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AWB ARTIFEX NANKINENSIS
YU YOUSHAN 「AMICUS」
於友善，《羅漢之一》(Arhat I)，69 × 69 cm
於友善（b.1957）的作品用筆雄健、水墨飽蘸，在章法經營的嚴謹和對個性化語言的追求間尋到平衡，以傳統之精神為統領，將重骨力的流暢線條運用於畫面中的情感表達，毫無掛礙地直抒胸臆。「宣物莫善於言、存『情』莫大於畫。」於友善老師筆下的《羅漢》，肅穆中透出渾然天成的疏朗之氣。繁而不雜的布局，正應了「誇張之處不失沉實，方正之間不失張揚」——一個中國畫家的紮實功力和對傳統的深入理解躍然紙上。
Yu Youshan（b.1957）is well known for his strength in touch and richness in ink. Yu searches for the perfect balance between normative rigor and the pursuit for personality. Yu puts traditional spirit as his primary guidance, employing fluent lines with heavy structure in the emotional expression of his works without any obstacles, as he believes that "Words are best fit to describe objects as paintings to feelings". Yu's series of Arhat, reflect a quasi-natural touch in solemnity. The well-organized layouts demonstrated directly the his tribute to traditions and rigor on skills, among the finest of the Chinese painters, as is described "honest exaggeration, foursquare liberation".
於友善，《羅漢之二》(Arhat II)，69 × 69 cm
於友善，《於友善老師寫生圖》(Yu in Sketching)，69 × 69 cm
程大利先生曾這樣表述他對於友善繪畫的看法：「友善的畫給我留下的印象大致有這樣幾點:對傳統的深深認識和尊重；紮實的造型功底；嚴謹的章法經營；對個性化語言的追求」。於友善對傳統的認識是深層次的。他首先吸收的是傳統的精神，諸如線的圓厚、渾樸、重骨力並保持暢達流動，毫無障礙地表達情感和情緒。傳統繪畫的精髓是線，靠它去述形、述神、直抒胸臆，所有的藝術辯證法在線上都能得到印證，我們完全可以從線上判斷一個中國畫家的功力。
Cheng Dali's discussion regarding Yu's works is very accurate. "Yu's painting left me several impressions: The deep understanding and respect for tradition, solid formative skills, strict distribution and the pursuit for personality." Yu's understanding of Chinese traditions is in deep level. He absorbs traditional spirit, such as the rotundity, simplicity and structure and fluidity of lines, to the end of obstaclelss expression of emotions and feelings. The essence of tradition painting is the usage of lines on the description of shape, soul and heart. Every dialectical method can be proved in the usage of lines, from which we can evaluate the training of a Chinese fine artist.
於友善，《飛瀑流泉》(Plunging Waterfall and Flowing Spring)，69 × 69 cm
於友善，《秋林倒影》(Forest Reflection of Autumn )，69 × 69 cm
於友善特別重視線條。他在《線條的困惑》一文中也說過：「線條之於中國畫，最初的功能只是框定形狀，勾畫輪廓。隨著繪畫的發展，線條被賦予更多的功能和內涵，不僅要清晰展示出畫家所描繪的物體，還要顯示出某種意蘊和精神，以昭示人類的某些情感，甚至被分門別類，與各類意蘊一一對應。」讀於老師作品，你會發現作品中的每根線條都有著天然的生命力。於老師用其雄健之筆，飽蘸水墨，在隨意揮灑中，勾勒出一幅幅精彩畫作。
Yu's focus on lines is unneglectable. In his essay "Questions about lines", the artist argued that "Initially Lines are dedicated to the description of forms and figures in Chinese painting. Along history, lines are developed with more functions. Not only can they demonstrate the desired objects, but also to present certain spirit and meaning in order to express various human emotions, or even can be categorized to correspond to distinctive implications." Yu uses his robust ink brush to line out extraordinary presentations at will.
於友善，《春滿荷塘》（Spring Lotus Pond），69 × 69 cm
於友善，《東山春色》(Spring Scene of Dongshan)，69 × 69 cm
恆若在《於畫於情——讀於友善畫作》與線條相比，更令人欽佩的是於老師在作品中傾注的感情。他認為繪畫就該是情緒的表現，中國畫更應當直抒胸臆，暢快無礙。創作中他總將自己的感情注入水中、墨裡，感情隨著線條訴諸筆端。構成作品的每一個元素都帶有直接而飽滿的感情色彩，酣暢淋漓地揮灑抒發。他畫的仕女總是惹人憐愛、羅漢總是使人肅穆。如若一個畫者無法用手中的筆抒發感情，那麼他的作品如何動人？於畫於情，於老師畫作的每一個符號、元素，無不體現了作者的真情所在，線條如此，筆墨如此，節奏、韻味、氣息亦如此。由此構成的一幅幅山水、人物、花鳥畫作，為于氏樹立了獨特的藝術格調和筆墨境界。
Hengruo says in his <Yu's paintings and emotions - on the works of Yu Youshan>, "Comparing to the usage of lines, the emotion Yu injected into his works is more admirable. Yu thinks that painting is representation of feelings and Chinese painting in particular should be free expression of heart. In composition he poured his feelings into ink and water, emerged with lines at brush. Every element in his work is filled with free, direct and rich emotion. Yu's vision of Beauties is lovely and Arhats solemn. If a painter cannot use his brush to pour out sentiments, the works shall not be touching. Yu's works manifests the creator's true heart in every way: line, ink, rhythm and anim. From this, the shanshui, figure, bird-and flower paintings established Yu's unique style and state.
於友善，《長興風光》（Changxing Island Scene），69 × 69 cm
於友善 YU YOUSHAN（b.1957）
Chinese Painter. Dean of Chinese Painting Dept.,Nanjing University of the Arts.
1989, M.A in Chinese Painting, Nanjing University of the Arts.
1982，B.A in Chinese Painting, Nanjing University of the Arts
Exhibitions (partial)
2010.8，Yu Youshan Chinese Painting, Guangzhou, Lingnan Club, Guangzhou
2004, "Manifest Destiny" (co-work), 10th National Fine Arts Exhibition, Beijing
2000，Yu's Beauties, Nanjing
1998，Yu's Works, Nnajing
1996, Yu's recent selections, Beijing
Awards (partial)
1999, 9th National Fine Arts Exhibition, Silve Prizer
1994, 8th National FIne Arts Exhibitio, Major Prize
1989, 7th National Fine Arts Exhibition, Silver Prize
1989, 4th National Sequential Picture Congress, Silver Prize
Publications (partial)
2013, Yu's Works, Rongbaozhai Press
2012, Cultivation of Heart and Brush, Jiangsu Education Press
2010, Yu's Chinese Paintings, Guangdong Collector Press
1985, Chinese Comic Caozhan in Beijing，Jangsu Fine Arts Press
1979, Chinese Comic Yingying's Biography, Tianjing People's Fine Arts Press
Collections (partial)
National Art Museum of China, Palace Museum, Jiangsu Art Museum
本次《藝術無國界中國文藝復興系列之金陵墨韻》展覽將持續到2016年1月5日，對於老師作品感興趣的請前往現場觀看：
地址：新華全媒體藝術館（南京市江東中路369號）
【藝術無國界】總裁Xiaoyun Zhang在展覽開幕式上發表了題為《通向普遍復興之路》的演講，現場錄像：
藝術無國界是一次思維實驗，是關於過去、時間與夢想的，是關於意識、身體與疆域的, 也是關於技藝、傳承與創新的。
Arts Without Borders is a thought experiment, of memories, time and dream, of consciousness, corporeality and territory, and also of skills, heritage and innovation.
藝術無國界是一場終生運動，由中國最年輕的策展人發起。2010年，在與世界頂級的雙年展團隊合作時，她深切體會到一切藝術互相理解的可能性。自此她開始了各種探索，這些探索構成了本運動的基礎。
Arts Without Borders is a life-long pursuit. When the youngest curator in China step into a brainstorm with the World’s most prominent curating masters over the Nanjing Biennale in 2010, the possibilities and potentials of art crossing boundaries enlightened her version. This became the founding moment of this movement.
藝術無國界是一個興趣組織，是所有開放心靈與敏捷智慧的結晶。這種結晶融合了所有範式——繪畫、攝影、影像、舞臺、建築、文學、詩歌、音樂以及一切其他創造性表達路徑。
Arts Without Borders is an interest group, an intellectual collective of open minds. This collective appreciates and remembers all varieties of art, be that painting, photography, cinematography, stage art, architecture, literature, poem, music and all other possible forms of creativity.
藝術無國界是普世精神共振的源泉，深入跨文化交流的推動者，傑出美學表達的集合體。我們關切所有阻滯理解的邊界：政治的，社會的，學科的，性別的，地理的。因為我們相信藝術關於一切，因為我們相信藝術為了一切。
Arts Without Borders is the fountain of resonating universality, the motor of deep transcultural acceptance and the collector of extraordinary aesthetic expressions. We care about all ways of creativity to overcome all forms of borders: political, social, disciplinary, gender or geographical, because we firmly put our faith in the guiding principle: Art for All and All for Art.
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「Arts Without Borders」【藝術無國界】是一個註冊在美國的非盈利機構，致力於創造性的國際推廣和跨界交流，我們誠邀廣大文化藝術精英關注我們，展覽，投稿，活動或任何想法，請聯繫我們！
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