第二屆大學生建築設計競賽「建築資源再利用」獲獎作品合集

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一等獎↓

32號作品：浮世·匯——廣州石基村濱江沿線更新設計

學校：華南理工大學

小組成員：邢鵬威、丁潔、謝燮、陳靜、王煒航

1、作品專案資料（Project data）：

項目名稱：  中文（Chinese）  浮世·匯—廣州石基村濱江沿線更新設計

英文（English）  Design of Riverside Region of Shiji Village

作品所選地點（Location）：廣東省廣州市

總用地面積（Land Area）：28000㎡

總建築面積（Gross Floor Area）：13500㎡

容積率（Floor Area Ratio）：0.48

2、項目簡介(中文)

建築資源多種多樣，有混凝土的樸實，有玻璃的靚麗，然而再擁有華麗外表的他們也終將有壹天會衰老而不能為我們所用。當下環境生態持續惡化，如何利用可持續發展的觀念進行建造和設計，是我們首當其沖要考慮的問題。本次競賽題目為「建築資源再利用」，設計者從身邊的環境入手，選取廣東省廣州市石基村為設計節點，以疍民文化和連家船為著眼點，以期在建築資源的再利用和更新下發揮漁村新的生命力。

疍民，也稱為連家船民，是中國古代東南沿海的少數名族，其中尤以廣東省的疍民文化曆史悠久。疍人水居，以船為室，傳統上他們重視漂泊於水上，以船為家，以船為生，連家船是疍民主要的工作空間和生活空間，每艘船住著壹家人或壹個小家庭。他們的生産勞動在船頭的甲板，船艙是家庭臥室和倉庫，有時疍民還在船尾飼養家禽。江邊的棚屋多為漁民在休漁時期搭建的臨時居所，連家船通過棧道與江邊的棚屋相連。隨著時間變遷和受陸地文化的影響，疍民上岸後另選擇業，連家船逐漸被荒棄，疍家文化日漸消落，目前廣州的疍民已所剩無幾，其破舊的船塢與棚屋也面臨著被遺棄的命運，這些具有曆史文化記憶的建築元素將隨被吞噬乃至消亡。

設計從身邊的環境出發，基地選址與廣州珠江邊的石基村。石基村為疍民上岸後所建設的村落，有著與廣州城中村相似的特徵。村中的許多居民仍保留有船隻，但由於漁業不景氣，幾乎很少使用。江邊的棚屋曾是他們上岸時的臨時居所，現在大多空置，有些則用作儲物用房。石基村兩側為賓江公員，但賓江公共空間再石基村幾處被打斷。場地中現存的棚屋、竹竿、連家船，以及木板等建築廢棄材料將成為我們主要利用的建築材料。同時，我們考慮通過置入新的産業與功能，實現對現狀的資源進行更新與改造，讓破舊的船塢在新的時代下散發新的生命力。例如在特定的節日、在休漁期，漁民可以齊聚新村碼頭將船首尾相拼構成集市；也可以利用破舊的船塢進行生態養殖與淨化。目前所設計的範圍只包括石基村外圍水域和岸邊，我們希望通過這個操作來聚攏人氣，作為壹個示範點。在未來的十年或者更長的幾十年，這種模式可以沿著黃埔沖壹直發展到漁民新村，形成更大規模的水上特色街市。

在設計中我們盡量利用原有的資源和基地本身的環境創造壹種生態化的模式。在廢舊的船上種植植物，形成生態浮島，美化環境，同時可以利用植物對水的淨化作用讓水質得到有效的改善。重點考慮基地中具體的環境和生物生態效益，讓原有的建築資源發揮更好的作用。通過對連家船的再利用與新村空間的規劃設計，在宏觀尺度上解決漁民新村空間秩序混亂、生態環境惡劣、蛋民文化日益消逝等問題，在微觀尺度上為村民營造新的公共空間環境，以期改善漁民生活狀態的同時帶動當地漁民參與性，使城市居民和漁村居民在這邊土地上共同創造記憶，為漁村注入新的活力與人氣，使疍家文化得以傳承和發展。

2、項目簡介(英文)

It is known to us that there are many kinds of building materials, such as concrete, glass, and etc. However, there will be one day that they would be so aged and cannot be used for us. The current problem of environment pollution is getting worse and worse, it is crucial for us to consider how to make a good design with sustainable development idea. The title of this competition is 「Reuse of the building materials」 according to the current problem and the environment, we choose Guangdong ShiJi village as our basic site. The design start with the 「Danjia culture」 and 「Lianjiachuan」, we hope to give a new life to the village according to our transformation and reuse of the materials.

「Danmin」, also known as the Lianjiachuan, is the minority migrants located in the Chinese Ancient Southeast Coast. Danmin culture has a long history especially in Guangdong Province.In traditional, they live on the boat as well as make a living by the boat. It has more than 30 thousand people in 1927, from 1950, Chinese government has arranged Danmin to get ashore as well as built many fishing village along the coast in the Pearl River. Today, affected by the land culture, DanJia culture has lost a lot and there is only few Danmin living along the river, in the case of this situation, what could we do to these historic and cultural memory architecture elements?

Our design located in ShiJi village along the Pearl River shore, which built by the 「Danmin」, an old, traditional population living in the boats for hundred years ago in china. Although the Danmin have been moved on the land to live, most of them still keep the boats. Due to the water pollution, the Danmin have stopped fishing to make their living and the boats are out of usage. They also built a lot of bamboo huts by the river to be a temporary residence, which now become a storage room.

We found that during the process of their migration, Danmin leave a lot of waste along the shore such as huts, bamboo poles, house-boats and other construction waste. So we manage to make good use of these waste to build something to help these villagers. At the same time, we consider to lead a new way of production and function management to achieve the status of resource renewal and transformation, and give a new life for the abandoned boats and huts. For example, in a particular festival or in the period of fishing moratorium, fishermen could gather together to the ShiJi village to create a floating market and we also could use the abandoned boats to have an ecological farming. At present our design only cover the shore of ShiJi Village, but we think that this design will be a good example for other Danmin villages. We hope maybe this building model can apply to other village along the Huangpu River to create a larger and better water market and public space in the decades.

We try to combine the original resources and the environment to create an ecological model. The green planted on the abandoned boats can purify water quality, and on the other hands, beautify the living space.According to the reuse of the 「Lianjiachuan」 and the design of the ShiJi Village, on a large scale maybe we could solve the disorder of the inner street space, the environment pollution and the lost of the Danjia culture and other problems; on a small scale we could create a comfortable public space for the residents as well as to increase the villagers' s involvement to build the village. At the same time, we could make a common memory for the city dwellers and the villagers and inject new vitality and popularity for the Fishing village which is good for the sustainable development of the Danjia cultural.

二等獎↓

9號作品：鄉村校園重「耕」計畫——長汀汀江源宿營體驗活動中心改造設計

學校：華僑大學

小組成員：鄭珩

1、 作品專案資料（Project data）：

項目名稱：鄉村校園重「耕」計畫

          Rivival of Rural Campus

作品所選地點（Location）: 中國福建長汀庵傑鄉涵前村

總用地面積（Land Area）: 8794.7㎡

總建築面積（Gross Floor Area）: 14030.2㎡

容積率（Floor Area Ratio）: 0.61

2、 項目簡介（Project  Introduction）:

長汀汀江源宿營生活體驗中心改造設計

——鄉村校園「耕」新計畫

隨著城市化進程的推進，傳統鄉村地區漸漸沒落。雖然鄉村旅遊開發已經成為較為普遍的復興方式，但大多停留於簡單的度假專案堆砌及商業開發，忽略了場地特徵，缺乏對於人群活動的引導和激發。

本設計通過對長汀公共空間人物活動事件的觀察研究，探查長汀人群活力根源，記錄老城的拼貼解構印象，將坐落於長汀鄉野的荒廢中學校園改造成具有趣味和活力的宿營主題活動體驗中心。設計中完全保留了基地上的校園建築，解決了主教學樓阻斷基地連續性的問題。通過新的桁架系統串聯基地新老建築，為加建部分提供結構支持，保持了地面層的貫通性。

基地內條件複雜、元素豐富，有農舍、教學樓、茶園、百香果園、樹林、梯田等，為激發空間事件提供了充分的條件。設計根據調研與當地訪問結果，分析了30種與宿營者、創客、村民、遊客相關的事件活動，用建築語言給予回應，激發場地活力。

宏觀上，本設計利用了符合長汀特色的拼貼解構手法，在複雜性中保持一定的空間秩序感，大致分為創業服務區、住宿區、室外活動拓展區、綜合服務中心、展覽學習區、多功能集市、龍門茶文化區等7個場域。

局部上，除了對老建築進行置入或加建等微改造外，設計著重對廢棄的庵傑中學教學樓空間進行了精細改造，措施包括：1、加建承重牆營造住宿區錯落的陽臺；2、用輕質隔牆分割教室大空間以營造豐富的房型和公共空間；3、將原有樓道改為住宿空間，利用鋼架打造新的交通走廊，置入新的交通核，並連通綜合服務部分。

關鍵字：鄉村復興；宿營；舊校園利用改造；解構拼貼；事件-空間

 

 

Changting Source of Ding River camping experience center Remake and Design

----Rivival of Rural Campus

 

With the advance of the urbanization process, the traditional rural areas gradually decline. Although rural tourism development has become a more common way to revive, but most of them stay in the simple ways like projects stacking and commercial development, ignoring the characteristics of the site, lacking of guidance and stimulation for human activities.

Through the observation and research of people and events from Changting public space, exploration for root of Changting population vitality, records of old city's impression which relating collage and deconstruction, the design will transform abandoned campus located in Changting countryside into a camp theme activities experience center filled with fun and vitality.

The site condition is complex and abundant, which provides sufficient conditions for exciting the events of space. According to the results of the investigation and the local visit, we design 30 kinds of events combining architectural language, to stimulate the vitality of the site.

Macroscopically, this design use the way which conforms to the characteristics of Changting, keep sense of order in complexity, which roughly divided into seven fields including business service area, residential area, outdoor activities Development Zone, comprehensive service center, exhibition and learning areas, Multi function market, Longmen tea culture area etc. Locally, in addition to micro transform all of old buildings, the design focus on teaching building, which will be transformed into a varied and interesting accommodation experience space, on abandoned An Jie middle school for fine transformation.

 

Key words：Rural revival，Camping， Old Campus reforming, Deconstruction and Collage,  Event-Space

二等獎↓

35號作品：龍窯·童謠——古窯址再利用計畫

學校：福州大學

小組成員：林穎

1、 作品專案資料（Project data）：

項目名稱：中文（Chinese）龍窯·童謠

英文（English）kids kiln

作品所選地點（Location）中國福建省 泉州市德化縣 三班鎮蔡徑村

總用地面積（Land Area）1170㎡

總建築面積（Gross Floor Area）580㎡

容積率（Floor Area Ratio）0.5

2、 項目簡介（Project  Introduction）

早在宋元時代，德化瓷器隨著「東方第一大港」泉州港的興起而暢銷海外，成為古代「海上絲綢之路」的重要商品之一。2000多年來，德化作為中國三大瓷都之一，窯火不熄、文脈相承，然而隨著時代進步、科技發展，有一種特殊的建築資源逐漸失去了它原有的作用——龍窯。

龍窯是德化傳統陶瓷窯爐之一。此種窯依山勢傾斜砌築，頭下尾上，如龍似蛇得名。窯室為階梯狀，以木材為燃料，每級兩邊設對稱排列的投柴孔，隔數級放一窯門方便裝出瓷。面對高成本、低產量及複雜的工藝，龍窯已經適應不了現代化的生產節奏與生活需求，退出歷史舞臺似乎成為一種必然。數百年來，多數古窯址或遭毀棄、或隱沒於世。如今，保存較為完好的德化龍窯僅剩五座。

此次專案選擇的窯址是位於德化蔡徑村的一座保存較好的無名龍窯，該窯是私有民窯。由於技術更新，龍窯新一代傳承人已在龍窯旁創辦了新的陶瓷工廠，利用高科技窯爐進行陶瓷燒制。龍窯就這樣被空置下來，靜靜地臥在梯田上無人問津。積澱著陶瓷文化與歷史的它正等待著另一種方式重獲新生。

對於此次選擇的龍窯資源，再次利用時，如何巧妙地轉化其功能，以及如何利用其特殊形式來服務人群成為了首要問題。不同於其餘幾座龍窯，或被納入重點文化保護單位，或被發展成為陶瓷文化旅遊村景點，本方案放低視角，讓龍窯去服務於周邊的人群。
龍窯旁的新建瓷廠裡的陶瓷業工作者多為當地鎮民，由於多種條件限制，多數瓷廠工作者選擇讓子女隨從自己到瓷廠上班。但是跟從父母上班，問題也接踵而來——父母忙於工作無暇看管，瓷廠缺少兒童活動場所，吃飯、休息、學習、娛樂都存在著問題，「陶瓷務工人員子女無處安放的童年」成為了一個亟需解決的問題。

將緊鄰瓷廠的龍窯再次利用成為兒童活動場所，不僅給龍窯注入新的活力，同時也解決了務工人員子女無處可去的難題，更重要的是其特殊的建築形式也給孩子帶來了更加豐富的活動體驗。本方案保留龍窯，置入新的功能體塊，利用天然的高差進行分區，新舊結合，啟動龍窯——窯內：窯頭只屬於孩子的光影遊戲，中間窯室靜謐的學習休閒環境，窯尾的休憩空間……；窯外：利用高差形成幾個不同的功能區，學習、遊戲、親子交流……相互聯繫又互不幹擾；室外：看臺、梯田、花圃、果園……讓孩子更好地釋放天性、學習知識。除了工作日服務務工人員子女，在節假日的時候其服務對象將發生轉變——來自城區的兒童戶外活動體驗營（觀星、露營、親子、動植物認知、陶瓷文化體驗……）。從而從多方面實現對龍窯資源的再利用。

龍窯作為承載著陶瓷文化的建築資源，希望能通過這樣新的方式將其再次利用，並且更好地去服務人群。窯火雖熄，但關於龍窯的童謠依舊傳唱。

 

Early in the Chinese Song and Yuan Dynasty,Dehua porcelains have been well-known around the world with the spring up of Quanzhou Port,thence become one of the essential goods transported along Mariime Silk Road. Dehua,as one of the three ceramics capital of China,making method of Dehua porcelains have been inherited by people for 2000 years.But as time goes by, science and technology are developing,there has a special building resources gradually lost its original function - dragon kiln.

Dragon kiln,also called Snake Kiln,is one of the traditional ceramic kilns of Dehua.This kind of kiln is built obliquely by the  mountain ,withits head at the foot of the moutain and the tail at the top.The kiln gets its name because its shape.Kiln room is step-like,using wood as fuel,each level have a symmetrically arranged hole for wood on both sides.Every few steps set a door for taking in and out of the ceramic product. Dragon kiln need to cost a lot of wood, today, due to the progress of science and technology, most kilns has been replaced by the modern kiln. For hundreds of years, most of the ancient sites have been destroyed in the world. Now, Dehua has only five better-preserved  dragon kilns .

The project is located in Dehua Caijing village, a better-preseverd unkown dragon kiln,which is private.Due to updated technology , new generation of this dragon  kiln inheritance was founded the new ceramic factory beside the dragon kiln, using high-tech kiln for ceramic making.And then the dragon kiln was abandoned, quietly lying on the terraces. Accumulating ceramic culture and history , it is waiting for another way to rebirth.

To recycle the dragon kiln ,how to transform its function subtly, and how to use its special form to serve the people ,are the primary problem. Different from the rest of the several dragon kilns, or be incorporated into cultural protected units , or being developed into cultural tourism attractions, let’s lower the angle of view, change this kiln to serve the surrounding crowd.

Most of the ceramics workers of the new porcelain factory beside the kiln are coming from the local town, due to various constraints, most of them choose to let their children follow them to porcelain factory. But problems also ensue -- parents are too busy to look after children, the factory lack children activities places, so there has problems in so many ways, "where to set the childhood of children of  workers " is a difficult problem needed be solved early.

Recycling the dragon kiln beside the factory to be a place for children's activities, not only  inject new vitality to the kiln , but also solves the problem, what’s more, its special architectural form also gives children more rich activity experience.

In this plan, the dragon kiln are reserved,then add new function block, use natural different elevation to divice functional areas,combinate old and new resouces, activate the dragon kiln.Inside the kiln：children can play with light and shadow in the head of  kiln , study in quiet kiln room,sleep in the tail of kiln...;outside the kiln : using the difference elevation to form several different functional areas, study, game, parent-child communication...; outdoor: stands, terrace, garden, orchard... Let children learn the knowledge of nature easyly. In addition to service workers children  working days, the service object will change into children's outdoor activities camps in the holidays (stargazing, camping, parent-child activity,animals and plants cognition, ceramic culture experience.) .

Dragon kilns as architecture resources which is a symbol of china culture is wished to recycle with new methods and serve the public better. Although the fire in the kilns will not be lighted up any longer,yet the lullaby about the kilns will be still sung.

三等獎↓

21號作品：漁石接海隅——廢舊漁船與石屋的低技術改造

學校：福州大學

小組成員：崔宇航、張雁翔、黃書姿、黃夢媚、朱燕梅

作品詳情請參見官網或微信歷史消息

三等獎↓

24號作品：踏·春——城鄉體系下公車站的地域性再生

學校：山東建築大學

小組成員：李泊衡、劉皓、劉凱、欒明宇、喬靈、隗曉筱

作品詳情請參見官網或微信歷史消息

三等獎↓

54號作品：閱讀·時光——圖書館＆未來景觀公園計畫

學校：臺灣淡江大學

小組成員：李翔宇、胡劍橋

作品詳情請參見官網或微信歷史消息

優秀獎↓

8號作品：垂直社區——爛尾樓空間再利用計畫

學校：煙臺大學

小組成員：梁棟楠、常雪石、李恆洋

10號作品：歷史·資源·解構·重生——基於浙江義烏傳統民居建築資源再利用的嘗試

學校：同濟大學、井岡山大學

小組成員：蔡東旭、王壯

12號作品：再生紅盒子

學校：華南理工大學

小組成員：陳楚宇、蕭鎮幫、徐瓊

15號作品：「非常」社區——低技條件下的多樣空間

學校：西安科技大學

小組成員：路凱、路程、劉悅陶

27號作品：重塑——放棄與追尋

學校：瀋陽建築大學

小組成員：李強、王靖琨

47號作品：古城書房：原住民的記憶容器——大理北水庫區舊民居改造更新設計

學校：東南大學

小組成員：肖威、商韶鑫

50號作品：「微牆」——微時代下的城中村圍牆重生

學校：浙江大學

小組成員：鄭少駿、王運茲

51號作品：原石——利用當地廢棄石頭重塑漁村生活

學校：福州大學

小組成員：方逸真、林慧玲、黃健佳、許凱強

55號作品：絮——計畫

學校：瀋陽建築大學

小組成員：王文濤、鄧捷

62號作品：院落的故事——廢棄鋼爐院的再利用

學校：瀋陽建築大學

小組成員：梁又、劉浩楠、李思聰、叢思遙

64號作品：另一條路——舊房改造·老城邊緣的兒童趣味探索空間

學校：天津大學、華南理工大學、中國建築設計研究院

小組成員：朱敦煌、黃晨虹、向剛

74號作品：海洋國度——基於海上石油鑽井平臺的未來生活暢想

學校：華南理工大學

小組成員：黃天元、盧逸倫

78號作品：隨風花墜鞦韆上，潑茶雨打曲影旁——城村爛尾樓改造·微社區活動中心設計

學校：天津大學

小組成員：羅珺琳、唐睿文、賴彥

作品詳情請參見官網或微信歷史消息

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