【精品推薦】徐悲鴻駿馬圖

徐悲鴻（1895-1953年），漢族，原名徐壽康，江蘇宜興市屺亭鎮人。中國現代畫家、美術教育家。曾留學法國學西畫，歸國後長期從事美術教育，先後任教於國立中央大學藝術系、北平大學藝術學院和北平藝專。1949年後任中央美術學院院長。

Xu Beihong (1895-1953), of the Han Nationality, was born Xu Shoukang, a native of Qiting Town, Yixing City, Jiangsu Province. Chinese modern painter, art educator. He studied Western painting in France and has been engaged in art education for a long time since he returned to China. He has taught in art Department of National Central University, Art School of Peiping University and Art College of Peiping University. He became President of the Central Academy of Fine Arts after 1949.

擅長人物、走獸、花鳥，主張現實主義，於傳統尤推崇任伯年，強調國畫改革融入西畫技法，作畫主張光線、造型，講求對象的解剖結構、骨骼的準確把握，並強調作品的思想內涵，對當時中國畫壇影響甚大，所作國畫彩墨渾成，尤以奔馬享名於世。

Good at figures, animals, birds and flowers, realism, especially promoting ren yi, the traditional emphasis on reform into the painting techniques, painting light, modelling, object of be particular about anatomy, bones, accurately, and emphasize the connotation of work, great impact on Chinese painting, made by the traditional Chinese painting colors HunCheng, especially in the benma names in the world.

徐悲鴻畫馬為世所稱，筆力雄健、氣勢恢宏，布局設色均有新意。雖借用西畫素描法十分寫實，但在筆墨上卻仍注重中國傳統繪畫中的寫意，借用西畫的解剖思路，把「中國畫」自然寫意的傳統美學理論，融進微觀具象世界。

Xu Beihong's paintings of horses are well known for their powerful strokes, magnificent momentum and innovative layout and colors. Although drawing in Western painting is very realistic, it still pays attention to freehand brushwork in traditional Chinese painting and integrates the traditional aesthetic theory of natural freehand brushwork in "Chinese painting" into the microscopic figurative world by borrowing the anatomy of Western painting.

在此幅畫中，徐悲鴻運用飽含奔放的墨水勾勒頭、頸、胸、腿等大轉折部位，並以幹筆掃出鬃尾，使濃淡乾濕的變化渾然天成。馬腿的直線細勁有力，有如鋼刀，力透紙背，而腹部、臀部及鬃尾的弧線很有彈性，富於動感。整體上看，畫面前大後小，透視感較強，前伸的雙腿和馬頭有很強的衝擊力，似乎要衝破畫面。徐悲鴻早期畫的馬頗有一種文的淡然詩意，顯出「躑躅回顧，蕭然寡儔」之態。徐悲鴻擅長以馬喻、託物抒懷，以此來表達自己的愛國熱情。徐悲鴻筆下的馬是"一洗萬古凡馬空"，獨有一種精神抖擻、豪氣勃發的意態。藏品具有巨大的收藏價值和投資價值。

In this painting, Xu Beihong draws the outline of the head, neck, chest, legs and other parts with bold and bold ink, and sweeps out the mane and tail with a dry pen, so as to make the changes of the dry and wet color become natural. The straight line of horse leg is fine and strong, be like steel knife, force penetrates paper back, and the arc of abdomen, buttocks and bristle tail is very elastic, abound move feeling. On the whole, the front of the picture is large and the back is small, with a strong sense of perspective. The legs and the horse's head stretched forward have a strong impact force, which seems to break through the picture. The horses in Xu Beihong's early paintings had a kind of indifferent poetic flavor, showing "Luhuo retrospected and Chou Chou as few as entourage". Xu Beihong was good at expressing his patriotic passion with horse metaphors and objects. Xu Beihong described the horse as "a horse that has been washed forever", which has a unique spirit of full of vigor and vitality. The collection has great value of collection and investment.