泰山九女峰山脈腳下的東西門村依山間溪流展開，相傳立村於清朝康熙年間。小鄉村在此默默延續了幾百年，直至原住民背井離鄉，留下村落在山中漸漸衰敗。
Dongximen Village, established in the Qing Dynasty, is at the foot of the range of Mount Tai. This small village grew silently for hundreds of years, until the villagers left and then gradually declined.
2019年，魯商集團在此試點鄉村振興，引入樸宿品牌想將破敗的村落盤活為高端酒店。我們受此委託，懷著對原始場地的尊重，希望保留百年間人與自然互動的空間記憶，用儘量少的設計手法和材料介入讓場地本身的氣質自然顯露，給逃離喧囂的人們製造質樸而舒適的休憩空間。
In 2019, LuShang Group introduced the Pusu Inn here in an attempt to activate the village as a high-end resort. During the design process, with respect for the original site, we use as little design techniques and materials as possible to naturally reveal the temperament of the site itself.
01 記憶的保留
Retain the Memories
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山地的西南角錯落地分布著四個由毛石堆砌而成的雜物房。這四個方形體塊之間所形成的空間關係是村民生活和自然山體不斷對話的結果。
In the southwest corner, there were four utility rubble rooms. The relationship between them was the result of continuous change between the villagers' life and the natural mountain.
我們對這幾個早已破敗的雜物房進行了原址修復，在頂面和牆面採用玻璃封閉空間以形成日光中庭，最大程度保留原始的場地肌理的同時強調了建築的體積感。
We renovated these long run-down rooms on the original scope, and establish a sunlight atrium by the glass roof to preserve the site texture and emphasize the building volume.
傳統定義的內立面外立面在此不復存在，中庭空間所擁有的是戶外的場所感。同時，玻璃的工業感則突出了毛石的質樸粗礦和蘊藏其間石匠工人的傳統手藝。
There is no traditionally defined internal and external façade, and the atrium is also the outdoor activity space. At the same time, the industrial glass and traditional handmade rubble complement each other.
每個體塊在角部打開，通過耐候鋼板和黑色鋼板的組合將開口凸顯。接待、兒童活動室、泡泡池、樓梯等功能由此融入整個中庭。建築體塊的獨立性和內部空間的完整性這對矛盾在此得到了完美的解決。
Each volume is opened at a corner, and the opening is highlighted by the weather-resistant steel plate and black steel plate. The reception, children's activity room, bubble pool and stairs are led into the atrium. The independence of the building block and the integrity of the internal space are simultaneously reflected.
場地中央原本留存的坑洞被改造成臺階式的下沉庭院，為中庭增添靈動的同時形成向心性。體塊之間自然圍合出穩定的區域，外部景觀則透過玻璃蔓延進來，此間設置沙發，供茶歇休憩。
The original pothole in the center of the site was renovated into a stepped sunken courtyard, making it flexible and stable. And set a sofa there for the visitors to enjoy the natural view from the generous glass.
修繕後的石頭盒子將一直默默承載著村落的記憶，與在內嬉戲玩耍的孩子們一起，將時間延續。
The renovated stone houses with changing functions will always silently carry the memory of the village.
02 傳統的更新
Renew the Traditions
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村落的民居院落多分布在山坡陡地，以L型院與三合院為主。原住民早已搬離而房屋則呈衰敗之勢。但即使殘破，院落和自然山體所呈現的高度融合依舊保存著曾經的生活記憶。我們的客房即從這些原始院落脫胎而來。
The residential courtyards of the village are mostly distributed on steep hillsides, mainly L-shaped courtyards and three-section compounds with natural resources and old life memory. All the guest rooms are born out of these declining courtyards.
我們保留老院落的原始肌理及空間關係，強化景觀的導入和內院的核心性。以此為基礎進行適當擴建，將客房及公共活動的功能以組團方式置入。那些保留的毛石牆和重建的毛石牆見證了新與舊的傳承。平面組織和功能排布依據每個院子各異的地形高差、方位朝向及最為重要的原始肌理而定製。
We retained the original texture and spatial relationship, and strengthened the introduction of the landscape and the centricity of the inner courtyard, based on which, incorporated the functions of guest rooms and public activities in groups. Those preserved rubble walls and reconstructed rubble walls have witnessed the heritage of the new and the old. Operating the floor plan, functions, terrain and orientation, make every building out of the ordinary.
人們在此不僅體驗高品質的度假感受，更能和傳統相通。
Visitors can not only enjoy high-quality vacation experience here, but also communicate with traditions.
03 隱入山林--景觀的導入
Hide in the Mountains - The Introduction of Landscape
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人們逃離出都市的鋼筋水泥，只為在不經修飾的景觀中感受原始的自然。泰山山脈所蘊含的自然之美和村落原生態形成的院落空間是我們要引入整個居住體驗的核心。在保留原有毛石立面的基礎上，我們引入鋼結構體系為大面開窗提供可能，以此打破內外的邊界，最大程度地將自然置入空間，將空間融入自然。
Escape from the urban reinforced concrete, just to feel the primitive nature. The natural beauty and the original courtyard space are the core of the entire living experience. With the existing rubble façade, the steel structure system makes it possible for the panoramic views and renders the demarcation between inside/outside ambiguous.
由兩側的實牆限定出視覺通道，將面向山景的景觀面完全打開，臥床也面向景觀面設置，讓人在甦醒的第一時間感受自然，與晨光薄暮融為一體。
The visual passage is defined by the solid walls on both sides, fully opening a landscape view of the mountains. The bed is also set facing the mountain, so that visitors can awake in nature.
L形的連續玻璃界面讓山景完全侵入空間，給人以在自然中入睡的錯覺。露臺的灰空間增加了層次感的同時提供了進一步親近自然的可能性。
While maintaining views through the L-shaped glazed façade，make the visitors asleep in nature. And the terrace allows the visitors to get closer to nature.
由原始建築肌理圍合而成的院落空間經過梳理後成為內向的空間核心。各個房間均部分向院落打開，其中公共客廳的移門扇可完全開啟。此時，內外已沒有邊界，合為整體。
Each room is partially opened to the courtyard, and the sliding door of the public living room can be fully opened, at which time, the internal and external public spaces have no boundaries and are integrated into a whole.
我們希望保留院落內原有的老榆樹和建築的共生關係，因此將客房平面圍繞此樹展開。
We hope to preserve the symbiotic relationship between the existing old elm tree and the courtyard, so the guest rooms are around this tree.
臥室、起居衛生間形成C型將老樹包裹其間。傍晚在起居室飲茶片刻，看樹影橫斜。
The bedroom, living room and bathroom form a C-shape and wrap the old tree.
04 化繁為簡--空間處理手法
Less is More - Space Processing Techniques
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純粹的幾何形體去除刻意的裝飾和造型，使空間回歸本源，為從城市的嘈雜中脫身的人們帶來片刻寧靜。
The pure geometric shape removes the deliberate decoration and modeling, restores the original state of the space, and brings a moment of tranquility to people.
原始的單坡屋頂通過幾何形體的置入形成兩個部分，平頂部分消解局部層高形成富有安全感的穩定區域，消解高差所形成的空腔正好用於隱藏空調等設備，以保證內界面的純淨；對應位於動線上的頂面則保留斜頂的形式。兩者所形成的體塊穿插關係經過材料的強化後，暗示出動靜而保證空間的統一性。
The original slope roof is separated two parts by the geometric shape. The flat roof dissolves the height difference to form a stable area and hide equipment to ensure the purity. And the roof above the passage is sloping. The two parts of the ceiling are made of different materials, which also implies dynamic and static.
客房必備的功能模塊不再常規地分散布置在平面中，而是整合成體塊，成為分隔空間的置入物。
The necessary functional modules of the guest rooms are no longer regularly scattered in the plan, but integrated into a volume, which can be used to separate the space.
迷你吧、衣櫃、電視櫃、玄關櫃被有效組合，分隔出玄關、起居空間、臥室空間。各個區域的領域感得到加強的同時，保證了整體空間的流動性並加強了空間的層次感。
The mini bar, wardrobe, TV cabinet and hallway cabinet are effectively combined to separate the hallway, living space and bedroom space. Each area is both independent and interrelated.
功能體塊置入對空間的限定，結合頂面穿插關係及材質的差異，我們在空間內強化出兩條視覺通道，遠山近綠躍入眼帘。
Combined with the interspersed relationship of the ceiling and the difference in materials, we strengthened two visual channels in the space, allowing the visitors to admire the scenery in the distance and nearby.
在開間及進深足夠充裕的情況下，通過地面高差的處理限定空間，同時提供更好的觀景視角。洗手臺橫向延伸跨越高差，轉變為吧檯串聯空間。金屬格柵形成的床背隔而不擋。鏡面也橫向展開，由此轉變為一幅遠山畫卷。
In the case of sufficient space and depth, the space is confined by the processing of the height difference, while providing a better viewing perspective. The washbasin extends horizontally turns into a bar counter space. Metal mesh set at the back of the bed separates the space but not blocks the view. The mirror surface also expands horizontally, presenting a picture of distant mountains.
05 靜謐而有機--材料和家具
Silent and Organic - Materials and Furniture
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以灰色作為主基調是我們對空間氛圍的堅持。當建築已經以毛石的厚重作為整體基調，並完美地融入山體時，我們希望室內空間和建築以及山體都能保持統一，山景、院景、內部空間融為一體。同時，深色調的室內方向也保證了和市場上同類的度假型客房產品的差異化。
It is our pursuit to use gray color to operate the space atmosphere, which is different from other similar resorts. As the building with the heavy rubble is perfectly integrated into the mountain, we hope the interior is also in this way, so that the mountain, courtyard and indoor space are integrated into one.
大面的灰色以混凝土肌理呈現，富有細節的同時保證整體色調的純淨。色調的純淨和幾何形體的純粹相結合，世俗的繁雜被完全去除，讓人們放慢節奏，平靜內心。
The grey surface is coated with concrete texture, which is rich in details while ensuring the purity of the overall tone. The pure colors and geometric shapes make the visitors feel calm and peaceful.
在這樣的灰色基調中，胡桃木帶著木質的自然感和舒適感穿插其間，為客房帶來了合宜的溫度。而木飾面的精緻也為空間的品質提供了保證。
Against such gray tone, walnut wood is interspersed with the natural feeling and comfort of wood, bringing suitable warmth to the guest room. The exquisite wood facing also provides a guarantee for the quality of the space.
灰色混凝土的收斂結合胡桃木紋的親人，靜謐而不冷酷。
The convergence of gray concrete combined with the geniality of walnut wood grain makes visitors feel quiet rather than cool.
毛石承載著場所的故事成為建築立面的主材。我們在開放的公共空間也將其向內部延續，內和外似乎在通過毛石和木飾面進行對話，亦或是歷史和當下的對話。
The rubbles carry the story of the place and become the main material of the building facade. We also extend them to the inside in the open public space. And the inside and outside seem to be in dialogue through rubble and wood facing.
家具在此素淨的空間內凸顯。櫥櫃的深灰色、臺面巖板的黑色和灰色混凝土牆面形成素色體系。而沙發、扶手椅、餐桌等物件則通過胡桃木和空間形成呼應。
The furniture is highlighted in this clean space. The dark gray of the cabinets, the black of the countertops and the gray concrete walls form a plain system. The sofas, armchairs, dining tables and other objects echo the space through walnut wood.
淺暖色的棉麻和藤編則將柔軟的觸感和自然的韌性加入。空間內的瓦罐、枯枝、老木是自然在內部的延續，是歲月的沉澱。
Light and warm colors of cotton, linen and rattan plaited articles add soft touch and natural toughness. The earthen jars, dead branches and old wood in the space are the continuation of nature and the precipitation of the years.
Plan @ 總平面圖
Plan @ 一號院子平面圖
Plan @ 三號院子平面圖
Plan @ 八號院子平面圖
項目信息
Information
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項目名稱：九女峰 · 故鄉的雲山奢酒店
Project Name: Jiunvfeng · Cloud of Hometown Resort Hotel
項目位置：山東泰安東西門村
Project Location: Tai』an, Shandong
設計單位：gad · line+ studio
Design Firm: gad · line+ studio
主持建築師/項目主創：孟凡浩
Chief Architect/Project Leader: Meng Fanhao
專業負責：陶濤（建築）、祝駿（室內）、李上陽（景觀）
Person in Charge: Tao Tao (Architecture), Zhu Jun (Interior), Li Shangyang (Landscape)
設計團隊：胥昊、黃廣偉、袁棟、李三見、謝宇庭、郝軍、鄧皓、張思思、邱麗珉、金劍波、池曉媚
Design Team: Xu Hao, Huang Guangwei, Yuan Dong, Li Sanjian, Xie Yuting, Hao Jun, Xu Tianju, Deng Hao, Zhang Sisi, Qiu Limin, Jin Jianbo, Chi Xiaomei
軟裝陳設：楊鈞設計事務所
Soft Furnishing: Yang Jun Design Office
建築面積：2200㎡
Floor Area: 2200㎡
設計時間：2019.6-2019.10
Design Time: 2019/06-2019/10
建造時間：2019.10-2020.07
Construction Time: 2019/10-2020/07
攝影：潘傑、章魚見築
Photographer: Pan Jie, zystudio
孟凡浩
MENG Fanhao
gad · line+ studio 聯合創始人&主持建築師
Co-Founder & Chief Architect of gad · line+ studio
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gad · line+ studio（傑地際加建築設計事務所）由主持建築師孟凡浩先生和朱培棟先生共同創立於杭州，是一家具備國際視野的創新型事務所，擁有建築事務所甲級資質。「line」即邊界，以建築設計為基點，「+」旨在突破傳統行業領域的明晰界限，以空間賦能的多樣化策略，實現建築價值的迭代和重構。近年來憑藉一系列高品質設計作品，line+引起社會和全球媒體的廣泛關注並屢獲殊榮，榮獲海內外等多個獎項。
gad · line+ studio was co-founded in Hangzhou by the chief architects Mr. Meng Fanhao and Mr. Zhu Peidong. It is an innovative firm with an international perspective and has a Class A qualification as an architectural firm. "Line" is the boundary, based on architectural design, and "+" aims to break through the clear boundaries of traditional industry fields, and realize the iteration and reconstruction of the value of architecture through the diversified strategy of space empowerment. With a series of high-quality design works, line+ has attracted wide attention of the media and won many awards.
內容策劃 / Presented
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