成都最老牌的網紅咖啡店，簡單的自成一派
很多人說生活沒那麼簡單，可是生活本就是一餐一飯。——《海街日記》
多くの人が人生はそれほど単純ではないと言うが、人生は食事、食事であり。——《Our Little Sister》
設計之初，面對一個沉澱5年，辨識度極高且自帶「預設值」的品牌時，需要將無早的獨特調性與創新做平衡。與其做加法，不如溯源初心，讓它重歸「簡單」—— Life is simple。
At the beginning of the design， in the face of a brand that has been precipitated for 5 years and has a high degree of recognition and comes with a 「preset value」， it is necessary to balance the unique uniqueness and innovation without any early.Instead of doing the addition， it is better to trace the original， let it return to 「simple」 – Life is simple.
空間大量運用白色與木質元素，乍看同常規日式無異，可牆面卻「暴露」了於細節之處的巧思。有別於嶄新牆面自帶的疏離感，「有意為之」的斑駁，於無聲中引導人與其產生觸碰與交互，瞬間拉近空間與人的距離。
The space uses a lot of white and wood elements， which is the same as the conventional Japanese style， but the wall is 「exposed」 to the ingenuity of the details.Different from the alienation feeling of the new wall， the 「intentional」 mottled， in silent， guides people to touch and interact with them， and instantly closes the distance between space and people.
極具洞穴感的破壞性牆面將空間的層次感打開。由淺入深的色澤變化，由表及裡的多重氛圍塑造，隨著木質地板向深色地面的過度亦隨之遞進。
A destructive wall with a cave feel opens the layer of space. The change from the light to the deep color is shaped by the multiple atmospheres in the table and the interior， and the wooden floor to the dark ground is also progressive.
退至空間內部的吧檯與半開放式廚房相連。「功能中心」的移動與整合，不僅讓員工間溝通協助更為高效，亦在無形中引導進店客人路徑動線，成為聯動店內兩個空間的紐帶。而吧檯邊的座位設置，在打破空間布局單調性的同時，更為顧客與員工之間營造了自然親切的交流語境。
The bar that retreats into the space is connected to the semi open kitchen. The movement and integration of the 「Function Center」 not only makes the communication and assistance between employees more efficient， but also guides the inbound route of the inbound customers and becomes the link between the two spaces in the linkage store.The seat setting on the side of the bar， while breaking the monotony of the space layout， creates a natural and friendly communication context between the customer and the employee.
為進一步營造家庭感，原本空間頂部的「形單影隻」的橫梁成為了突破口。按照日本傳統坡屋頂頂梁設計，數根深褐色木料依次排開，重構空間頂部，而線條之間的交疊錯落又有著屬於幾何的獨特秩序。
In order to further create a sense of family， the 「shaped single shadow」 beam at the top of the original B space has become a breakthrough. According to the design of the traditional sloping roof beam of Japan， several dark brown woods are arranged in order to reconstruct the top of the space， and the overlap between the lines has a unique geometric order.
簡單的東西往往在細節之處帶給人們更多感受。這一點，不僅貫穿設計始終，並在空間外立面得到了更為極致的體現。
Simple things tend to give people more feelings in the details.This point is not only throughout the design， but also in the space fa ade has been more extreme.
摒棄店招，而採用大面積的木與白充盈門臉兒，極簡色彩與材質運用，自帶辨識度的同時亦跳脫出大環境所帶來的紛雜之感。簡單至此，自成一派。
Abandon shop tricks， and use a large area of wood and white to fill the door face， minimalist color and material use， with its own recognition and also jump out of the mixed environment.Simple to this， self-contained.
項目信息——
項目名稱：無早Cafe
設計方：ATMOSPHERE 氣象建築
項目設計 & 完成年份：2018年8月 & 2019年1月
主創及設計團隊：ATMOSPHERE 氣象建築
主創：Tommy Yu
設計團隊：Deniel Hwang ，Norma Lee
項目地址：成都市錦江區清蓮上街62號
Area：101 sqm
攝影版權：形在建築空間攝影 賀川
品牌：Paramita度倉家具
Project information——
Project name：No Morning Café
Design：ATMOSPHERE
Project Complete：January2019
Leader designer & Team：ATMOSPHERE ARCHITECTS
Design in charge：Tommy Yu
Space Design：Deniel Hwang ，Norma Lee
Project location：Chengdu， China
Area：101 sqm
Photo credits：Here Space Photography Chuan He
Brands ：Paramita
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