「 Existence and Flow of Gas 」
隨環境壓力和溫度變化，物質會轉化成不同型態：靜止的固態、流動的液態，以及動靜並存的氣態…這不是理化課的開場白，而是京和科技——一間販售高科技氣體的科技公司——全新辦公室的設計起點。
With pressure of environment and change of temperature, the substance can be transformed into different states: static solid state, fluent liquid state and gaseous state which is both static and fluent. This is not the opening remark of a physics class. It is the start of design of a brand-new office of Jing He Science, a technology company which sells high-tech gas.鋼的輪廓，框襯隱形存在
「 Outline of steel, highlight of the existence of invisibility 」
當靈感關鍵抓緊「科學」而非「辦公室」，水相設計希望強化產業屬性裡的科學基底，扭轉一般人對辦公室的刻板藍圖。回歸產品本身最貼近的實驗室、工廠環境，日日可見的試管、生鐵黑鐵、氣體輸送管，以及包裝承載科技氣體的獨特鋼瓶，擷取生產鏈上再熟悉不過的材質與造型，拆解轉換成辦公空間的結構形體。
When the inspiration is based on 「science」 instead of 「office」, WATERFROM DESIGN aims to reinforce science in industrial attribute to change the public’s stereotyped image of office. We rely on the laboratory which is the most associated with products, factory, daily test tubes, cast iron, black iron, gas pipes and unique steel cylinders which carry technological gas. We apply common materials and modeling on production chain and transforms them into the structure of office.概念圖 Concept
收集不同規格、計劃淘汰的回收鋼瓶，結合鐵板玻璃與象徵工廠管線的鐵件，將科技產業裡功能單一而大量閒置的沉重容器，改造成辦公桌腳、吧檯結構，甚至是25人會議室偌大長桌下如工廠管路的矩陣版圖。賦予科學形貌意涵的造型辦公桌，在完全開放的平面形成一座座實驗臺，打破傳統辦公室動線與區塊分割結構。轉換功能後遍佈辦公場域的鋼瓶，在視覺面烘託出隱形、捉摸不到的氣體，以實襯虛、以剛表柔，將型態難辨的氣體錨定成一目了然的企業識別，藉由設計再創其裝飾角色並延伸實用年歲。
We collect recycled steel cylinders of different specifications which will be eliminated and apply iron plate glass and iron components which symbolize pipes of the factory to transform idle weighty containers with single function in technology industry into legs of desk, counter of a bar and even matrix domain as pipes of factory under the long desk of 25-people conference room. The desks with ergonomic design become open experimental platforms which break through traditional office circulation and separate blocks. Steel cylinders which are everywhere in the office after the transformation of function visually highlight the invisible gas. Thus, the invisible gas becomes specific corporate identity. By design, we create the decorative role and extend the years of utility.除了轉換，設計上我們也利用解構語法，刻意切剖、放大鋼瓶輪廓尺度並重組線條以排列，形成室內直徑規格各異的半圓，錯落在入口迎賓弧牆、中島背牆端景、隔間牆切面，甚至主管辦公室的視線屏障動線，於視覺與空間使用的直觀經驗頻頻感受弧度，有形或抽象地模擬氣體在瓶內的存在感。
Besides transformation, we apply deconstruction in design and intentionally cut and magnify the scale of outline of steel cylinders and reorganize the lines to create interior semicircles of different diameters which are randomly placed on curved wall of the entrance, back wall of kitchen island, section of separate wall and even protective circulation of the supervisor’s office. Intuitive experience of vision and space is based on radian and we tangibly or abstractly simulate the existence of gas in steel cylinders.「 Quality of machinery, base of green art 」
瓶身統一的橘，實木地板染上的湖水色，以及由明到暗、由橘轉黑的漸層烤漆，表述不同溫度下氣體的存在方式：因熱而膨脹漂浮、遇冷則凝結沉降…橘色同時也是實驗室、工廠常見重要設備的按鈕，在使用者的工作經驗脈絡中，色彩與科學在類實驗室的辦公場域產生了關聯。而漸變的色彩，亦如氣體飄忽如雲霧、液體流動難以捕捉，也替充滿機械感的嚴謹環境注入曖昧的視覺動感和時間性。
Unified orange on steel cylinders, lake water color on solid flooring and gradient baking finish from bright to dark colors and from orange to black show the existence of gas at different temperatures: expansion and flotation because of heat and congealment and dropping with cold…orange is the common color on the buttons of laboratory and important devices of factories. In users』 work experiences, color is associated with science in the office similar to the laboratory. Gradient colors resemble the cloud-like gas and flowing liquid which cannot be easily grasped. It develops ambiguous visual movement and temporality in the mechanical severe environment.儘管空間介質和造型多擷取自工廠或實驗室，但改變形式和功能後，慣用而覺平凡粗獷的材料，也能淬鍊出俐落、精緻甚至如藝術品可賞的美學價值。橫亙在工廠裡各類口徑的風管、線路，我們利用修長的訂製燈管排列重現，在三種不同高度交織光的維度，如氣體在複雜管路間竄流的移動軌跡。工廠常見的黑鐵，其鏽蝕痕跡是表現時間的文本，刻意於開放格局裡大尺度地展列，從篤實的功能性轉為長幅裝飾背景靜置時，搭配不規則渲染橘色噴漆，戲劇般的黑幕，在此空間改變使用者看待它的目光。
Although we obtain spatial medium and modeling mostly from factory or laboratory, after changing the pattern and function, we refine the common and rough materials and develop aesthetic value as artistic objects. We reconstruct blast pipes and circuits of different dimensions in the factory by long customized tubes. Three different dimensions with various heights of light show the movement of gas in the complicated pipes. Rust of common black iron in the factory represents time. We intentionally show the large scale in the open space. We transform the solid function into long decorative background and with irregular orange paint and dramatic shadow, we change the users』 vision in the space.葉的伸展，微觀循環定律
「 Extension of leave,observation of rules of cycle 」鮮綠植物自然彎曲的纖柔枝葉，從宛如試管形狀的鋼瓶內長出，穿透鐵板與玻璃桌面，有別於幾何規矩排列的立面線條，它們在無機質色調的工作環境吐納出生氣。芥子即須彌，我們認為一莖一葉是闡述物質型態轉變的微觀世界，根莖從實質土壤擷取水與養分，行光合作用將其轉化為氧氣散出，這般循環如同自然界物質固態、液態、氣態轉換遊移的運動，以一株小小植栽為媒介安靜深呼吸、換一口氣。
Curved delicate branches and leaves of green plants grow from steel cylinders resembling the tubes. They pass through iron plate and glass desk. Different from elevation lines of regular geometric arrangement, they are lively in the work environment of inhuman color. We consider one stem and one leaf as the micro-world of change of substance. Roots and stems acquire water and nutrients from soil and transform and diffuse oxygen by photosynthesis. The cycle resembles the transfer among solid state, liquid state and gaseous state of substances in nature. By a little plant, we quietly and deeply breathe and change breath.空間設計 | 李智翔.葛祝緯.林其緯.劉品傑/水相設計Designer | Waterfrom DesignClient | Jing He Science Co., Ltd空間格局 | 會議室. 中島用餐區. 機房. 檔案室. 採購部. 銷售部. 會計部. 人事部. 董事長辦公室. 總經理辦公室. 經理辦公室. 影印區. 儲藏室Layout | meeting area. kitchen island area.internet data center. archives room. purchasing department. sales department.accounting department. HR department. Chairman，s office. general manager，s office. manager，soffice. copying area. storageDesign Period | 2019.01 – 2019.03Construction Period | 2019.02 – 2019.04主要材料 | 回收鋼瓶、黑鐵板、鍍鋅螺旋管、金屬烤漆、雙色研磨漆、酵素染色實木地板、石材-銀彩石英石、石材-天鵝絨Material | recycled steel cylinders. blackiron. galvanized spiral tube. metallic paint. Two colors abrasive paint. enzymedyed wooden floor. quartzite. velvet marblePhotographer | Kuomin Lee✖
公司介紹
設計總監 / 李智翔（Nic Lee）
『水的形狀來自承載的容器，以無垠想像適應環境變化。』--水相設計。
成立於2008年的水相設計跨足室內與建築領域，秉持設計應如『水』的初衷，純淨、有機又多變，本質上保持其原有的簡潔性，意念上展現無框架的可能性。我們致力關注於空間的故事脈絡及時間光線，創造一個具有情感沉澱及訊息想像的空間。近年來，水相設計陸續榮獲國家金點獎、Asia Pacific Interior Design Award、Taiwan Interior Design Award等獎項殊榮，作品也深受義、荷、法、韓等國際媒體報導。
予人『沉澱』的空間--
我們不希望以『開宗明義』的設計手法，我們希望的作品是，生活在此空間中一段時間、一個月、一年，甚至十年後，讓時間沉澱過後對於空間有不同的解釋與感情。
予人『想像』的空間--
我們不做『一目了然』的設計，我們希望空間使用者自己尋找答案，找到屬於自己的劇本，就像藝術評論家用不同的角度闡述畫作。我們試著傳達一種意想不到的訊息，有時使用者比我們更早找到答案。
"The form of the water comes from the container it is in. It adapts to the changes in the environment with boundless imagination." - Waterfrom Design.
Established in 2008, Waterfrom Design straddles both the interior design and the architecture field, believing that design should be like water, simple and pure, organic and ever-changing, retaining the simple, neatness of water’s essence, and displaying possibilities without framework in concept. We strive to give attention to the story and context of the space and time, to create spaces that can convey messages, and let emotions settle and mature. In recent years, Waterfrom Design has received the Golden Pin Award, Asia Pacific Interior Design Award, Taiwan Interior Design Award, and their work has been reported by the Italian, Dutch, French, Korean and other international media.
Giving people the space where time can settle and mature
We do not want to create designs where the ideas are clear from the outset. We wish to create works that, after having lived in the spaces for a period of time, whether a month, a year, or a decade, the effects of time will lead to the spaces having different expressions and emotions.
Giving people the space to imagine
We do not create designs that are obvious at first glance. We wish for the people utilizing the space to find the answers for themselves. Like art critics describing an artwork from different points of views, we want the people find their own version of the story. We try to convey unexpected messages, and sometimes the people using the space will find the answers even before we do.
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