Daniel
Most crystal singing bowls that we see on the market today are maid of a silicon sand that is heated up to 4,000 degrees and put into a mold which is cooled gradually in order to make the shape. There origins are first said to come from a chemist who accidentally stumbled upon there creation and sound potential during his field study’s during the 1980s. Sense this time of there birth on this plane of existence many vendors realized there potential for selling them threw capitalism as a musical instrument. Sense the time crystal singing bowls have been created a variety of different groups of people have been manufacturing there own version with various methods and different type of crystalline materials. These can range from precious stones to raw quarts and various types of crystal sand. Due to this phenomena, we see a huge array of different quality levels and potential uses for crystal singing bowls based on there quality and intention for why they where maid. Most crystal singing bowls are maid by Factory’s that are mass producing them for profit driven motives. In some very rare cases crystal bowls are maid by a hand blowing process that’s similar to glass blowing that allows the instrument to be infused with loving consciousness.
我們今天在市場上看到的大多數水晶缽都是用矽砂做的，它被加熱到4000度，然後放入一個逐漸冷卻的模具中，以形成形狀。據說這個工藝最早來自於一位化學家，他在20世紀80年代的實地考察中偶然發現了這種材質可創造聲音的潛力。在這個存在的層面上，許多商販意識到出售它們的潛力，通過資本操作使其成為一種樂器。此時，水晶缽已經被各種不同人群，使用不同方法和不同類型的水晶材料製造出他們自己版本的產品。由於這一現象，我們看到了大量不同質量的水晶缽，或可稱呼其為潛在水晶缽，這主要基於其材質質量和其被製造過程中的目的。大多數水晶缽都是由工廠的女傭，受到利益的驅動而大量生產。在一些非常罕見的情況下，水晶缽是由一個手工吹制的過程，類似於玻璃吹制，同時注入了愛的意識能量。The use of crystal singing bowls as a therapeutic tool is an extremely extensive study that requires time and dedication developed in the field of self discovery relating to trans-personal universes and how it relates to sound and light currents (level three halo singing bowl course). Crystal singing bowls are a instrument that generates sound currents from vibrating crystalline structures that create sacred geometric patterns forming yantras in the ethereal plane that interact with the psycho emotional sphere of the practitioner as well as the listener. The sound has the capability of re arranging the molecular structure of the physical body and how one perceives reality on a psycho emotional state as well as the degree of presence in ones experience. Crystal singing bowls can be observed to serve vastly to the practitioners who wish to learn how to guide universal sound currents with their voice and ancient yogic techniques that relate to sound (Nada Yoga). When played properly crystal singing bowls have the capability of harmonizing the consciousness of each individual in the room, as well as the space it self. The weaving of the crystal singing bowl helps open any blockages in the energetic body threw its spinning motion, replicating that of a chakra. This motion there by helping each individual come in divine harmony with there individual crystalline structure and how there spirit manifests threw threw various energetic body’s.
使用水晶缽作為治療工具需要極其廣泛的研究，需要使用者花費很多時間和精力將超我意識與宇宙意識的連接，以及這與聲波與光流的關係（Halo三階音缽課程）。水晶缽是一種樂器，從振動的水晶體中產生音波，這些水晶體音波還會創造出神聖的幾何圖案，在以太層中可形成Yantra圖案，與練習者和聽眾的心理-情感域相互作用。聲音有能力影響物質身體的分子結構重組，以及一個人如何調用心理-情感層去感知現實，以及更好的活在當下的狀態。水晶缽可以讓練習者廣泛的運用、引導其聲音的力量，及結合古老瑜伽（納達瑜伽）的技巧來引導練習者。當其被正確演奏時，水晶缽能夠和諧房間裡每個人的意識，以及整個空間的能量。水晶缽的音波有助於打開能量身體的任何阻塞，使其旋轉運動，更新脈輪的運轉情況。這個更新運動通過幫助：每個個體與自身的個體水晶結構進入神聖的和諧中，以及靈魂通過能量體如何進行顯化。Another fundamental difference that can be observed threw meditation is the areas of consciousness that the authentic metal singing bowls are effecting is completely different then the crystal singing bowls. On top of this one can observe that the authentic metal singing bowls is connecting all chakra centers to source energy all together at once. This is done threw the science of concentration related to the seed sounds at the center of each chakra which is known as a bija.
另一個通過冥想可觀察到的根本區別是：金屬老缽真正影響的意識區域與水晶缽完全不同。在此之上，你可以觀察到，真正的金屬老缽可連接著所有脈輪的能量，並將其連接到源頭能量。這是通過集中意識與每個脈輪裡的種子聲音Bija去連接而實現。The highly advanced technology of the authentic metal singing bowl has the capability of mimicking the wholesome sound of the universe due to its concentration techniques that were used during its creation procedure. One can conclude that much of the metal singing bowls purpose is pointed towards the direction of Nada brahma the wholesome sound of the infinite universe. Crystal singing bowls were generally maid by people or a machine that was not aware that this state of consciousness even existed there for proving the crystal singing bowl it self not having the ancient technology the metal singing bowl contains. This is not to say that the player of the crystal singing bowl cannot point the sound in the direction of nada brama but this would take a high enough consciousness to do so as well as embodiment of the science on how to play the bowl in such a way resulting in this shift of consciousness. Its also important to note there are a very view rare individuals embodied from high dimensions alive today making crystal singing bowls with similar technology as the metal.
高度先進的技術，真正的頌缽有能力模仿宇宙源頭的全然之音，由於在其創造過程中使用了高度集中的意識關注力。我們可以得出結論，許多金屬老缽的目的是通過聲音與起源納達梵天的連接，那是代表無限宇宙之音。When talking about differences between the two bowls one must also consider the approach of playing the instrument it self is different in many ways. While a authentic metal singing bowl is a instrument that practically has all of the sacred technology directly in the bowl, the practitioner merely has to only ring the bowl and the divine happening is born from the sound on its own. This is due to its concentration of energy inside the bowl. The crystal singing bowls take a little more interaction from the practitioner it self in order to connect the inner universe of there own consciousness to the instrument they are playing. I feel this is fundamental to do when playing a crystal singing bowl when one wishes to have healing be a result of their action. I believe this is one of the drastic differences in how the singing bowls are actually played entirely in them selfs and should be taken into consideration when analyzing the differences between the two.
當談到這兩類缽之間的差異時，還必須考慮到演奏樂器的方法，它本身在許多方面是不同的。一個真正的金屬老缽實際上是一種樂器，幾乎所有的神聖技術已經凝聚在其中，練習者只需敲響缽，神聖的能量就從聲音中誕生了。這是因為它的能量集中在缽裡。水晶缽需要從練習者那裡得到更多的互動，以便能將自己意識的內在宇宙與他們所演奏的樂器連接起來。我覺得這是最基本的，當你演奏一個水晶缽時，這個行動中，你應該有一個強大的意念去達到療愈的效果。當我們分析兩者之間的差異，我相信這是一個巨大的差異，就是金屬缽完全靠其自身就能演奏出能量。Most singing bowl practitioners come to realize that they gravitate towards one type of bowl more then the other, this is actually a form of a inner intuition of what bowl will make there inner universe awaken inside of them or how they can best serve humanity threw this divine gifts from heaven. During the choosing process of any bowl type one begins to intuitively feel the differences between each bow beyond the level of the mind as they begin there study’s and schooling on the sacred art of singing bowls and how it can relate to our life purpose.
This is just a very brief summary of some fundamental differences between the metal singing bowls and crystal singing bowls. In conclusion I would like to express one is not better then the other they are just fundamentally different in there nature in certain aspects.I hope by reading this short summary it has brought some clarity to your understanding of the differences of crystal and metal singing bowls.
大多數缽練習者開始意識到，他們更傾向於一種類型的缽，這實際上是一種內在直覺的形式：即什麼樣的缽能讓他們內心的宇宙覺醒，或者他們如何才能通過這神聖的禮物，最好地為人類服務。在選擇任何一種缽的過程中，當他們開始學習和研究頌缽這神聖藝術，以及它如何與我們的生活目標相聯繫時，人們開始直覺地感受到每一個缽之間的差異。總之，我想表達的是一種類型並不比另一種類型更好，它們只是在某些方面有著本質上的不同，我希望通過閱讀這篇簡短總結，讓你對水晶缽和金屬缽的區別有一些了解。Sincerely With Love and BlessingsIf you feel very passionate about learning more about this particular topic or any topic related to sound and nada yoga, we look forward to seeing you at Halo School and continue the evolution of sacred teachings with you.如果你對學習這個特別的主題或任何與聲音和納達瑜伽相關的話題感興趣，我們期待著在「Halo學院」與你相會，並繼續與你一起探究並提升這一神聖科學的教學。