「綠色」
Green
在年末即將到來的各種節慶中，松美術館很榮幸的邀請到藝術家趙趙為公眾呈現其個展「綠色」，作為跨年展覽。
展覽將於2019年12月20日開幕，呈現藝術家創作歷程中最為精彩的時段：2016年至2019年間的藝術創作，並由崔燦燦擔任策展人。
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關於展覽
About Exhibitions
此次展覽是趙趙首次在北京舉辦的美術館級別個展，也是藝術家近年來最為集中的一次作品呈現。作為新藝術代表，趙趙的身份和實踐極其豐富和廣闊。
他既是一位活躍且備受矚目的藝術家，又是記錄片導演，古美術研究者，潮牌創立者。他所涉及的話題從中國傳統文化的再造，到現實時空的想像，以及對藝術潮流的回應。
松美術館悠然的景色中，「綠色」成為生命力的象徵，多方位地展示趙趙對時間、歷史以及人類關係的深刻理解，形成一個錯落有致、意味悠長的藝術故事。
At the end of 2019, together with all the upcoming festivals and celebrations, Song Art Museum is pleased to announce Zhao Zhao’s solo exhibitionGreenas the cross-year exhibition. Inaugurated on December 20th, this exhibition will bring together Zhao’s works from 2016 to 2019, which is the highlight of his career. Cui Cancan will be the curator of this exhibition.
This is the first museum solo exhibition in Beijing, and it is also a concentrated presentation of his works in recent years. As a representative of new art trend, Zhao’s identity and his practice are extremely diverse and expansive. He is not only an active and high-profile artist, but also a documentary director, a researcher of ancient art, and a founder of a fashion brand. His attention ranges from the re-creation of traditional Chinese culture, the imagination of spatiotemporal reality, to the response to artistic trends.
Surrounded by the serenely beautiful view of Song Art Museum,Greenas a symbol of vitality presents Zhao’s thorough understanding of time, history and human relations from various aspects, which will be a meaningful and well-arranged story of art.
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關於藝術家
About Artist
趙趙1982年生於中國新疆，2003年畢業於新疆藝術學院。現工作生活於北京。趙趙自始至終都持續著顛覆性的方式進行創作，他熱衷於利用各種藝術媒介對現實及其藝術形態傳統慣例提出挑戰，其各種領域的作品旨在探討個體自由意志的力量和權威控制的力度。他在創作中關注並且展現當代劇變中的中國，並且直面人類內心的苦痛和壓力。其作品中不時出現威脅與風險的概念，暗喻當今中國和全球背景下人們的生活境遇，以及在現代社會中的短暫與無常。同時，作品也反映了他對集體主義與個人理想相互並存的思考。
近年來，趙趙大膽激進的藝術實踐贏得國際社會的重視，他曾在柏林亞歷山大·奧克斯畫廊、斯德哥爾摩Carl Kostyál基金會、洛杉磯Roberts & Tilton、紐約前波畫廊、日本三瀦畫廊、臺北大未來林舍畫廊、北京當代唐人藝術中心、北京藝術文件倉庫等機構舉辦過個展與個人項目。他的作品也曾參加過多個機構的群展以及收藏，包括美國紐約MoMA PS1、美國佛羅裡達州坦帕美術館、烏克蘭基輔平丘克藝術中心、荷蘭格羅寧根美術館、德國柏林亞洲藝術博物館、漢堡火車站當代藝術博物館、義大利米蘭帕迪廖內當代藝術館、義大利羅馬國立21世紀美術館、法國DSL Collection、西班牙卡斯楚當代藝術中心、澳大利亞雪梨白兔美術館、香港西九龍文化區M+美術館、北京民生現代美術館、北京尤倫斯當代藝術中心、新世紀當代藝術基金會、泰康美術館、成都麓湖·A4美術館、上海民生現代美術館、上海當代藝術館、上海星美術館、上海明當代美術館、天津美術館、湖北美術館、何香凝美術館、武漢大學萬林藝術博物館、「 時間開始了」 2019烏鎮當代藝術邀請展，日本橫濱三年展等。2019年趙趙獲得第十三屆AAC藝術中心年度藝術家大獎。其作品《塔克拉瑪幹計劃》被選為2017「橫濱三年展」海報、畫冊的背景圖。同年趙趙被CoBo評選為中國藝術家Top10，獲第十一屆AAC藝術中國年度青年藝術家提名獎，2014年被Modern Painters列為全球最值得關注的25位藝術家之一。
Born in Xinjiang, 1982. Zhao Zhao graduated from the Xinjiang Institute of Arts, 2003. Now he works and lives in Beijing.
All along Zhao Zhao was making work with a subversive appeal of its own, keens on raising challenges on the reality and its traditional practice of art form through a various art media. Zhao Zhao is known for making sculptures, paintings and installations which examine the power of individual free will and the dynamics of state control. Zhao Zhao’s works attest to and touch on the awareness of a generation faced with dramatic change. Constantly confronted with the subject of world oppression. Notions of threat or risk are regularly present in his works, referring to the life he lives both locally and within today’s global context, as a method of questioning the historical impermanence in our contemporary society.
He is very reflective on how concerns of the collectivity co-exist with the individual’s daily expectations and dreams. His provocative, multidisciplinary artist practice has garnered him international attention in recent years, includes solo shows in galleries such as Alexander Ochs Galleries (Berlin, Germany), Carl Kostyál foundation (Stockholm, Sweden), Roberts & Tilton (Log Angeles, USA), Chambers Fine Art (New York, USA), Mizuma Art Gallery (Tokyo, Japan ), Lin & Lin Gallery (Taipei), Tang Contemporary Art ( Beijing, China ), CAAW ( Beijing, China ).
He has received the support from many international institutions, among which are listed MOMA PS1 - The Museum of Modern Art (New York, USA), Tampa Museum of Art (Florida, USA), Pinchuk Art Centre (Kiev, Ukraine) , Groninger Museum (Groningen, Netherlands), Museum of Asian Art (Berlin, Germany), Collection of Hamburg Bahnhof Museum in Berlin (Berlin, Germany), Padiglione D』Arte Contemporanea (Milan, Italy), MAXXI Museum (Rome, Italy), Tiroche DeLeon Art Collection (Paris, France), Premi internacional d』art contemporani diputació de castelló (Castelló, Spain), White Rabbit Gallery (Sydney, Australia), M+westKowloon (Hong Kong, China), Minsheng Art Museum (Beijing, China), UCCA Center for Contemporary Art (Beijing, China), New Century Art Foundation (Beijing, China), Taikang Art Museum (Beijing, China), Luxelakes·A4 Art Museum(Chengdu, China), Minsheng Art Museum (Shanghai, China), Museum of Contemporary Art (Shanghai, China), Star ArtMuseum (Shanghai, China), Ming Contemporary Art Museum (Shanghai, China), Tianjin Art Museum (Tianjin, China), Hubei Museum of Art (Wuhan,China), He Xiangning Museum (Shenzhen, China), Wanlin Art Museum (Wuhan, China) and NOW IS THE TIME - 2019 Wuzhen Contemporary Art Exhibition (Zhejiang, China) .In 2019, Zhao Zhao won the Thirteenth AAC Artist of the Year Award. The Project Taklamakan of his was elected as the background picture of 2017 Yokohama Triennale Poster and catalog. At the same year, he was appraised as Top 10 Chinese artist by CoBo and obtained the award nomination of Chinese annual young artist in 11th ACC (Award of Art China) and one of Modern Painters 「25 Artists to Watch」.
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關於策展人
About Curator
崔燦燦，一位活躍在中國的獨立策劃人，寫作者，曾獲CCAA中國當代藝術評論青年榮譽獎，《YISHU》中國當代藝術批評獎，藝術權力榜年度展覽獎、《藝術新聞》亞洲藝術貢獻獎林肯策展人提名、《當代藝術新聞》年度最佳藝術家個展、北京畫廊周最佳展覽獎、《藝術銀行》年度策展人等。策展的主要展覽從2012年開始，共計81場，群展包括夜走黑橋、鄉村洗剪吹、FUCKOFF II、不在圖像中行動、六環比五環多一環、十夜、萬丈高樓平地起、2018過年特別項目、策展課等。
Cui Cancan is an active Chinese independent curator and critic. He has won CCAA (Chinese Contemporary Art Award) Art Review Award for Youth, Critics』 Award in Chinese contemporary art by YISHU, Annual Exhibition Award by Art Power 100, Nominee for Lincoln Curator Prize by TANC Asia Prize, The Best Artist Solo Exhibition of the Year Award by Chinese Contemporary Art News, Best Exhibition Award by Gallery Week Beijing, Annual Curator Award by Art Bank, etc. Since 2012, he has curated 81 major exhibitions, including group exhibitions like Hei Qiao Night Way (2013), Xiang Cun Xi jian Chui (2013), FUCKOFF II (2013), Unlived by What is Seen (2014), Between the 5th and 6th Ring Road in Beijing (2015), The Decameron (2016), Rip it Up (2017), Spring Festival Projects (2018) and The Curation Workshop (2019).
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