展覽現場 Installation view
2020 臺北當代藝術博覽會
2020 Taipei Dangdai
C26
倪灝 Ni Hao
Stephanie Temma Hier
Rute Merk,
沈翰 Shen Han
石佳韻 Shi Jiayun
王雪冰 Kiki Wang
展覽時間：2020年1月16日–1月19日
Duration: Jan 16–Jan 19, 2020
臺北南港展覽館
Taipei Nangang Exhibition Center
展覽現場
Exhibition View
關於藝術家
About the Artist
倪灝
熱淚，鮮血，溼吻，2019
鍍鉻金屬字母，工業空氣過濾器
91.5 x 61 x 6.8 公分 (36 x 24 x 2 5/8 英寸)
Ni Hao
Fresh Tears,Hot Blood, Wet Kiss，2019
Chrome car letters and industrial air filter
91.5 x 61 x 6.8 cm (36 x 24 x 2 5/8 in)
倪灝，1989年出生於臺灣新竹。2011年獲得芝加哥藝術學院學士學位並於2014年獲得羅德島設計學院碩士學位，現工作生活於紐約。倪灝通過雕塑，影像等多種媒介疏離日常熟悉的物件並激發其背後的隱喻或私人記憶。倪灝也以此展開他在權利結構，消費主義，暴力美學等方面的探索。過往個展包括：2019羅馬T293個展「Siege」；2019年臺北美術館個展「伏擊」；2019年上海Gallery Vacancy "Trust Me, Love Me"; 2018年光州市民大會堂光州雙年展Pavilion計劃「今天將發生」；2016年波多黎各Peligro Amarillo Gallery「模糊戰略」及聖莫尼卡18街藝術中心的「光研究」。
Ni Hao, born in Hsinchu, Taiwan in 1989, received BFA from School of the Art Institute of Chicago in 2011 and MFA from Rhode Island School of Design. Ni Hao investigates power structure, consumerism and violence aesthetics in his practice by utilizing various medium such as sculpture, installtion and video. Ni Hao’s practice constantly provokes political metaphor or his personal memories behind seemingly familiar objects. Ni Hao presented his work in Gwangju Biennale Pavilion Project in Korea in 2018. In 2019 Ni Hao presented his first solo museum exhibition Ambush in Taipei Fine Art Museum, Taipei; and followed by t239, Rome and Gallery Vacancy, Shanghai the same year.
Stephanie Temma Hier
戒不掉的壞習慣，2019
布面油畫，釉面陶土外框
53 x 43 x 8 公分 (21 x 17 x 3 英寸)
Stephanie Temma Hier
More than a bad habit，2019
Oil on canvas with glazed stoneware frame
53 x 43 x 8 cm (21 x 17 x 3 in)
Stephanie Temma Hier (b. 1992，多倫多，加拿大）生活居住於紐約。她畢業於多倫多安大略藝術設計學院和加拿大藝術學院。Stephanie Temma Hier的繪畫映射了21世紀資訊時代個人在數字圖像世界中穿梭的經歷。她的作品用一種倒錯的視覺方式，模擬了愛麗絲夢遊仙境中的經典橋段「兔子洞」，以此來探尋當代圖像消費及視覺文化。其中圖像的意義藉由看似不偏頗的大數據算法或是文化價值中的權力結構，在圖像與圖像之間臨時的建立和解散中不斷遊移。結合了美國動畫黃金時代的模版卡通角色，由藝術家重新定義了邊界的現實主義圖像，和紋身貼紙這一臨時的圖像轉移媒介，她在檢視童年記憶與成年身份認同之間的聯繫及對於批量生產的當代圖像符號的盲目迷戀，並以繪畫的表現手法把預設圖像從原有的語境中剝離，置換，升華。個展和雙人展包括：Y2K Group，紐約；David Dale ，Glasgow；Downs and Ross，紐約；Neochrome Gallery ，都林；Three Four Three Four ，紐約；Ed. Varie Gallery at NADA，紐約；和Johannes Vogt，紐約.
Stephanie Temma Hier (b. 1992, Toronto, Canada) lives and works in New York. She holds a BFA from the Ontario College of Art and Design University, Toronto, and studied at the Academy of Art Canada, Toronto. Stephanie Temma Hier’s painting reflects the experience of traversing digital space in the 21st century, mimicking the adage 「falling down the rabbit hole」 to describe the contemporary imagery consumption and visual culture, in which meanings fluctuate as images are brought together temporarily by seemingly indifferent big data algorithm to hierarchies of high and low culture values. Combining template characters taken from the Golden Age of American animation, framed realist pictures within constructed pictorial borders, and the temporary image transfer of tattoo stickers, she examines the connection between childhood memory and adult identity, as well as the fetishization of mass-produced imagery which elevates the status of the ready-made to that of painting. Solo and two person exhibitions include: Y2K Group, New York; David Dale, Glasgow; Downs and Ross, New York; Neochrome Gallery, Turin; Three Four Three Four, New York; Ed. Varie Gallery at NADA, New York; and Johannes Vogt, New York.
Rute Merk
黛德盧，2019
布面油畫
160 x 130 公分 (63 x 51 1/8 英寸)
Rute Merk
Daydre, 2019
Oil on canvas
160 x 130 cm (63 x 51 1/8 in)
Rute Merk，1991年生於立陶宛，先後畢業於立陶宛Vilnius Academy of Arts與慕尼黑美術學院。Rute Merk的作品及其獨有的後90年代RPG電子遊戲審美模糊了性別，匿名身份，以及現實科幻和虛擬實境之間的邊界。通過將她的題材置於宛如電腦生成的圖像和場景中，Merk深入研究了個體與被賦予給個體的圖像之間的距離，而這種距離在電子世界的崛起和個人身份的變革中同時成為了一種客觀的記錄和失真的扭曲。不知名的人物在與特定個人的相聯中被動畫化，被拽入一個關於虛擬存在的討論，指向了在科技發展大環境下人類靈魂的再一次重生。過往個展包括：美國Downs & Ross Gallery 「Sprites」（紐約，2019），奧地利Vent Gallery 「Virtualacra」（維也納，2018），立陶宛Editorial 「Spirits Within」（維爾紐斯，2018）以及立陶宛Solo-Project at All Welcom 「Dedicated to」（維爾紐斯，2016）。
Rute Merk, born in 1991 in Lithuania, received her arts education at Akademie der bildenden Künste, Munich; Edinburgh College of Art, Edinburgh; and the Vilnius Art Academy, Vilnius. Rute Merk draws fuzzy lines among genders, anonymous identities, and also the integration of realistic fiction or virtual realities in the facture of her painting which reverberates in its aesthetics of late 』90s RPG video games. Staging her subject matters into the seemingly computer generated imagery and scenes, Merk takes a deep look into the distance between a person and the phantasy of the given image, which simultaneously becomes a document and distortion arisen from the triumph of digital world and reformation of the individual. Unknown figures become animated through resemblance to specific personage in the state of virtual existence, a reincarnation of human spirits in the context of technological achievement. Exhibitions include: Marburger Kunstverein, Marburg (upcoming); Kunstverein München, Munich; Rupert, Vilnius; Vent Gallery, Vienna; Editorial, Vilnius; CAC Vilnius; 427 Gallery, Riga; Vartai Gallery, Vilnius; Art Hall Tallinn, Talinn; Malmö Konsthall, Malmö.
沈翰
未盡之地，2018
布面油畫
130 x 170 公分 (51 2/8 x 66 7/8 英寸)
Shen Han
The End, 2018
Oil on canvas
130 x 170 cm (51 2/8 x 66 7/8 in)
沈翰，1988年出生於浙江杭州，現生活工作於柏林。2017年取得柏林藝術大學自由藝術系碩士學位。他試圖尋找繪畫和身體的關係，憑藉油彩構建的色塊，多變的線條與隱匿的空間描繪促成潛意識與繪畫語言的融合。藉由對破碎空間的理解，在非具象與抽象之間不斷探索，於混沌中架構畫面的隱形秩序。過往個展包括：巴黎Galerie Paris-Beijing 「The Trajectory of Dream」（2019），柏林Edmond Gallery 「Open Up」（2018）。作品曾於上海Gallery Vacancy，上海J: Gallery，杜塞道夫Galerie Anette Müller，柏林Colonia Nova，巴塞爾Villa Renata，曼谷當代唐人藝術中心，及武漢美術館展出。
Shen Han, born in Hangzhou in 1988 now based Berlin, attempts to find the relationship between the given space in painting and the painted subject matters through compositions, painterly elements and the left-out-spaces, building up a connection between the material and the perception constructed by body movements witnessed on the abstract pictorial plane. Shen Han has exhibited at Galerie Paris-Beijing, Paris in 2019; J: GALLERY, Shanghai in 2017; Edmond Gallery, Berlin; Colonianoun Art Centre, Berlin in 2016; Villa Renata Space, Basel; Tang Contemporary Art, Bangkok in 2015.
石佳韻
紫色 #2，2019
布面油畫
76.2 x 60.9 公分 (30 x 24 英寸)
Shi Jiayun
Purple #2, 2019
Oil on canvas
76.2 x 60.9 cm (30 x 24 in)
石佳韻，1992年出生於中國重慶。2014年獲得四川美術學院油畫系學士學位，並於2019年獲得紐約藝術學院碩士學位。現工作生活於紐約。石佳韻在光暈的變化之間，標註了現實事物倚賴視覺再現的分歧與多義性。石佳韻的作品建立在一種不確定性之上，她的主題可以是圖像、物體、亦或是出於其自身的單純想像。藝術家以一種克制且內省的方式描繪超越其實際經驗之上的感受。最引人入勝的是深植於其作品中那股迫切的衝動—一種解放的宣言，一種對情緒持續調節，控制，批判的過程。作品曾展於Gallery Vacancy（上海）, 沒頂畫廊（上海）, J: Gallery（上海）以及The BogArt Open Studio（紐約）。
Shi Jiayun, born in 1992 in Chongqing now based in New York, regardless the uncertainty of her painting subject, sometime being an image, an object, or pure imagination - always manages to compose in a restraint and introverted way a relation of forms beyond her immediate experiences. The most intriguing part may be imminent impulsions embedded in her works, they manifest a feeling of liberation, while constituting a constant process of emotions adjustment, control and judgment. Shi JIayun has been included in exhibitions in New York, Beijing, Shanghai and Chengdu.
王雪冰
無題（衣服），2019
木板油畫
58 X 47 公分 (22 7/8 x 18 1/2 英寸)
KiKi Wang
Untitled (Garment), 2019
Oil on board
58 X 47 cm (22 7/8 x 18 1/2 in)
王雪冰，1993年出生於中國，先後畢業於洛杉磯加利福尼亞大學和倫敦皇家藝術學院，現工作生活於倫敦。王雪冰的繪畫作品以奢侈品和其他時尚單品作為切入點，從一個新奇的角度近距離接近現代消費主義。這些備受追捧的時裝珠寶從他們原有的聚光燈下被移開，從巨幅商業廣告海報中剝離下來，在藝術家設置的悖論中，他們的尺寸、位置、和自身的價值被置換、被模糊、被邊緣化。王雪冰以此探索庸碌物件獲得價值的過程，以及虛構與真實互相媾和的渠道。作品曾於北京CLC Gallery Venture（2019），倫敦Zona Mista（2019），倫敦Sackler Gallery(2019)，上海Slime Engine Gallery（2017）以及洛杉磯New Wight Gallery（2016）等多地展出。
Kiki Wang (b. 1993)’s paintings explore a twisted view of modern consumerism through the lens of luxury fashion and other objects of desire. Taken down from the spotlights and high pedestals, peeled off from massive billboards and commercial campaigns, the trending garments portrayed are trapped, marginalized, displaced, and obscured in the paradox of scale, location and value, examining the possibility to transform the non-valuable into the valuable, and to discern fictions from realities. Recent group exhibitions include: CLC Gallery Venture, Beijing; Zona Mista, London; Sackler Gallery, London; Slime Engine Gallery, Shanghai; New Wight Gallery, Los Angeles.
展覽時間
1月16日周四 VIP參觀 14:00–17:00
開幕之夜 17:00–21:00
1月17日周五 公眾開放 11:00–18:00
1月18日周六 公眾開放 11:00–18:00
1月19日周日 公眾開放 11:00–17:30
Duration
THU 16 Jan VIP Preview 14:00–17:00
Vernissage 17:00–21:00
FRI 17 Jan Public Opening 11:00–18:00
SAT 18 Jan Public Opening 11:00–18:00
SUN 19 Jan Public Opening 11:00–17:30
V A C A N C Y
周二–周六
Tuesday to Saturday | 10:00–18:00
200040上海市靜安區烏魯木齊中路19弄2號
No. 2, Ln. 19, M. Wulumuqi Rd., Shanghai 200040
+86-(0)21-62411239
info@galleryvacancy.com
www.galleryvacancy.com