南美風,神仙、埃及神仙、七彩神仙造景缸,怎麼看怎麼爽!

養觀賞魚，玩自然水景，懂生活的人都關注了水族圈！

前幾天發布了神仙魚品種，小編記得以前發過很多散的神仙造景缸，今天就為大家匯總一期神仙造景缸作品欣賞！先來看幾張國外優秀原生造景 養埃及的可參考。

這些都是選出優秀的原生布景 可以借鑑

看國外魚友版權所有：George Farmer分享的作品！George Farmer sets up another smash hit of an Amazonianbiotope tank - this time recreating the life and décor of the Rio Nanay.喬治·法默創作了另一個引起轟動的亞馬遜生態缸，這次他再現的是納內河的生態布景。My fully planted jungle aquascape featured in PFK a fewmonths back kept me busy pruning and thinning out plants – sometimes daily. Sowhen commissioned to set up the same tank with an Amazon biotope I was almostrelieved!幾個月來，我一直在PFK（不會翻譯，像是地名或地點簡稱）忙於修剪和精簡叢林特色的造景，有時候每天都在做。所以當有人委託我再次創作一個亞馬遜生態缸時，我簡直感到如釋重負。The Amazon measures more than 6000km/3730 miles and has manytributaries, so choosing an individual biotope to replicate isn’t easy. Somebelieve the waters may be home to more than 5,000 species of fish and Ideliberated for weeks over stocking. I would choose the fish, then design theaquarium layout appropriately.亞馬遜河長達6000公裡/3730英裡，擁有眾多的支流，想要選擇一個獨特的生態景觀去模仿絕非易事。亞馬遜流域擁有多達5000種魚類，由於種類繁多，我考慮了好幾周，感覺有些無從入手。最後我決定先選定一種魚，然後圍繞它來設計合理的水族箱布景。I usually select fish based on their size, colour andbehaviour, including their height to length ratio to suit my tank. In my casethe aquarium is much longer than it is tall, at 120 x 45cm / 48 x 18」, so Iwould usually choose some longer, slender fish.為了讓魚跟我的水族箱看起來更和諧，我通常根據魚的大小、顏色、習性以及它們的身體比例來選擇用哪種魚。這次我用的水族箱為120*45cm/48*18英寸這種長寬比例比較長的，通常我會選擇一些細長的魚類。However, at The Waterzoo in Peterborough I was captivated bysome stunning angelfish. I had seen these before, often labeled Peruvianangelfish and Peruvian altums, and wanted them — even though they are not myideal choice for the tank’s dimensions.但是，在彼得堡的水族館裡，我被一些令人驚奇的神仙魚深深的迷住了。之前我看到過他們，通常是秘魯或者埃及神仙魚，我決定把它們用在我的水族箱，即便按照以前的理念它們並不適合我的水族箱。Heiko Bleher confirmed they were a wild Pterophyllum scalarefrom Peru and advised me about décor and suitable tank mates. The shop managerthen said they were in fact P. scalare 『Rio Nanay』, and he assured me they wereindeed caught from that waterway. This was brilliant news, as there was plentyof information about them on the Internet.Heiko Bleher證實它們是一種來自秘魯的野生斯卡神仙，並且在造景和水族箱搭配方面給我提出了合理的建議。商店的經理告訴我這是納內河斯卡，並且向我保證絕對是從那個流域捕獲的。這些信息都是透明的，網際網路上有大量的相關資料可以查閱。Altum they are not! Despite being labeled as Peruvian altumsat some retailers, the fish I bought are definitely P. scalare, although it 『sperhaps understandable why they are called altum. With their delicatetall-bodied shape and distinctive notched forehead profile they do looksimilar.儘管一些零售商給它們貼上埃及神仙魚的標籤銷售，但這些魚並不是埃及神仙魚！我買的這些魚確實是產自秘魯的斯卡神仙魚，也許因為它們優雅的高身體型以及獨特的撅嘴頭部輪廓，使它們與埃及神仙魚看起來有幾分相似，所以也就可以理解為什麼它們被誤稱為埃及神仙魚。P. scalare 『Rio Nanay』 is unique to its namesake river, butthere’s some debate about its origin.納內河斯卡神仙魚在這條河裡是獨一無二的，但是關於它的起源缺存在爭議。In the 1970s a fish exporter’s facility was flooded and allthe fish, including thousands of Discus, were released into the Nanay. In the1980s collectors began catching Discus descended from this accidentalintroduction. Some believe that this species does not originate from the RioNanay and that this distinct strain of scalare may have reached the river bythe same release.上世紀七十年代，一個出口商的漁場被洪水淹沒，包括野彩在內的所有魚都逃到了納內河。因為這次意外，到了八十年代，大量的採集者為了野彩蜂擁而至。很多人認為納內河斯卡也不是納內河原生魚，估計也是因為類似的原因而出現在納內河中。This is backed up by the fact that scalare usually avoid thevery acidic blackwater that’s found in the Nanay.這種觀點的依據主要是斯卡神仙魚通常不喜歡納內河這種酸性黑水。Some experts believe that what we call scalare might be anumber of different but similar species. This might be possible, as scalare isfound from Peru, in eastern South America, all the way to Belem in the west andin many Amazonian tributaries.一些專家認為，我們所稱的斯卡神仙魚可能是多個不同但類似的物種。這種說法是可信的，因為斯卡神仙魚在秘魯、從南美洲東部一直到西部的貝倫、以及眾多的亞馬遜河支流都有被發現。After speaking to Heiko Bleher, my aquascaping plans wereconfirmed as needing plenty of wood, pale sand and some leaf litter.跟Heiko Bleher交談後，得出一個結論，我的造景計劃需要大量的沉木、淺色底砂以及一些欖仁葉之類的落葉。Aquascaping a larger tank using relatively few materials canbe a challenge. With biotope aquascaping the trick is to make it look naturaland not too contrived, yet at the same time it needs to look appealing.為一個大水族箱造景，並且使用儘可能少的素材是一個很大的挑戰。生態造景的關鍵就在於使它看起來自然又具有吸引力。One or two pieces of wood wouldn’t work in this size of tank,looking too simple and unnatural. I borrowed a lovely large piece of Sumatrawood from PFK editor Jeremy Gay to form the backbone of the layout. Smallerpieces were then added strategically around the large piece, taking care tocreate balance.在這種尺寸的水族箱裡，一兩塊沉木起不到效果，看起來太簡短，也不自然。我從PFK的編輯Jeremy Gay那裡借來了一塊非常棒的蘇門答臘沉木用來構造整個造景的骨架。然後圍繞這個骨架增加一些細節性的部分，以期達到整體的平衡。I took several days to come up with the final result, asevery time I looked at it there was something I wasn’t particularly happy with.With no plants to disguise or detract attention it can be tough to get ahardscape-only aquascape to look good.我花了幾天的時間來確定最終的造型，因為我總是感覺有什麼地方不是非常滿意。在沒有植物搭配和分散注意力的情況下，很難單靠沉木取得一個完美的造景。A few months previously I picked up some fallen copper beechleaves from my local park and soaked them for a few days to ensure they wouldsink after adding water.幾個月前，我曾從我附近的公園收集了一部分古銅色的山毛櫸落葉並且把他們浸泡了幾天以確保在水族箱加水後它們可以沉在底部。I then deliberately left open sand to the left of theaquarium as it provides a nice balance between open and full spaces.然後我特意將水族箱的左邊留空，這樣整體造景就能達到一個很好的虛實平衡。Heiko confirmed that the waters of the Rio Nanay were stainedwith tannins, so I added tannins via Indian almond leaf sachets. These are likegiant tea bags full of shredded catappa leaves. I placed three sachets in a jugof boiling water, left to stew for 24 hours, then added the contents into theaquarium water.Heiko認為納內河含有的大量單寧酸對河水起到了染色左右，於是我放入了一些袋裝欖仁葉來增加單寧酸。這些裝滿撕碎的欖仁葉的袋子看起來像大號的茶葉包一樣。我把3袋欖仁葉用開水煮了24小時，然後把煮完的水倒入水族箱中。The effect looks great, adding a really natural lookingblackwater effect, but not enough to spoil the view. I did try to source somegenuine wood and leaves from the Amazon, but was unsuccessful.效果看起來不錯，增加了更像黑水的自然感，同時並不影響觀賞上的視覺效果。我曾試圖收集一些真正的亞馬遜沉木和落葉，但是並沒有如願。Aquarium and cabinet: ￡4001. I’m using a 240 l/53 gal aquarium measuring120 x 45 x 45cm/ 48x18x18」. It’s braceless and rimless, making it ideal foraquascaping from which décor and plants can protrude from the surface. Anovertank luminaire is used to provide the lighting and a black background isfitted, helping to hide equipment.1.我選擇的水族箱尺寸為120 x 45 x 45cm/ 48x18x18英寸，體積240L/53加侖。這種沒有拉筋且開口型的水族箱，在設計成水草或者布景伸出水面這種造景時非常理想。架在缸上的燈可以提供照明，黑色的背景很適於隱藏各種設備。2. A 15kg bag of play sand is then added. This isan inexpensive substrate and readily available from many shops. It doesn’trequire pre-rinsing, is inert and the colour and texture is similar to thesubstrate found in the Rio Nanay. Only a thin layer is going to be necessary asI’m not adding plants.2.鋪上15kg的底沙。用這種底沙進行底部造景成本很低，商店裡也很容易買到。這種中性的沙子顏色和材質都與納內河底部的沙子很相似，不需要提前清洗。我不準備添加水草，所以只需要鋪上很薄的一層就可以了。3. A large piece of Sumatra wood is added. Thought is givento its position along the length of the tank, so some open sand is provided tothe left. The wood is placed to look aesthetically balanced with the branchespointing in a way that leads the eye across the tank.3.將大個的蘇門答臘沉木放進去。我的想法是把這個大沉木沿著魚缸的長邊放，這樣左邊底沙部分可以留白。通過沉木枝杈的指向來吸引人們的視線，使沉木的擺放位置達到審美上的平衡。4. More wood is added, keeping in mind how it looks againstthe original piece. Although in nature the wood will be more randomly placed, Ilike to use some compositional aids to create a visually pleasing aquascape. Ifeel biotope aquariums don’t have to be ugly!4.增加更多的枝條狀沉木，讓人在意識上感覺與原有的部分形成對比。因為自然界中的沉木看起來會顯得更加隨意，我用一些輔助的東西來使得造景看起來更加自然。我覺得生態水族箱也可以不必那麼難看。5. The final pieces of wood are added. These are smaller bitsof Sumatra, adding texture to the layout. The individual ones are interlockedand I』ve experimented to achieve the desired effect. Pre-soaked copper beechleaves are added. I enlisted the help of fellow aquascaper James Starr-Marshallduring this process.5.將剩下的小的枝杈狀的沉木放進來。這些小個的沉木，增加了整個布局的質感。經過我多次試驗，每個個體之間的交叉達到了我想要的效果。接下來，加入預先浸泡好的山毛櫸葉子。在這個環節，我獲得了James Starr-Marshall的幫助。5. The final pieces of wood are added. These are smaller bitsof Sumatra, adding texture to the layout. The individual ones are interlockedand I』ve experimented to achieve the desired effect. Pre-soaked copper beechleaves are added. I enlisted the help of fellow aquascaper James Starr-Marshallduring this process.5.將剩下的小的枝杈狀的沉木放進來。這些小個的沉木，增加了整個布局的質感。經過我多次試驗，每個個體之間的交叉達到了我想要的效果。接下來，加入預先浸泡好的山毛櫸葉子。在這個環節，我獲得了James Starr-Marshall的幫助。6. I am using RO here as the water in the RioNanay is soft and acidic. The angelfish added later are wild-caught and hadbeen kept in similar conditions in the shop. I use an RO unit, which isrelatively inexpensive and ideal for creating softwater set-ups in which youcan control mineral content.6.我使用了RO水，因為這樣比較接近納內河的酸性軟水。接下來可以讓神仙魚入缸了，這些魚都是野外捕獲並且已經在魚店養定。我使用的RO單元比較實惠，並且生產礦物質可控的軟水方面很理想。7. The aquarium is filled, but some wood has not beenwaterlogged enough to sink, so I add a large rock. The filter is switched onand heater is set to 28°C/ 82°F. The tank is fishlessly cycled and over thenext two weeks I fiddle with the wood until totally happy with the layout.7.水族箱布景完畢，但是有些沉木不能沉水，為此，我加了一個大石頭用來壓住他們。接下來我加入了過濾設備，將加熱棒溫度設置在28°C/82°F。水族箱在沒有魚的狀態下運行了兩周，在此期間我對沉木的擺放進行了很多細微的調節，終於達到了最滿意的效果。8. Once ammonia and nitrite are undetectable using test kitsI acclimatise and add the seven wild-caught Pterophyllum scalare 『Rio Nanay』and 30 Petitella georgiae. They are initially quite skittish but after 24 hourssettle and feed on a selection of high-quality dry and frozen foods.8.當水裡的氨和亞硝酸鹽用試劑已經測試不到的時候，我加入了7條野生斯卡神仙魚和30條紅鼻剪刀入缸。起初他們非常容易受驚，經過24小時的適應之後可以開始餵一些優質的幹飼料或者冷凍飼料。Tank set-up
Aquarium: 120 x 45 x 45cm (48 x 18 x 18」) 240 l/53 gal, braceless, rimless
Lighting: Arcadia overtank luminaire with DIY bracket
Filtration/heating: Fluval FX5 with Hydor 300w external heater
Substrate: 15kg play sand
Décor: Sumatra wood and driftwood, copper beech leaves
Fish: Seven Pterophyllum scalare 『Rio Nanay』, 30 Petitella georgiae
配置：
水族箱：120 x 45 x 45cm (48 x 18 x 18英寸), 240 L/53 加侖，無拉筋
燈：阿卡迪亞燈源，搭配DIY支架
過濾/加熱：日本希瑾富華FX5/義大利海盜300W外置加熱棒（都是高端貨）
底部：15kg化妝沙
布景素材：蘇門答臘沉木，流木，山毛櫸落葉
魚：7條納內河野生斯卡神仙魚，30條紅鼻剪刀Full name: Pterophyllum scalare 『Rio Nanay』Common name: Peruvian angelfish, Peruvian altumTemperature: Prefers warmer water around 28°C/82°FWater chemistry: Soft and acidic with low conductivity.Diet: Quality dry, frozen and live foods. Should readilyaccept dry foods.Maximum size: Total height reportedly up to 30cm/12」食物：高品質的幹飼料、冷凍飼料或者活食。比較容易接受人工幹飼料Full name: Petitella georgeiaeCommon name: False rummynose tetraDistribution: Rio Nanay, Purus, Negro and MadeiraTemperature: 24-28°C/75-82°FWater chemistry: Soft and acidic with low conductivity.Diet: Quality dry, frozen and live foods, mouth-sizedSwimming area: Lower to midwaterWhat’s the Rio Nanay like? (picture by exedu, CreativeCommons)上圖可看到納內河是什麼樣子的（圖片來自exedu，創用CC）The Rio Nanay is 3.5km/2.2 miles from the city of Iquitos andone of the tributaries of the Amazon. It『s a blackwater river that’s surroundedby forest.納內河是亞馬遜河的一條支流，距離伊基託斯市3.5km/2.2英裡，是一條被森林包圍的黑水河。In the rainy season it bursts its banks and floods theadjacent forests, causing trees to collapse into the water.在雨季的時候，它衝破堤岸，淹沒附近的森林，將樹木衝倒在水中。Its average temperature is 28°C/82°F, pH is about 6 and theconductivity 25-50μS in the dry season. In the rainy season, conductivity dropsto 15μS. Flow rate depends on the season as well as the depth, which is usuallyabout 5m/16』.在旱季的時候，它的平均溫度是28°C / 82°F，pH約為6，電導率25-50μS。在雨季，電導率下降到15μS。河水流量取決於季節和水的深度（通常是5m / 16英寸）。It contains hundreds of species of fish popular in the hobby,most notably probably Symphysodon aequifasciata, the Green Discus, a result ofaccidental introduction. There are a few Echinodorus spp. but these are notcommonly seen.在河裡生活這數以百計的受人喜歡的魚種，其中最著名的要數七彩神仙魚。綠七彩因為一次意外而被引入到納內河。也有少部分皇室魚，但是很難見到。Which species of rummynose?There are three species of what’s commonly known as theRummynose tetra — Hemmigrammus bleheri, H. rhodostomus and Petitella georgiae —and Heiko said that only the latter are found with my chosen angelfish.這種類型的魚常見的有三種—紅嘴剪刀、紅頭剪刀、紅鼻剪刀（分類是我猜的）。據Heiko所說，最後一種應該與我選的神仙魚是在一起生活的。My local shop had a tank full of rummynoses, but labeled H.bleheri. However, on close inspection, none had their red coloration runningpast their gill plates.我們當地的魚店裡到處都是紅鼻魚，但是卻標著紅頭剪刀在售賣，不過走近仔細觀察的話，可以發現其實紅色並沒有超過魚的鰓蓋。Black backgrounds are ideal for most aquascapes. Muchequipment is black, so it becomes camouflaged. Colours contrast well againstblack and it helps to hide algae that may grow on the glass.對於大多數造景來說，黑色都是最理想的背景。因為大部分的設備都是黑色的，所以黑色背景有利於隱藏設備。其他東西可以與黑色形成很好的對比，並且黑色背景還可以隱藏缸壁上的藻類。When aquascaping it’s best to place the décor in the tankbefore adding water. This way you can change the layout many times withoutmessing up the substrate or disturbing the fish.最好是把造景調整到自己滿意的時候再添加水，這樣可以避免後期的調整打亂底部的布局或者影響水裡的魚類。Altum they are not! Despite being labeled as Peruvian altumsat some retailers, the fish I bought are definitely P. scalare, although it 『sperhaps understandable why they are called altum. With their delicatetall-bodied shape and distinctive notched forehead profile they do looksimilar.儘管一些零售商給它們貼上埃及神仙魚的標籤銷售，但這些魚並不是埃及神仙魚！我買的這些魚確實是產自秘魯的斯卡神仙魚，也許因為它們優雅的高身體型以及獨特的撅嘴頭部輪廓，使它們與埃及神仙魚看起來有幾分相似，所以也就可以理解為什麼它們被誤稱為埃及神仙魚。P. scalare 『Rio Nanay』 is unique to its namesake river, butthere’s some debate about its origin.納內河斯卡神仙魚在這條河裡是獨一無二的，但是關於它的起源缺存在爭議。In the 1970s a fish exporter’s facility was flooded and allthe fish, including thousands of Discus, were released into the Nanay. In the1980s collectors began catching Discus descended from this accidentalintroduction. Some believe that this species does not originate from the RioNanay and that this distinct strain of scalare may have reached the river bythe same release.上世紀七十年代，一個出口商的漁場被洪水淹沒，包括野彩在內的所有魚都逃到了納內河。因為這次意外，到了八十年代，大量的採集者為了野彩蜂擁而至。很多人認為納內河斯卡也不是納內河原生魚，估計也是因為類似的原因而出現在納內河中。This is backed up by the fact that scalare usually avoid thevery acidic blackwater that’s found in the Nanay.這種觀點的依據主要是斯卡神仙魚通常不喜歡納內河這種酸性黑水。Some experts believe that what we call scalare might be anumber of different but similar species. This might be possible, as scalare isfound from Peru, in eastern South America, all the way to Belem in the west andin many Amazonian tributaries.一些專家認為，我們所稱的斯卡神仙魚可能是多個不同但類似的物種。這種說法是可信的，因為斯卡神仙魚在秘魯、從南美洲東部一直到西部的貝倫、以及眾多的亞馬遜河支流都有被發現。

再看看國內魚友分享的作品！人工F1最佳狀態溫度是２４～２６度｀所以我準備造個造景缸｀剛鋪一半｀草和石頭還沒放呢｀還請大家多提意見｀

另外一個作品分享，就像其外號，被稱為'trouble maker'的埃及神仙非常地難養，我在3個禮拜前將它們放入了我的水草缸內，但是並沒有製造任何麻煩。因為設置了TWINSTAR NANO,莫斯的生長得到促進，缸內環境也變得更適合魚成長。這周我必須要修剪莫斯了！雖然埃及神仙在缸內，但是此缸基本上屬於水草造景缸。並且我也應減少魚食的投入，因為水質的改變會影響藻類發生。

魚友打造埃及神仙魚黑水造景缸-真不容易-花了很多精力-看看效果如何

水煮三湖分享的七彩神仙造景

之前一直很欣賞七彩神仙那種飄逸，而七彩也有喜氣，旺財之意，不僅能給家裡小孩子帶來歡樂，也能帶來好運。

我喜歡造景，這樣看起來有靈氣，我的造景定向：

1、少折騰，只選用石材，沙材，木材這些好打理易定型的素材造景；

2、造景追求自然的感覺； 

3、生物選擇平民化，但色澤比較喜歡接近原生的顏色且找安靜幽雅的主魚；

4、燈光不喜高亮，要營造出那種幽靜美；

5、營造一種看上去顯得蒼桑、黑暗、蕭條的景像但能感受到一絲光明與希望的正能量。

第一次嘗試造南美風格，用了一周時間準備與造景，首先我想追求原生的美，網上看了一些亞馬遜風格的記錄片，了解那邊的魚兒的生長環境是蜿蜒的河流，樹林從生，河流下大量積累枯樹枝與腐木頭，落葉，所以我就選沉木，沙子，石子來作為素材。

我找到一個龍眼樹身作為大樹樁來造勢，找了些粗細不一的杜鵑根來作為大樹的根系與腐枝，底下還放一些大小的沉木，在河邊找到原生色的石頭(朋友[小惟]野採送我的)，隨意擺放，亂而有致，養水2天了，初步達到自己預想的效果，滴濾盒與魚缸都是家裡閒置的，過濾是9個小滴流盒，擔心負擔不過來，魚缸以前上過背景板，沒法拆下，第四天放了生物：人工彩4條(紅松，阿連卡，喜歡棟線比較深的，沒那麼人工化)，秘魯神仙5條，鼠魚15條，一眉道人12條，豬鼻龜一隻，燈魚40隻。

期間也遇到幾個問題：

1、杜鵑根下缸第一天發毛，很多，放了幾十隻黑殼蝦與10多條鼠魚清理，暫時有所緩解，不知這樣合不合理？；

2、水黃得厲害，不知道有沒有好的辦法改善？我想要點水略黃的感覺，不過太黃欠觀賞性；

3、進的幾條七彩不吃豐年蝦，看到他肚子也很扁了，不知怎麼開食 ？

4、我這個缸是放在院子屋簷下的，冬天溫度變化大，請問七彩神仙能承受的最低溫度是多少？希望魚友給點建議

首次開亞馬遜風格，實際比預想效果有差距，望大家多指正（附缸配置：120x50x55超白缸，上了背景板，普通日光燈，滴流過濾，造景素材：龍眼樹樁，杜鵑根及沉木，雨林沙+河沙，野採石頭）

南美風格的魚缸造景。南美風格造景主要是模仿亞馬遜雨林真實河道景象的造景，突出亞馬遜流域狂野不羈的特點，但南美亞馬遜生態也極具多樣性，多種南美風造景各有所取，展示風格也不盡相同。

南美風格造景的素材基本上是以沉木和沙子為主，偶爾也會用到石頭過渡點綴。如果是以養魚為主，我們基本很少考慮水草，偶有需求一般只考慮水溶、皇冠等陰性草，便於成活和打理。

南美風格的魚缸可以飼養很多種漂亮的觀賞魚，比如七彩神仙魚、燈科魚、埃及神仙、鼠魚、異性魚、短調類等等，選擇性很多。燈光可以選擇局部射燈，也可以用全景燈，都會非常漂亮！

親民南美風神仙魚造景，自從迷上南美缸那種狂野的自然美就一發不可收拾，木頭，雨林沙，懶人葉造景，水是黃的因為模擬了神仙魚野生環境，ph值偏酸性

裡面有紅筆剪刀燈魚，熊貓老鼠魚，七彩神仙魚苗，紅貝伊莎貝爾，斑馬神仙，白化青苔鼠

Reference ：尚善、yfaisr520、George Farmer、exedu，CC、like70、小怪獸打凹凸曼、原木覺醒、www.twinstarnano.com、www.facebook.com/twinstarnano、文講生活、水煮三湖、鄭州小哥、07day.com、精靈古怪、松仔說魚、tseng。圖片來自網絡，版權歸原作者所有，如有侵權，請聯繫我們刪文，本文僅用於魚友學習交流

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