SVBKVLT presents:
Hyph11E & WangNewOne 『Aperture』 新專輯巡演
SVBKVLT榮幸宣布即將開啟中國8座城市的巡演，以慶祝 Hyph11E 首張專輯 Aperture 的發布！
SVBKVLT is excited to present an 8 city China tour celebrating the release of Hyph11E’s debut album 『Aperture』.孔洞在本質上是寄生的，它們總是存在於其他事物中，不能孤立存在。觸摸生命中那些遊移的孔洞，它是漲縮的、吞噬的，它可以被填滿，但不會消失;一方面，孔洞是進化的欲望，另一方面，它們也是生長的傷痕。沒有撕裂、切割和粘合，我們就無法創造孔洞或消除孔洞。拓撲學家使用孔洞的數量來區分幾何對象。以相似的原理，在Encrust – Erosion的閉合迴路中，我們成為了區別於他人的自我。
在 Hyph11E 的新專輯中，她讓光穿過了孔，因此成為了 Aperture。
Holes are ontologically parasitic - they are always within something else and cannot exist in isolation. Holes accompany us throughout our lives, dilative and devoured, fillable but indispensable. On one hand, they are the driven force for evolution, on the other hand, holes are also the layer of scab that signals growth. Without tearing, cutting and gluing, we cannot create or eliminate a hole. Topologists use the number of holes to distinguish geometric objects. In the same method, in the closed circuit of Encrust and Erosion, we became idiographic individuals.
In her new album, Hyph11E guides the light to travel within and through the hole, and it becomes Aperture.
Text by megakira✧◝(⁰▿⁰)◜✧
Hyph11E - Barnacles / Kode9 Remix
Hyph11E - Barnacles MV
滑動查看更多 slide for more
Aperture的主打單曲 『Barnacles（藤壺）』攜 Hyperdub 掌門/SVBKVLT 老朋友 Kode9 的remix版本共同發布。這首單曲的音樂影片由王新一（WangNewOne）創作。當我在創作這支音樂視頻時，我想像著一群生活在小洞裡的未知微生物。我想像著自己變得和它們一樣小，追隨著從洞口縫隙中透出的光亮，進入到小洞裡的一次旅程。- WangNewOne
The lead single for 'Aperture', named 'Barnacles', comes with a remix from Hyperdub boss and long-time friend of SVBKVLT - Kode9! The single also comes with a music video by WangNewOne. When I was creating this music video, I imagined a group of unknown microorganisms living in small holes. I imagined myself becoming as small as they were, following the light from the crack, and travelling through the hole. - WangNewOne
https://v.qq.com/x/page/b3159kx74il.html
SBKT037: Hyph11E – Aperture
https://svbkvlt.bandcamp.com/album/aperture
SBKT036: Hyph11E – Barnacles / Kode9 Remix
https://svbkvlt.bandcamp.com/album/barnacles
早在2016年於 Genome 6.66 Mbp 的首張合輯中發表的《葉子》裡，Hyph11E 就憑藉著她對俱樂部舞曲充滿金屬感和空間感的處理而令人印象深刻。2017年在 SVBKVLT 發行的個人首張EP -《Vanishing Cinema》中，Hyph11E 把她的這份個人色彩進一步提升，並在節奏部分有了更為多元化的表現。四首原創曲子概念完整豐滿，加上來自Tzusing, M.E.S.H. 和 Kid Antoine 的3首remix，整張EP展現出了全新的音樂視野，其中 Black Pepper (Tzusing Remix) 被 Kode9 & Burial 收錄到 Fabriclive 100 mix 中。2018年，她又在 Country Music 廠牌發行了一首全長8分鐘的單曲。最近，她和 Slikback 的合作EP《Slip B》剛剛在 SVBKVLT 發行，3首合作曲目加上2首Remix對方的經典之作。
從2016年開始，Hyph11E 就受到各地電臺的邀請做 Guest Mix，曾先後做客 i-D London，Boiler Room，NTS Radio 和 Berlin Community Radio 等。2017年又是更加忙碌的一年，不僅在潮潮音樂周和混凝草音樂節等國內大型音樂節上有過精彩表現，2018年初收到 CTM Festival 的邀請到德國 Berghain 的 Panorama Bar 演出，之後又相繼走訪了東京的 WWW，倫敦的 Corsica Studios 和香港 Sonar 音樂節等。
作為一名DJ，她發現作為舞客和篩選音樂的角色有著不同的樂趣，顯然後者更難。但是這種轉變帶給她了無限的遐想，她有意識地想把舞客帶往那些絕妙而精緻的音樂場合，還有她特有而精挑細選的Trippy, Deep和享樂的電子音樂中。
China's Hyph11E is at the forefront of a new generation of producers in Shanghai spearheading China’s club music movement. Hyph11E released her debut EP in 2017. Vanishing Cinema arrived via Shanghai imprint SVBKVLT, and featured remixes from Tzusing, M.E.S.H. and Kid Antoine. The bass-heavy EP boasts dark, formidable sound design arranged into hard-hitting club rhythms, and is an exciting signal of the emerging, vibrant Shanghai club scene. Tzusing’s remix of her track 「Black Pepper」 was picked up by Kode9 & Burial for their Fabriclive 100 mix.More recently, she has released a collaborative EP with Hakuna Kulala’s Slikback; an explosive transmutation of their respective styles that co between Africa and Asia.
Hyph11E has been featured in DJ Mag, FACT, Dazed, Japan Times, and performed at Berlin’s Berghain/Panorama Bar for CTM Festival, London’s Corsica Studios for Kode9’s Ø night, Tokyo’s WWW and Sonar Hongkong.
As a DJ, she found that being a DJ is way different to being on the dance floor partying the night away. The challenge of DJing gave her an immense feeling of excitement in order to take all the party people to a wonderful, elaborate musical haven. Her carefully chosen Electronic music from her collection will bring you to a mind-blowing, deep musical world that will get your Dopamine flowing.
王新一2014年開始以虛擬身份「WangNewOne」通過網絡平臺 Tumblr 發布作品。初期作品全部採用3D數碼技術製作，內容以CG人物肖像為主同時結合風景。自2015年底以來，她陸續參加了國內外的藝術展覽，展覽形式以影像裝置為主。另外，也有與華為、I.T等商業品牌的跨界合作。自2017年起，她在 Instagram 上開設了一個名為「LURE /餌」的帳戶。通過此帳戶發布了一系列結合數碼視覺、服裝周邊、派對推廣活動為一體的作品。
滑動查看更多 slide for more
Wang Xinyi began publishing her work using the virtual identity 「WangNewOne」 through Tumblr in 2014. In the beginning her work was all produced in 3D and included 3D portraits and environments.Since the end of 2015, she has participated in art exhibitions around China and collaborated with brands such as Huawei and I.T. The exhibition format is mainly video installations but also physical work.Since 2017, she has run an account named 「LURE / 餌」 on Instagram. Through this account, a series of work including clothing and party promotion activities have been released.
ALL club / SVBKVLT / 雲CLOUD 這些在中國乃至世界地下電子樂耳熟能詳的名字都由 Howell 建立，同時他也曾是上海」臭名昭著「的俱樂部 Shelter 的主理人之一。從digital dancehall到dub；從義大利恐怖的電影配樂到圖書館唱片，Howell 收集來自世界各個角落的新鮮、前衛以及地下的跳舞音樂，並將不同的風格和聲音連貫且自然地融入同一個set當中。
作為 ALL 的老闆和駐場DJ，Howell 的腳步遍布全球各地。從東京到柏林、從英國到留尼旺島、從新加坡到西班牙……
Howell, previously know as Drunk Monk, is one of the figures behind SVBKVLT, ALL Shanghai and The Shelter. A collector of everything from fresh, upfront and obscure dance music from around the globe, to digital dancehall and dub, through to rare Italian horror soundtracks and library records, Howell’s DJ sets span multiple genres and sounds but in a coherent and encompassing way. As well as a staple DJ at ALL, Howell has played all over the globe, from Tokyo to Berlin, UK to Uganda, Singapore to Spain.
DJ/VJ/Promoter. 創辦 MZN9 藝術音樂組織，與成員們舉辦多場音樂活動，與 MACROSS 82-99、Daviouxxx、ConnectorXXX 等藝術家合作，回昆近兩年 MZN9 成為昆明重要音樂連接紐帶。以藝術音樂為介質連接世界各地朋友，希望各類曲風不作為熱愛音樂朋友劃界。個人音樂曲風變化多樣，堅持分享心靈的音樂。
DJ/VJ/Promoter. founded the MZN9 as an artistic music organization and organizes many musical activities, including MACROSS 82-99, Daviouxxx, ConnectorXXX and other cooperation. The MZN9 has become an important musical link in Kunming in the past two years. Arts & Music as a medium to connect friends around the world, I hope that a variety of musical styles will not stand in the way of the people who love music, become the boundary. Personal music styles vary, and insist on music that shares the heart.