羅斯·懷利（Rose Wylie, b.1934, UK）的繪畫作品常常憑藉記憶進行創作，描繪了她在電影、時裝、文學、神話、新聞圖片、體育運動以及生活中所見到的事物。她作品以「拒絕木框的巨幅裸布」著稱（棉麻布料作為載體基底通常需要至少上一層底膠塗料方可使用，但也有一些藝術家更偏愛「裸布」，比如懷利，她的畫布無底料、亦不用木框繃住直接使用），色彩鮮豔、構圖飽滿，融合了政治、社會及類似自傳體等元素。多年來，她的作品發展出了獨特的視覺語言和率真的卡通形象，畫面透視也呈最簡單直接的平直模式，確有對傳統繪畫、藝術史的反叛。
Installation shots by ©martagnyp (IG)懷利創作的油畫和素描作品，初看感覺非常簡單，也似乎無法和歷史上任何風格定義或藝術運動聯繫起來；但仔細觀察後通常會領悟到其作品中帶有的「深層冥想」以及其對「視覺呈現屬性」本身的探索。她憑藉記憶創作出來的畫作充滿了激起聯想的記憶後像，這些畫作只是間接地指向原本所指，卻與隨著時間而演變形成的記憶緊密相聯。因此喜愛她作品的人總是一次次被饒有意味的畫所吸引，懷利也曾被澳洲評論家Germaine Greer和英國《衛報》稱為「英國最炙手可熱的藝術家」。
Kill Bill (film notes), 20072009年，羅斯·懷利獲得了Threadneedle Prize最終入圍的七名藝術家提名（哥倫比亞-創利德獎：歐洲最負盛名的具象人物藝術大獎）；2010年作為唯一非美國籍藝術家參加了National Museum of Women in the Arts（美國國家女性藝術博物館，WMWA）的大型群展《Women to Watch（值得矚目的女性）》；2011年成為了Paul Hamlyn Foundation Prize for Visual Arts得主之一（保羅·哈姆林基金會之視覺藝術大獎）；2012年，Jerwood Gallery為其舉辦了大型個人回顧展；2013年，Tate Britain為其舉辦了近作展；2014年，她獲得了英國最高藝術獎項之一的「John Moores Painting Prize（約翰·莫爾繪畫獎）」。懷利先後二十多次參展久負盛名的Royal Academy of Arts（英國皇家藝術研究院）的「夏季群展」，其中2015年的參展作品為她贏得了皇家藝術研究院頒發的「Charles Wollaston Award（查爾斯·沃拉斯頓獎）」；同年，懷利榮獲了由RA頒發的「Senior RA（皇家高級院士）」殊榮；亦於該年參加了第56屆威尼斯雙年展。2018年，懷利接受了由英國女王頒發的OBE大英帝國勳章。Rose Wylie working in her studio, Kent, 2020. Photo: Tim Gutt. ©David Zwirner
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b.1934, Kent, England. Lives and works in Kent1979-1981 Royal College of Art, London1952-1956 Folkestone and Dover School of ArtsSelected Solo ExhibitionsRose Wylie: Painting a Noun…, David Zwirner, Hong KongRose Wylie: Clothes I Wore, Choi & Lager Gallery, SeoulRose Wylie: Let it Settle, The Gallery at Windsor, Vero Beach, FloridaRose Wylie, Museum Langmatt, Baden, SwitzerlandRose Wylie: where i am and was, Aspen Art Museum, Aspen, ColoradoRose Wylie, Tate Members Room, Tate Modern, LondonRose Wylie: History Painting, Plymouth Arts Centre, Plymouth, England; Newlyn Art Gallery & The Exchange, Cornwall, EnglandRose Wylie: Lolita’s House, David Zwirner, LondonRose Wylie: Hullo, Hullo, Centro de Arte Contemporáneo Málaga, Málaga, SpainRose Wylie: Cupid & Fur Coat, Choi & Lager, Cologne, GermanyRose Wylie: Drawings, Christian Larsen, StockholmRose Wylie: Use What You』ve Got, Neue Galerie Gladbeck, GermanyRose Wylie: Yellow Sax, Brand New Gallery, Milan, ItalyCOLLISIONS: Fraser Taylor & Rose Wylie, Studio Pavilion, House for An Art Lover, GlasgowRose Wylie: The Curator is Present, Willas Contemporary, OsloRose Wylie: Quack Quack, Serpentine Sackler Gallery, LondonRose Wylie, Turner Contemporary, Margate, EnglandRose Wylie: Tilt the Horizontal into a Slant, Chapter Gallery, Cardiff, WalesRose Wylie: Queens & Chocs, Space K, SeoulRose Wylie: Horse, Bird, Cat, David Zwirner, LondonRose Wylie, The Douglas Hyde Gallery, DublinRose Wylie: Girl and Spiders, Thomas Erben, New YorkRose Wylie: Yellow Desert Paintings, Union Gallery, LondonRose Wylie, Galleri Star, Vestfossen Kunstlaboratorium, Vestfossen, NorwayRose Wylie: Yellow Bird and Leaves, NUNU Fine Art, Zhongzhen, TaipeiRose Wylie: Dressed to Kill, VW (VeneKlasen/Werner), BerlinRose Wylie: What means something, Choi&Lager, CologneRose Wylie: What means something, Vous Etes Ici, AmsterdamRose Wylie: Pink Girls, Yellow Curls, Nansensgade 62, CopenhagenRose Wylie: Pink Girls, Yellow Curls, Staedtische Galerie Wolfsburg, GermanyRose Wylie, Woof-Woof, Haugar Vestfold Kunstmuseum, Tønsberg, NorwayRose Wylie - Works on Paper, Michael Janssen Gallery, BerlinRose Wylie: Henry, Thomas, Keith & Jack, Union Gallery, LondonBP Spotlight: Rose Wylie, Tate Britain, LondonRose Wylie: Rosemount, Regina Gallery, MoscowRose Wylie, Big Boys Sit in the Front, Jerwood Gallery, HastingsRose Wylie: After Daphne, Rosenwald-Wolf Gallery, Philadelphia University of the Arts GalleryRose Wylie: Six Works on Paper and One Painting, Vous Etes Ici, AmsterdamRose Wylie: Picture on the wall..., Michael Janssen Gallery, BerlinRose Wylie: Film Notes, Union Gallery, LondonRose Wylie: What with What, Thomas Erben Gallery, New YorkRose Wylie: Wear What You Like, Transition Gallery, LondonRose Wylie: Paintings, Union Gallery, LondonRose Wylie: Room Project - Twink & Ivy, Trinity Theatre, Tunbridge Wells, Kent, EnglandRose Wylie: Lined Paper Paintings, Stephen Lacey Gallery, LondonRose Wylie: Red Legs & Other Paintings, Abbotsbury Studios, Abbotsbury, Dorset, EnglandRose Wylie: Likeness in the Unlikeness, Reed’s Wharf Gallery / Stephen Lacey, London [two-person exhibition]Rose Wylie, Trinity Arts Centre, Royal Tunbridge Wells, Kent, EnglandSelected Group ExhibitionsThe Future is Female – Love Letters, CODA Museum, Apeldoorn, The NetherlandsGIRL MEETS GIRL - KATHERINE BERNHARDT, KATHERINE BRADFORD, CAROLINE WELLSCHANDLER, ROSE WYLIE, Choi&Lager Gallery, CologneFootball Is Art, National Football Museum, Manchester, EnglandGLASSTRESS 2019, Fondazione Berengo Art Space, Venice, ItalyDAS KOLLEGIUM, Grafikstiftung Neo Rauch, Aschersleben, Germany Summer Exhibition 2019, Royal Academy of Arts, LondonMichael Jackson: On the Wall, EMMA – Espoo Museum of Modern Art, Espoo, FinlandWinter Group Show 2019/20, Linden Hall Studio, Kent, EnglandThe Future is Female, Parts Project, The Hague250th Summer Exhibition, Royal Academy of Arts, LondonZÜNDUNG, Turps Gallery, LondonDrawing Island, The Journal Gallery, New YorkA New Subjectivity: Figurative Paintings after 2000, Pratt Manhattan Gallery, New York(February 24 – April 12) [itinerary: Fine Arts Center, University of Arkansas, Fayetteville,Arkansas (August 16 – September 22); Reece Museum, East Tennessee State University,Johnson City, Tennessee (October 16 – December 15)]Figure.Out: Charlie Billingham, Dale Lewis and Rose Wylie, Union Gallery, London [curated by31 Women, Breese Little, LondonRoyal Academy Summer Exhibition, Royal Academy of Arts, LondonCollateral Drawing 5, Beaston Projects, Folkestone, EnglandArtist First | paper only | The Exhibition, Francis Boeske Projects, Amsterdam, HollandThe Conformist, Belmacz Gallery, LondonImagine, Brand New Gallery, MilanRCA Secret, Royal College of Art, LondonPaper in Practice, Moran Bondaroff, Los AngelesAviary, Transition Gallery, LondonFOUND, Foundling Museum, London [curated by Cornelia Parker]Royal Academy Summer Exhibition, Royal Academy, LondonMixed Signals, Christian Larsen Gallery, Stockholm [curated by Shane Bradford]Towards Night, Towner Art Gallery, EastbourneBeyond the Cartoon, Cassina Projects, MilanMorten Viskum - Self Portraits, Haugar Vestfold Kunstmuseum, Tønsberg, NorwayRose Wylie, Tom Anholt, Billy Childish and Ryan Mosley: The Islanders, Galerie MikaelChantal Joffe Beside the Seaside, Jerwood Gallery, LondonDrawing Biennial 2015, The Drawing Room, LondonDemolition Derby, Fold Gallery, LondonVenice Biennale: Vita Vitale, Azerbaijan Pavilion, VeniceRoyal Academy Summer Exhibition, LondonPainting 1, 2, 3, Katherine Bernhardt, Rebecca Morris, Rose Wylie, Kate MacGarry, LondonWet With Wet, The Observer Building, HastingsBoy Meets Girl: Zachary Armstrong & Rose Wylie, GYNP Artspace, BerlinGIN3, 6Gins, Liverpool, EnglandOne Day Something Happened: Paintings of People, Towner Gallery, Eastbourne, EnglandContemporary Drawings From Britain, Museum of Xi』an Academy of Fine Arts, ChinaOld tin cutlery before the invention of the fork, Breese Little, LondonAll A Tremulous Heart Requires, Zieher Smith, New York30 x 2 / 40 x 2: Holy and Profane, NuNu Fine Art, TaipeiSave Yourself!, Hannah Barry Gallery, LondonJohn Moores Painting Prize 2014, Walker Art Gallery, Liverpool, EnglandCollages by Modern British and Contemporary Artists, Wilson Stephens & Jones, LondonShow-Off, Leanda Kate Louise, London2Q13 Women Artists, Lloyds Club, LondonCharacters: Portraits and People from the Arts Council Collection, The Holburne Museum,Roper Gallery, Bath, EnglandJonathan Meese, Peter Strauss, Rose Wylie, Ritter/Zamet Gallery, LondonRecent British Painting, Group Show, Grimm Gallery, AmsterdamDrawing Biennial 2011, The Drawing Room, London15 Years Thomas Erben Gallery, Thomas Erben Gallery, New YorkAnimated Matter, Thomas Erben Gallery, New YorkRoyal Academy Summer Exhibition, Royal Academy of Art, LondonWomen to Watch–Body of Work: New Perspectives on Figure Painting, National Museum ofWomen in the Arts, Washington, DCIn Dreams, Timothy Taylor Gallery, LondonBart Wells Boutique, LondonDrawing Biennial 2009, The Drawing Room, LondonRoyal Academy Summer Exhibition, Royal Academy of Art, LondonTurner Contemporary Open, Turner Contemporary, Margate, EnglandThe Figure Re-Figured, Christie’s, LondonRoyal Academy Summer Exhibition, Royal Academy of Art, LondonSwans Reflecting Elephants, Kate MacGarry, LondonDrawing as Vital Practice: Drawings by Ten International Artists, Pitshanger Manor Gallery & House, LondonProject 4: Painted Ladies, The Surgery, LondonEAST International 2007, Norwich Gallery, Norwich, EnglandMultiple Discipline, Union Gallery, LondonRoyal Academy Summer Exhibition, Royal Academy of Art, LondonOne Love: The Football Art Prize, The Lowry, Manchester, EnglandRoyal Academy Summer Exhibition, Royal Academy of Art, LondonRoyal Academy Summer Exhibition, Royal Academy of Art, LondonEAST International 2004, Norwich Gallery, Norwich, EnglandRoyal Academy Summer Exhibition, Royal Academy of Art, LondonThe Pizza Express Prospects, Essor Gallery Project Space, LondonRoyal Academy Summer Exhibition, Royal Academy of Art, LondonAs it Seems, Cheltenham Art Gallery & Museum, Cheltenham, EnglandJerwood Drawing Prize 2002, University of Gloucester, Cheltenham, England [itinerary: Jerwood Space, London (October 20 – November 10); mac birmingham, Birmingham (November 23, 2002 – January 5, 2003); Glasgow School of Art, Glasgow (January 14 –February 22, 2003); EICH Gallery, Hull (March 3 – April 4, 2003); Promenade Gallery, Salford Quays (April 12 –June 22, 2003)]Reverse Engineering, Pearl, LondonRoyal Academy Summer Exhibition, Royal Academy of Art, LondonGive and Take, Harris Museum & Art Gallery, Preston, England [itinerary: Jerwood Gallery, London (June 17 – July 30) and The Economist July 7 – August 20)]Royal Academy Summer Exhibition, Royal Academy of Art, LondonNot Enough, VELAN Center for Contemporary Art, Turin, ItalyRoyal Academy Summer Exhibition, Royal Academy of Art, LondonRoyal Academy Summer Exhibition, Royal Academy of Art, LondonHullo Lawrence, Hullo Leo, Wrexham Arts Centre, Wales [itinerary: Aberystwyth Arts Centre,Royal Academy Summer Exhibition, Royal Academy of Art, LondonJerwood Painting Prize, Lethaby Galleries, Central St. Martin’s College of Art & Design,EAST International 1994, Norwich Gallery, Norwich, EnglandRoyal Academy Summer Exhibition, Royal Academy of Art, LondonRoyal Academy Summer Exhibition, Royal Academy of Art, LondonRoyal Academy Summer Exhibition, Royal Academy of Art, LondonJohn Moores 17, Walker Art Gallery, Liverpool, EnglandRoyal Academy Summer Exhibition, Royal Academy of Art, LondonWomen & Water, Odette Gilbert Gallery LondonHayward Annual: British Drawing, Hayward Gallery, LondonSelected Public CollectionsArts Council of England, LondonDavid Roberts Foundation, LondonGovernment Art Collection, UKHammer Museum, Los AngelesJerwood Foundation, LondonMonsoon Collection, LondonNational Museum of Women in the Arts, Washington, DCNew Hall Collection, Cambridge, EnglandNorwich Gallery, Norwich, EnglandRoyal College of Art, LondonStädtische Galerie Wolfsburg, GermanyStudent Collection, Junior Common Room, University College Oxford, EnglandWalker Art Gallery, Liverpool, EnglandYork City Art Gallery, York, EnglandZabludowicz Collection, London植 物 & 動 物
Plants N Animals
植物和動物主題的紙上作品，在羅斯·懷利的創作早期有著至關重要的意義與地位。這些動植物經過誇張變形，呈塗鴉式簡單的平面色塊。羅斯·懷利的創作內容通常來自各種渠道接觸到的圖像（reference image），事實上很多藝術家都應用著類似創作方法，他們將收集到的圖像經過自發的處理，反覆練習積累手稿，然後衍生出各自不同的風格語言。
懷利的卡通式輕快筆觸和以及繪畫加文字的雙重說明，是「不愛做決定」的她給出的確定答案。「要畫自己想畫的」，街頭感十足的懷利繪畫便形成於萬千件動植物練習畫。
Blue Shoe with Shine (KM), 2015, Watercolorur and collage on paper, 99 x 72cm
Hazelnut Leaf II, 2015, Oil on paper, 84 x 60cm
Hawthorn Leaf II, 2015, Oil on paper, 84 x 60cm
Holly Leaf (Outline), 2015, Watercolour on paper, 84 x 60cm
White Jasmin, 2015, Watercolour and collage on paper, 84 x 75cm
Pink Girls - Yellow Curls, 2014, Watercolour and collage on paper, 59.4 x 84.1cm懷利擅長創作大幅人物繪畫，並以卡通、動感、天真等標籤著稱。相比動植物系的大塊面塗鴉，人物畫作一直以來都保持著她獨有風格，線條簡單明了、色彩鮮明純粹，畫中人物也總是因或輕鬆或誇張的表情神態和肢體語言讓人印象極其深刻，辨識度也非常高。
ER and ET, 2015, Oil on canvas與其說羅斯·懷利是一位年逾八十的當代「達達」女性藝術家，不如將其比作藝術界的薇薇安·韋斯特伍德（Vivian Westwood），精神獨立、衣品時尚、性格酷嬌，同時創作作品又極富魅力，「英國最炙手可熱的藝術家」實至名歸。
若說「如孩童般的繪畫」是藝術家的畢生追求（畢卡索），那麼懷利的實踐已經成功了。英國利物浦美術館館長Sandra Penketh曾評價道：羅斯·懷利的繪畫實現了一種精巧的平衡——既使用了大膽的顏色和創作形式，每幅人物作品又有著各自「主人公」，除神似麥當娜的時髦女郎外還有各種公主、芭比娃娃、戰士男孩等，所有人物都惟妙惟肖，充滿故事感，傳遞出一種神秘的、未完待續的敘事性觀感。
Fling it on … Queen with Pansies (Dots) & detail, 2016Pin Up and Porn Queen Jigsaw, 2005, Tate Collection
Playing Well, 2016, Oil on canvas. Tamares Real Estate Holdings, Inc.In collaboration with Zabludowicz Collection
展覽漫遊 | Exhibitions Review
卓納畫廊 (香港) | David Zwirner, Hong Kong今年初，David Zwirner香港空間舉辦了Rose Wylie個展《Painting A Noun…》，畫廊因疫情提前關閉了4天，但並不影響展覽和藝術家的熱度。《Painting A Noun…》是羅斯·懷利自2017年和David Zwirner合作以來，首次於其香港空間舉辦的個展。展覽涵蓋了懷利的近期作品，同時也在畫廊IG和Podcast頻道有專訪對談（點擊下圖跳轉）。
更多信息：Press Release
https://www.davidzwirner.com/exhibitions
拉塞爾·託維與羅斯·懷利: Podcast播客錄製現場 (點擊圖片跳轉)倫敦蛇形畫廊 | Serpentine, London
2017.11.30 - 2018.2.11
三年前在蛇形畫廊的這次展覽，涵蓋了當時83歲的懷利自90年代末期至今的創作，由策展人Mellisa Blanchflower策劃，畫廊總監漢斯·烏爾裡希·奧布裡斯特（Hans Urich Obrist）也與其有對談項目，也是懷利於該年加入卓納畫廊（David Zwirner）後首次新作展。
Installation view of exhibition QUACK QUACK, Serpentine對談中講到關於展覽名「Quack Quack」，還有她的展覽《Woof Woof》，作品《Hullo Hullo》和《Ark Ark》都來自動物的鳴叫聲，同中文象聲詞（嘰嘰喳喳），非常孩童的同時也和繪畫、展覽、藝術看似沒什麼關係，「但沒有關聯也很好」，無需翻譯就能夠懂的動物語言，其實也是對應文本的回音（Echo to the text）。
Installation view of exhibition QUACK QUACK, Serpentine出生於英國的懷利依稀記得童年時在倫敦肯辛頓花園看到天空中有兩隻狗正在「打架」，而實際上這是當年德國空軍對英國進行大空襲時，懷利的哥哥教她辨認不同飛機型號的樣子。而肯辛頓花園也正是如今蛇形畫廊的所在地。這段回憶後來成了這次展覽中，懷利為展覽特別定製的大型油畫的主題——《公園的狗&空襲》。另一件在展覽中首次亮相的新作品是《公園的鴨》，也是極具個人特徵和展覽地點特殊性的繪畫作品。
Installation view of exhibition QUACK QUACK, Serpentine▼
BP Spotlight: Rose Wylie
泰特不列顛美術館 | Tate Britain, UK
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