眾多晦澀的哲學文本。對此，本·海默爾的書是幫助我們快速進入該領域的最佳選擇。
"Everyday" is a word we love to use, but as a term it begins with a shift in thinking across the Western world in the context of a crisis of rationalism, and involves many obscure philosophical texts. Ben Hemmel's book is the best way to get us into the field quickly.
《人類身體史和現代性》從社會學和文化學的角度分析身體在人類精神和生活中佔據重要地位的深刻原因，指出現代社會往往區別對待人和人的身體——後者通常被看成是某種被動的佔有物，而不是一個血肉之軀的特定根源。《人類身體史和現代性》在法國出版後，受到了持續的關注：作者提出了一種在學術界極具影響的觀點：身體具有特殊的地位，是自我存在和自我表現的不可缺少的舞臺，同時還是個體的標誌，形成了與外界的界限。
The History of the Human Body and Modernity analyzes the profound reasons for the important role of the body in human spirit and life from the perspective of sociology and culturochemistry, and points out that modern society often treats the human body differently from the human body -- the latter is usually regarded as a passive possession rather than a specific source of flesh and blood. After the publication of The History of human Body and Modernity in France, it has received continuous attention: the author has put forward a very influential view in the academic circle: the body has a special status, is the indispensable stage of self-existence and self-expression, but also the symbol of the individual, forming the boundary with the outside world.
推薦理由
Reason for Recommendation
「人本主義」是各人文藝術學科的重要思想基礎，然而隨著現代技術的發展，「人是萬物的尺度」這份崇高正在被瓦解。勒布雷東的這本書生動的闡釋了我們的各種感官被技術重新塑造的過程。也許人類身體最鮮明的「現代性」特徵就是變動不居，何謂人，是一個需要反覆追問的非穩定概念。
"Humanism" is the important ideological basis of all humanities and art disciplines. However, with the development of modern technology, the lofty concept of "man is the measure of all things" is being disintegrated. Le Breton's book vividly illustrates how our senses are being reshaped by technology. Perhaps the most distinctive "modernity" feature of the human body is the immobility. What is a person is an unstable concept that needs to be repeatedly questioned.
《Animal Architects：Building and the Evolution of Intelligence》
[美] James L. Gould / Carol Grant Gould
在動物世界裡，各種奇怪的建築形式，如巢穴、蜘蛛網、蜂箱甚至水獺水壩，都是純粹適應環境的嗎？還是就像人類社會的建築，除了基本的功能考量外，還積累著美麗和智慧？作者多年來一直在研究動物行為，他們是第一個從動物建築師的角度來探索動物是如何感知周圍環境的，以及它們的智力是如何積累和進化的。作者開始用簡單的話讓讀者了解動物的動機基礎，然後通過章構建一般讀者熟悉的動物，包括蜘蛛的絲網，孤獨的昆蟲的本能，蜂窩和螞蟻洞，各種各樣的鳥巢，發現從這些動物本能，認知過程和社會模式背後的智慧，延伸的建築藍圖，甚至到自然之美，作者不忘從觀察動物建築中探索人類智慧的本質。
In the animal world, all kinds of strange architectural forms, such as nests, spider webs, beehives and even otter DAMS, are purely adapted to the environment? Or is it just like the buildings of human society, where beauty and wisdom are accumulated in addition to basic functional considerations? The authors, who have been studying animal behavior for many years, are the first to explore, from the perspective of animal architects, how animals perceive their surroundings and how their intelligence accumulates and evolves. The author start with simple words let readers understand the motives of animal building, and then by chapter building general readers familiar with animals, including the spider's silk screen, solitary insects of the building instinct, honeycomb and ant hole, a wide variety of bird's nest, to find out from these animal instinct, cognitive process and the social patterns behind the wisdom, the extended construction blueprint, Even to the beauty of nature, the author does not forget to explore the essence of human wisdom from the observation of animal architecture.
推薦理由
Reason for Recommendation
建築學有關「建造」的討論，難免會摻雜進歷史和文化等維度的內容，顯得糾纏不清。但在「動物建築學」中，我們突然可以排除一切幹擾，專心思考一下完全基於材料與工具本身的「純粹」建造活動。
The discussion about "construction" in architecture is inevitably mixed with the content of history and culture, which seems to be entangled. But in "zooarchitecture," we can suddenly cut out all distractions and focus on "pure" construction based entirely on the materials and tools themselves.
《地理媒介: 網絡化城市與公共空間的未來》
[澳] 斯科特·麥誇爾
這是一本相當燒腦的書。
何為地理媒介？麥誇爾說：地理媒介是「在現代城市中與不同媒介平臺的空間化過程緊密相關的新技術條件」，表現為四個交叉關聯的維度：融合、無處不在、位置感知和實時反饋。地理媒介帶來了什麼？麥誇爾又說：網絡數字媒介在城市空間中擴張，成為強大的「時空機器」，極大地擴展了人類的感官、社會組織和文化規範。媒介與城市社會空間的關係究竟發生了什麼變化？地理媒介的提出有什麼意義？對社會交往過程中「中介」（media）與「直接」（immediacy）之間日益複雜的關係，經典的媒介概念與傳播再現理論已經無法解釋，需要新概念如「地理媒介」和新解釋範式。麥誇爾用《地理媒介》這本書為傳播學者展現了深廣的學術圖景：現象、問題、理論、研究方法、解釋方式，迥異於以往的傳播研究。閱讀本書，如同穿越觀念的迷宮，為你帶來智力冒險的樂趣。
This is quite a mind-numbing book.
What is geographic media? According to McQuarr, geographic media is "a new technological condition closely related to the spatialization process of different media platforms in modern cities", which is represented by four intersecting dimensions: convergence, ubiquity, location awareness and real-time feedback. What does geographic media bring? The expansion of digital media in urban space has become a powerful "time machine" that has greatly expanded human senses, social organization and cultural norms. What changes have taken place in the relationship between media and urban social space? What is the significance of the proposal of geographical media? The increasingly complex relationship between "media" and "immediacy" in the social interaction process could not be explained by the classical media concept and communication reproduction theory, and new concepts such as "geographic media" and new interpretation paradigm were needed. With the book Geographical Media, McQuarr presents a wide and profound academic picture for communication scholars: phenomena, problems, theories, research methods and interpretation methods, which are different from previous communication studies. Reading this book is an intellectual adventure, like navigating through a maze of ideas.
推薦理由
Reason for Recommendation
當建築學還沒來得及針對網絡等新傳播媒介展開有效的思考，傳播學領域卻已在近幾年開始討論城市空間的議題，麥考爾的著作讓我們看到了傳統城市建築學框架被新技術徹底顛覆的可能性。
While architecture has not yet had time to think effectively about new communication media such as the Internet, the field of communication has begun to discuss the issue of urban space in recent years. McCall's work makes us see the possibility of the traditional framework of urban architecture being completely overturned by new technologies.
簡介
Description
《向拉斯維加斯學習》(原修訂版)與文丘裡所著的《建築複雜性與矛盾性》被認為是現代主義建築思潮的宣言，文丘裡反對密斯·凡德羅的名言「少就是多」，認為「少就是光禿禿「。他認為群眾不懂現代主義建築語言，群眾喜歡的建築往往形式平凡、活潑、裝飾性強，又具有隱喻性。他認為賭城拉斯維加斯的面貌，包括狹窄的街道、霓虹燈、廣告版、快餐館等商標式的造型，正好反映了群眾的喜好，因此他在《向拉斯維加斯學習》(原修訂版)中呼籲建築師要同群眾對話，接受群眾的興趣和價值觀，向拉斯維加斯學習。
"Learning from Las Vegas" (originally revised) and "Architectural Complexity and Contradiction" by Venturi, who rejected Mies van der Rohe's dicta "Less is more" and argued that "less is bald," are considered declarations of modernist architectural thought. He believes that the masses do not understand the language of modernist architecture, and the buildings they like are often ordinary, lively, highly decorative and metaphorical. He thinks that the face of Las Vegas, including the narrow streets, the neon lights, advertising version, fast food restaurants, such as the modelling of trademark, just reflects the preferences of the masses, so he in "learning from Las Vegas" (the original edition) called for the architect to dialogue with the people, accepts the populace to the interests and values, learn from Las Vegas.
推薦理由
Reason for Recommendation
當下，網際網路技術生產出了無比豐饒的虛擬實境，它構成了對於建築學實體性建造的衝擊，更加催生出了「網紅建築」這種尚未被學科所接納的「雜交品種」。面對這前所未有的動蕩環境，我們應該重溫文丘裡的這部經典，回看一下那個早就「符號勝過實體」的拉斯維加斯。
At present, The Internet technology has produced an incomparable abundance of virtual reality, which constitutes an impact on the substantive construction of architecture and even gives birth to "Internet celebrity architecture", a "hybrid breed" that has not been accepted by the discipline. In the face of unprecedented turbulence, we should revisit Venturi's classic and look back at Las Vegas, where signs trumps substance.
《Eyes That Saw: Architecture after Las Vegas》
[瑞士] Stanislaus von Moos / Martino Stierli
在1968/69年美國大學學生騷亂的高峰期，Robert Venturi和Denise Scott Brown，以及Steven Izenour，在耶魯大學建築學院追求以拉斯維加斯為主題的設計和研究工作室。這些研究成果被濃縮在《從拉斯維加斯學習》一書中，這本書在1972年首次出版時幾乎立刻成為經典。這篇論文激動了20世紀70年代的建築界，至今仍對建築師、教師和理論家有影響。
大約四十年後，《看見的眼睛：拉斯維加斯之後的建築》提供了由著名的藝術和建築史學者、傑出的建築師和藝術家撰寫的豐富的插圖文集，從不同的角度研究拉斯維加斯的學習和它的遺產。每一章都是基於它對建築、城市設計、視覺藝術，甚至對歷史的深遠影響。與此同時出版的還有文丘裡、賓夕法尼亞大學斯科特·布朗聯合檔案館(Scott Brown & Associates Archive)的文件，以及1972年《從拉斯維加斯學習》(Learning from Las Vegas)出版後國際媒體反響的插圖年表。
At the peak of the 1968/69 students' riots at American Universities, Robert Venturi and Denise Scott Brown, together with Steven Izenour, pursued their Design and Research Studio on the topic of Las Vegas at Yale School of Architecture. The results of this were condensed into the book Learning from Las Vegas that became a classic almost instantly upon its first publication in 1972. The treatise excited the 1970s architecture world and has remained influential to architects, teachers and theoreticians to the present day.
Some forty years later, Eyes that Saw: Architecture after Las Vegas offers a richly illustrated collection of essays by renowned scholars of art and architectural history, eminent architects, and artists, investigating Learning from Las Vegas and its heritage from various perspectives. Each chapter builds on the knowledge of the radical influence it had on architecture and urban design, visual art, and even on history more generally. Published alongside are documents from the Venturi, Scott Brown & Associates Archive at the University of Pennsylvania, as well as an illustrated chronology of the resonance in international media following the publication of Learning from Las Vegas in 1972.
推薦理由
Reason for Recommendation
這是一本可以幫助我們重新理解《向拉斯維加斯學習》的著作。
This is a book that can help us reunderstand "Learning from Las Vegas."
本書《技術與時間1.艾比米修斯的過失》是法國當今著名哲學家貝爾納·斯蒂格勒的重要論著《技術與時間》的第一卷。作者在書中，綜合以西蒙棟、吉爾和勒魯瓦-古蘭等學者的技術進化理論和以海德格爾為代表的生 存現象學理論，從人類固有的「缺陷存在」和「代具性」這兩個品質出發，通過闡釋希臘神話中普羅米修斯和愛比米修斯兄弟的故事，對技術與時間在人類本性中的作用和地位進行重新討論，從而建立技術與時間二者和人的本性之間新的關係。本書《技術與時間1.艾比米修斯的過失》作者對偏愛走極端的法國知識分子本身進行了剖析和批判，研是究法國現代思想史的重要參考資料，也是知識社會學的名著。在許多情況下，深刻的思想往往採取片面的姿態，左派的作品是這樣，右派的作品也是如此。
作為德希達的繼承人，斯蒂格勒在技術命運的哲學分析領域開始了一個轉折。
——戈裡高利 沙東斯基
This book technology and Time 1. The Fault of Epimetheus is the first volume of the important work Technology and Time by Bernard Stigler, a famous French philosopher. The author in the book, integrated with Simon, Jill and le Roy - grant scholars such as technological evolution theory and represented by heidegger's phenomenological theory, from the human inherent "defect" and "generation" the two quality, through the interpretation of the Greek mythology, Prometheus and the story of love than m Theseus brother, This paper discusses the role and position of technology and time in human nature and establishes a new relationship between technology and time and human nature. The author of this book, Technology and Time 1. The Fault of Epimetheus, analyzes and criticizes the French intellectuals who prefer to go to extremes. It is an important reference for the history of Modern French thought and also a masterpiece of the sociology of knowledge. In many cases, profound thoughts tend to take a one-sided stance, and this is true of the writings of the left as well as of the right.
As Derrida's successor, Stigler began a turning point in the philosophical analysis of the fate of technology. -- Gregory Sadonsky
推薦理由
Reason for Recommendation
這個書單事實上是一個遞進的過程，從建築學的經典議題通往針對當代的思考，斯蒂格勒的著作可以幫助我們建立新的思考範式，即工業革命之後，人與技術的恰當關係。我們需要在此基礎上重新思考何謂日常，何謂身體，何謂建築學。
The list is actually an evolutionary process, moving from classical issues of architecture to contemporary thinking, and Stigler's work can help us establish a new paradigm of thinking about the proper relationship between man and technology in the aftermath of the Industrial Revolution. On this basis, we need to rethink what is everyday, what is body, what is architecture.
關於A8設計中心
About A8 Design Center
A8設計中心（A8DC）依託成都麓湖水城，關注青年設計師成長。通過尋找挖掘有趣或有研究意義的命題，啟動設計師駐留、設計競賽、講座沙龍、教育合作、設計展覽等項目，並通過整合上下遊產業鏈，為青年設計師群體尋求更多展示機會，推動設計產業發展 。與此同時，作為泛設計文化交流的平臺，A8設計中心期待通過一系列策劃和活動所帶來的合作、交流、互動的契機，搭建設計師社群，構建設計師社區，聚攏設計愛好者和相關從業者，促進設計力量的持續迭代、更新和活化。
A8 Design Center (A8DC) is located at Chengdu LUXELAKES Water Town and focuses on the growth of young designers. By looking for interesting or significant topics, a series of activities such as designer residency, design competition, lectures and salons, educational cooperation, and design exhibition will be launched; through the integrating the upstream and downstream industry chains, A8 Design Center seeks to provide more display opportunities for young designers and promotes the development of design industry. At the same time, as a design culture platform, A8 Design Center expects to build a community of designers, gather design enthusiasts and relevant practitioners through a series of activities, and look forward to continuous upgrade, renewal and activation.
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For more information, follow 【A8 Design Center】