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受疫情影響，本屆攝影獎評選不得不在線上進行。5位國際評委與20位入圍藝術家以視頻會議的形式進行了長達兩個半小時的交流，之後評委們又經過近三個小時的熱烈深入的討論，最終決定：本屆三影堂攝影獎大獎空缺，大獎獎金8萬元人民幣（稅前）將平均頒發給所有20位入圍的藝術家；藝術家邸晉軍榮獲駱伯年優秀攝影師獎，獎金1萬元人民幣（稅前）；藝術家張北辰獲得媒體關注獎。
本次線上評選由三影堂攝影藝術中心副館長齊燕主持。三影堂攝影藝術中心聯合創辦人榮榮首先致辭：「首先今天在這裡，我們要特別感謝評委們。這也是自三影堂攝影獎自創辦以來，第一次用線上的方式評選和大家見面。在此我們也很感謝所有的參展藝術家，謝謝你們的支持！祝你們好運！最後我們也要感謝三影堂的團隊，從去年籌備攝影獎，從冬天、春天，到夏天，大家付出的一切努力和艱辛汗水。」
英國泰特現代美術館國際藝術部（攝影）資深策展人中森康文表示，很榮幸參與到今年的三影堂攝影獎的國際評委團隊，他本人非常向往來到中國參觀三影堂攝影藝術中心，也非常佩服榮榮&映裡兩位創始人以及工作人員，連續十幾年如一日的組織這樣一個重要的國際性的獎項。由於疫情的原因，無法做到與藝術家面對面交流，雖然對這次入圍藝術家印象深刻，可以從中挑選出五、六組相當出色的作品，但要選擇一個最出色的獲得大獎就顯得困難。
評論家、策展人費大為說，評委經過激烈的討論，集體做出大獎空缺、並平均分發獎金以支持和表彰所有入圍藝術家的藝術創作的決定，是出於對三影堂攝影獎嚴肅性的考慮，也是對歷屆獲獎藝術家、現在所有參與的藝術家、甚至是未來的藝術家的保護和尊重。
南京藝術學院美術館副館長鄭聞認為，本屆三影堂大獎的最終懸置，在學術意義上來看，也折射出近年來整體攝影創作的一些普遍性問題。不少作品在個體敘事與局部層面有極強的亮點和高光，但攝影作為「時代信息」的高度濃縮的符號載體，以及面對當下圖像機制和「景觀社會」的深層次剖析，乃至藝術家對攝影未來發展的思考密度，完全可以走的更遠。
映裡則表示，評委們的每一票都經過慎重的考慮，不僅是為當下這個獎項，也是為未來的年輕藝術家的創作方向、為中國攝影的發展而考慮。這是第一次三影堂攝影獎大獎空缺，我們在第十二屆回到原點，重新思考未來的發展。
本屆攝影獎作品展於三影堂北京空間展出至7月12日，隨後將巡展至三影堂廈門攝影藝術中心，歡迎參觀！
國際評委簡介
（按姓氏首字母排序）
費大為丨Fei Dawei
費大為是中國第一代當代藝術策劃人。他參與了』85新潮藝術運動，是最早將中國當代藝術推介到國際舞臺的中國批評家。
1954年生於上海，1985年從中央美術學院美術史系畢業留校任教。1986年受法國文化部邀請赴法國講學。1987年-1989年與法國蓬皮杜文化藝術中心合作參與策劃《大地魔術師》展覽。1989年作為獨立學者和策劃人移居法國。1990年以後在國外策劃的展覽包括《獻給昨天的中國明天》、《非常口》、《在限度之間》、《亞細亞散步》、《心動》、《天下》、《裡裡外外》等。2002年至2008年，任尤倫斯基金會主任，尤倫斯當代藝術中心館長，建立了近2000件中國當代藝術作品的收藏，在北京創立的UCCA，並策劃了《85新潮》展覽。2018年聯合策劃了《陌生風景》。現任華僑城OCAT美術館群學術委員會委員。上海當代藝術博物館學術委員會輪值主席。法國卡地亞當代藝術基金會收藏委員會委員。
索菲·瑪卡裡烏丨Sophie Makariou
法國吉美國立亞洲藝術博物館館長，索菲·瑪卡裡烏從羅浮宮東方藝術館開始了她的職業生涯。
畢業於羅浮宮學院藝術史專業，索菲·瑪卡裡烏隨後取得法國社會科學高等研究院(EHESS)歷史專業碩士學位，並在法國國立東方語言文化學院學習，研究古阿拉伯語。
2001年，她受到羅浮宮館長亨利·洛伊萊特的委任，構建羅浮宮伊斯蘭藝術館。2012年，由瑪卡利歐精心策劃並擔任總監的伊斯蘭藝術館向公眾開放，時任法國總統弗朗索瓦·奧朗德出席開展典禮。
作為跨文化交流的專家，她發表了大量關於文化傳播的著作。2013年，她被任命為法國吉美亞洲藝術博物館的館長。
瑪卡利歐被授予法國藝術與文學騎士勳章及法國國家榮譽勳章。
中森康文丨Yasufumi Nakamori
中森康文博士是英國泰特現代美術館國際藝術部（攝影）資深策展人，他致力於策劃和呈現攝影主題的展覽，不斷豐富泰特現代美術館的攝影收藏。目前，他參與策劃了「扎內勒·穆霍利」個展，該展將於2020年晚些時候與觀眾見面。在此之前，他曾任職明尼·阿波利斯藝術學院攝影和新媒體系負責人，並與萊斯利·休伊特、螺旋槳小組、歐默·法斯特、畠山直哉和阿馬爾·坎瓦共同舉辦過展覽。從2008年到2016年，他在休斯頓美術館任職攝影策展人，2010年策劃了展覽「石元泰博攝影：日本建築中的傳統與創造」並出版了同名展覽畫冊，獲得2011年度Alfred H. Barr Jr.獎，2015年策劃了展覽「為了即將到來的新世界：日本藝術和攝影中的實驗，1968-1979」。
榮榮&映裡丨RongRong&inri
中國攝影藝術家榮榮與日本攝影藝術家映裡自2000年開始合作。他們的攝影作品在展現兩人共同創造的獨特、感性世界外，也表達了對傳統手工照片和暗房技術進行持續探索及拓展的堅持。榮榮&映裡備受關注的作品，如《富士山》《自然》《六裡屯》和《妻有物語》等，將人與生存環境、人與自然的關係是作為主題，也是對從死亡和廢墟到重生和超越的視覺敘事的充滿詩意的沉思。
2007年，榮榮&映裡在北京草場地國際藝術區創辦了三影堂攝影藝術中心，這是中國第一個由藝術家自資創立的攝影藝術中心，同時也是一個開放互動的國際性交流平臺。2008年起，榮榮&映裡啟動了「三影堂攝影獎(TSPA)」活動，旨在鼓勵並挖掘中國最具潛力的攝影藝術家。2015年，榮榮&映裡創辦的三影堂攝影藝術中心與法國阿爾勒攝影節合作主辦了集美·阿爾勒國際攝影季。2016年，榮榮&映裡獲得世界攝影組織頒發的索尼世界攝影獎「攝影傑出貢獻獎」，以表彰他們為亞洲乃至世界攝影界帶來的貢獻。
鄭聞丨Zheng Wen
策展人、藝術評論家、南京藝術學院美術館副館長。兼任《畫刊》學術顧問、廣州影像三年展特邀專家。曾擔任ArtMo藝術澳門策展人、四川美術學院油畫系年展評委、CIFF（中國獨立影像展）選片人等。策劃了多個國際現當代大師展覽，如《重整：德國藝術立場》、《肖恩·斯庫利：抵抗與堅持》、《魔燈猶在：英格瑪·伯格曼影響的藝術和時尚》《喬-彼得·威金中國首展》、《立體主義先驅喬治·布拉克展》等，也不遺餘力關注與推廣中國當代藝術與青年藝術的發展。
迄今，其策劃的重要展覽近40 個，巡迴至倫敦、不萊梅、慕尼黑、香港、北京、上海、三亞、廣州等地。於中國美術學院、上海K11藝術中心、上海西岸藝術中心、廣州美術學院、OCAT美術館等多個院校和機構舉辦學術講座30餘場。於國內外重要媒體與刊物，如《三聯生活周刊》、中國國家博物館官網、中央美術學院藝訊網、加拿大《寰球華報》、《TANC藝術新聞》等，發表研究和評論文章40 多篇，30 餘萬字。
鄭聞受邀擔任本屆三影堂攝影獎初選評委之一。
特邀媒體評委
（按姓氏首字母排序）
· 何博，藝術創作者，《中國攝影》雜誌編輯
· 荷大齊，《芭莎藝術》專題編輯總監
· 裴剛，雅昌藝術網畫廊頻道主編
· 王家北，《鳳凰藝術》副主編
· 王藝迪，Artnet亞洲區商務拓展總監
· 鄔樹楠，《數碼攝影》雜誌副主編，新媒體主編
· 張朝貝，Hi藝術資深編輯
2020年度（第十二屆）三影堂攝影獎
大獎
空缺
2020年度（第十二屆）三影堂攝影獎
駱伯年優秀攝影師獎
（由藝術家駱伯年家族與三影堂+3畫廊共同支持）
邸晉軍——《故國》
邸晉軍
邸晉軍，1978年出生於中國山西。先後畢業於北京電影學院攝影學院圖片攝影專業和中央美術學院設計學院攝影系（碩士）。媒體工作十餘年，曾供職於《生活》雜誌、《新京報》，擔任圖片總監、首席攝影記者。中國內地最早使用溼法火棉膠黑玻璃板工藝用於藝術創作的實踐者，目前生活和工作在北京。
共振：2020年度（第十二屆）三影堂攝影獎作品展
邸晉軍《故國》展覽現場
2020年度（第十二屆）三影堂攝影獎
媒體關注獎
張北辰——《11,565公裡》
張北辰
張北辰，出生於中國山東。於2016年獲得山東藝術學院攝影系學士學位，並於2019年獲得美國馬裡蘭藝術學院攝影與電子媒介藝術碩士學位。他作品的主要媒介和工作方法是基於敘事結構研究和製作隱藏歷史揭示的散文電影以及田野調查。最近，他也同時對多種媒介進行廣泛的探索，使用音頻，裝置，攝影書籍等媒介去研究與調查文物與亞洲殖民歷史的關係，以及影像人類學。他的作品是通過個人敘事，構架出一種隱喻和詩意的視覺體驗，通過對考古學和人類學，歷史，藝術跨學科的研究，以自身的思想重新來審視和構建一種詩意的視覺語言。張北辰的作品曾在中國和國外展出，現居住，工作於美國紐約。
共振：2020年度（第十二屆）三影堂攝影獎作品展
張北辰《11,565公裡》展覽現場
入圍藝術家
（按姓氏首字母排序）
白杉、遲磊、邸晉軍、郭備華、歡島、姜川、金晶、柳川隸、王春帥、王雪翰、吳夢媛、吳昭晨、徐楓、楊國華、俞嘉悅、張北辰、趙智、周強、周怡君、朱修仁
主辦：三影堂攝影藝術中心
友情支持：成都當代影像館
支持：浙江攝影出版社、
法國駐華大使館文化處、
北京日本文化中心（日本國際交流基金會）
2020年度（第十二屆）三影堂攝影獎作品展畫冊
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【線上VR展】
Three Shadows Photography Award 2020: Results Announced!
Due to the pandemic, the judging for the Three Shadows Photography Award was conducted online. The international jury and the 20 finalists held a video conference lasting two and a half hours, then the members of the jury engaged in nearly three hours of deep, intense discussion before finally deciding that the Three Shadows Photography Award will have no winner this year and the grand prize of 80,000 RMB (pre-tax) will be evenly divided between all 20 finalists. Di Jinjun received the Luo Bonian Photographer Award and a 10,000 RMB cash prize (pre-tax). Zhang Beichen won the Media Award.
This online judging was moderated by Three Shadows Photography Art Centre Deputy Director Yan Qi. Three Shadows Photography Art Centre co-founder RongRong spoke first, saying, 「To begin, we must thank our jury members. Since the founding of the Three Shadows Photography Award, this is the first time we have conducted the artist meetings and judging online. We must also thank all of the participating artists for their support. We wish you the best of luck. Finally, we should thank the Three Shadows team, who have been preparing for the award since last year. Through winter, spring, and summer, everyone has put in so much sweat and hard work.」
Yasufumi Nakamori, Senior Curator of International Art (Photography) at the Tate Modern, said that he was honored to participate in the international jury for this year’s Three Shadows Photography Award. He had very much looked forward to visiting the Three Shadows Photography Art Centre, and that he admired founders RongRong & inri and the staff for organizing such an important international prize for over a decade. Due to the pandemic, there was no way to interact with the artists face-to-face, and although the finalists』 works made a deep impression and there were five or six remarkable bodies of work, it would have been exceedingly difficult to select an award winner.
Critic and curator Fei Dawei said that, after intense discussion, the judges collectively made the decision to not name a winner and to divide the prize money evenly to support and celebrate the artistic endeavors of all the finalists. This came out of serious consideration for the Three Shadows Photography Award, and the desire to protect and respect past winners, all of the participating artists, and even future artists.
Zheng Wen believes that, from a scholarly perspective, the suspension of this edition of the Three Shadows Photography Award reflects some universal issues across photography in recent years. Many works have great strengths in certain areas or as personal narratives, but photography as a highly concentrated symbolic vehicle for information about our times, as a mode of deeper analysis of the current pictorial mechanisms and the society of spectacle, and even as a way of conveying the intensity of artists』 thinking about the development of the medium can be taken further.
In her statement, inri noted that every vote by the jury members was seriously considered, not simply for the present edition of the award, but also for the creative directions of future young artists and the development of Chinese photography. This is the first time that the Three Shadows Photography Award has not named a winner. In the twelfth edition, we have returned to our origins, and we need to consider how we will develop in the future.
The works from this year’s TSPA will be exhibited in Three Shadows』 Beijing space until July 12, then the show will travel to Three Shadows Xiamen Photography Art Centre. See you then!
· International Jury Introduction ·
（alphabetically）
Fei Dawei
Fei Dawei was part of the first generation of contemporary art curators and critics. He participated in 『85 New Wave and was the first Chinese critic to intorduce Chinese contemporary art on the international stage.
Born in Shanghai in 1954, he graduated from the Department of Art History at the Central Academy of Fine Arts in 1985 and became a lecturer at the academy upon his graduation. In 1986, he was invited by the French Ministry of Culture to lecture in France. From 1987 to 1989, in collaboration with the Centre Pompidou in France, he participated the curatorial of the exhibition "Magiciens de la Terre.」 He moved to France in 1989 and continued his work as an independent scholar and curator. Post-1990, he has helmed many overseas exhibitions such as "Chine demain pour Hier " 「Exceptional Passage「, 「In-Between Limits」，"Promenade in Asia", 「Tentation」, 「All Under Heaven」 and 「The Monk and the Demon」, etc. From 2002 to 2008, Fei Dawei was the director of The Guy and Myriam Ullens Foundation and was the founding director of the Ullens Center for Contemporary Art in Beijing, established a collection of nearly 2000 contemporary Chinese artworks. In 2018 he co-curated the exhibition 「A Beautiful Elsewhere.」 He is currently a member of the Academic Committee of the OCAT and rotating chairman of the Academic Committee of the Power Station of Art (Shanghai). He is a member of the Collection Committee of the Fondation Cartier pour l'art contemporain.
Sophie Makariou
Now serving as the director of the Musée Guimet in Paris, Sophie Makariou began her career at the Musée du Louvre in the Département des Antiquités Orientales (Department of Near Eastern Antiquities).
A graduate of the École du Louvre in Art History and the École des Hautes Études en Sciences Sociales (EHESS) in History (M2), Makariou also studied at the Institut National des Langues et Civilisations Orientales (National Institute for Oriental Languages and Civilisations) with a focus in classical Arabic.
In 2001 she was appointed by the President of the Musée du Louvre, Henri Loyrette, to prefigure an Islamic arts department. As Director of the Département des Arts de l』Islam, she orchestrated its creation, which culminated in its inauguration by the President of the French Republic in 2012.
A specialist in cultural interactions between civilizations, she has published numerous studies on the theme of exchange, and was appointed President of the Musée National des Arts Asiatiques-Guimet in 2013.
She is Chevalier of Arts and Letters and of the Ordre National du Mérite (National Order of Merit).
Yasufumi Nakamori
Yasufumi Nakamori Ph.D, is Senior Curator of International Art (Photography) at Tate Modern in London. His work includes programming exhibitions and displays involving photography and further building Tate’s photography collection. Currently, he’s co-curating an exhibition by the South African artist Zanele Muholi that will open later this year. Before Tate, Nakamori headed the Department of Photography and New Media at the Minneapolis Institute of Art and staged exhibitions with Leslie Hewitt, The Propeller Group, Omer Fast, Naoya Hatakeyama, and Amar Kanwar. From 2008 to 2016, he served as Curator of Photography at the Museum of Fine Arts, Houston, where he helmed the exhibition 「Katsura: Picturing Modernism in Japanese Architecture, Photographs by Ishimoto Yasuhiro」 (2010), which received the 2011 Alfred H.Barr Jr. Award for Smaller Exhibitions and was accompanied by a catalogue of the same name. He also curated the show 「For a New World to Come: Experiments in Japanese Art and Photography, 1968–1979」(2015).
RongRong&inri
RongRong (China) and inri (Japan) have been working together since 2000. Their works reflect the intimate world that they have created together and push the boundaries of traditional black-and-white darkroom techniques. Their critically acclaimed series of works, such as Mt. Fuji (2001), Liulitun (1996-2003), and Tsumari Story (2012-2014), reflect their shared life and surroundings, delving into the rapidly changing world around them.
In 2007, RongRong & inri established the Three Shadows Photography Art Centre in the Beijing arts district Caochangdi. In 2008, they launched the annual Three Shadows Photography Award, a prize aimed at discovering and encouraging China's most promising young photographers. In 2010, they started a collaboration with the Arles International Photography Festival in France (Les Rencontres d'Arles) and co-produced the Caochangdi Photo Spring Festival in Beijing for three years - from 2010 to 2012. They have continued this collaboration at Three Shadows' Xiamen location, where since 2015 they have co-hosted the Jimei x Arles International Photo Festival. RongRong&inri received the Outstanding Contribution to Photography prize at the 2016 Sony World Photography Awards, recognized for both their careers as artists and their significant impact on Asian photography.
Zheng Wen
The Deputy Director of the Art Museum of Nanjing University of Arts (AMNUA) and head of the museum’s Academic Department, Zheng Wen is a curator of contemporary art. His responsibilities include planning and curating exhibitions, academic research, collections management, and administrative management of the museum.
Mr. Zheng has curated upwards of 40 exhibitions, several of which subsequently traveled to cities such as London, Bremen, Munich, Hong Kong, Paris, Shanghai, Beijing, and Guangzhou. Zheng has led a documentary crew in the production of five films. In addition, he has partaken in over 30 academic seminars in colleges and museums in Nanjing, Japan, Suzhou, Sichuan, and Shanghai, among other places.
Zheng Wen was invited to be one of the juries of the primary election.
· Media Jury ·
（alphabetically）
HE Bo
Artist, Editor of Chinese Photography Magazine
ada
Feature Director of BBART Magazine
Pei Gang
Galleries-Channel Editor-in-Chief of Artron
Wang Jiabei
Deputy Editor-in-Chief of Phoenix Art
Wang Yidi
Director of Business Development, Asia, Artnet
Wu Shunan
Deputy Editor-in-Chief of CHIP FOTO-VIDEO
Zhang Chaobei
Senior Editor of HiArt
2020 The 12th Three Shadows Photography Award
vacancy
2020 The 12th Three Shadows Photography Award
Luo Bonian Photographer Award
(supported by Luo Bonian’s family and Three Shadows +3 Gallery)
Di Jinjun
Memories of China
Di Jinjun was born in Shanxi Province in 1978. He graduated from the Beijing Film Academy and received a bachelor’s degree in photography in 2003. In 2017, he graduated from the Department of Photography of the Central Academy of Fine Arts with a master's degree. He has worked for the magazine Life and currently works for Beijing News as photographer and picture editor. He is the first photographer to use the collodion wet plate technique in China. He currently lives and works in Beijing.
2020 The 12th Three Shadows Photography Award
Media Award
Zhang Beichen
11,565km
Zhang Beichen was born in Shandong Province. He received his BA from the Photography Department of the Shandong University of Arts in 2016and his MFA in America from the Maryland Institute College of Art in 2019. He researches the structures of narration to unveil hidden histories, framing most of his works through essay films and field-based research. Recently, he has also worked with a broad range of media, using audio, installation, and artbooks to query and investigate the relationship between artifacts and Asia’scolonial history, raising questions about the complexity of historical documentaries and visual anthropology. His work is a set of a visual experiences, metaphorical, poetic, and research-based but grounded in personal narrative. He has exhibited in China and abroad, and he now lives and works inNew York City.
Organizer: Three Shadows Photography Art Centre
Friendly Supporter: Chengdu Contemporary Image Museum
Supporters: Zhejiang Photography Publishing,
French Embassy in China,
Japan Foundation Beijing
【Online VR Exhibition】
原標題：《2020年度（第十二屆）三影堂攝影獎評審結果揭曉！》
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