清代 三足雙耳銅香爐（帶底座）
規格：口徑：5.2cm 通高：4.1cm
藏品介紹：
中華民族用香歷史流長久遠，不僅孕育出深蘊博大的中國香文化內涵，同時造就各式香器香具的發展演進，香爐作為焚香、承香的主要用器，地位自然舉足輕重。古人焚香祭天祈福、禮敬神佛，點香淨化室內環境、養心安神，文人雅士品香鬥香以追求閒情風雅，皇 室貴 族及官商巨賈以香薰衣以示身分尊貴，香爐無不派上用場。
香爐除了作為敬佛或是祭祖的禮器外，還是文人雅士的心愛之物，置於廳堂或擺於書房案頭，讀書時點上一炷清香，便有了「紅袖添香夜讀書」的美妙意境。靈性的香爐賦予人們更多的生命靈性，它穿越時光隧道，追逐並領略博大深遠的歷史文化。
香爐是「香道」必備的器具，也是中國古代民俗、宗教、祭祀活動中必不可少的供具。他的用途有很多種，或燻衣、或陳設、或敬神供佛。形狀上常見為方形或圓形，方形的香爐一般有四足；圓形的香爐，都有三足，一足在前，兩足在後放置。
中國香爐文化的歷史可以追溯到商周時代的「鼎」。清朝光緒的御用香爐是由玉來做，非常薄，用手電筒打在裡面，外面可以看到光源。
早在漢代以前就出現陶、瓷、銅、鐵、瓦為材料製成的香爐。元末明初隨著銅器鑄造業的迅速發展，原先其它材料的香爐，逐漸被銅香爐所取代，銅香爐是中國歷史上第 一次運用黃銅鑄成的銅器。
明清時期，銅香爐成為香具中的翹楚，也奠定了中式銅香爐在後世的地位。據史料記載，明代宣德皇帝在位時，為滿足玩賞香爐的嗜好，責成宮廷御匠參照皇府內藏的定、汝、官、哥、鈞等名窯瓷器的款式，以及《宣和博古圖錄》《考古圖》等史籍，設計和監製香爐。
此件香爐小巧精 致，卻不失厚重大方之氣。形制規整，圓潤有度，以精銅為材，質地堅硬，色澤內斂雅觀，尤顯古樸韻味。整器做工精煉細膩，線條流暢利落，技藝嫻熟，工藝水平較高，時代特點突出，極 具收藏價值。
The history of the Chinese nation's fragrance has a long history. It not only breeds the profound Chinese cultural flavor, but also develops the evolution of various fragrances. The incense burner is the main tool for incense and fragrance, and its status is naturally important. The ancients burned incense and worshipped the heavens, prayed for the worship of the gods, the fragrance to purify the indoor environment, raise the heart and calm the nerves, and the literati scented incense to pursue the leisure and elegance. The royal aristocrats and the official merchants and grandfathers used the fragrant lavender to show their honor, and the incense burner was sent. use.
In addition to being a ritual for worshipping Buddha or ancestor worship, the incense burner is still the lover of the literati, placed in the hall or placed in the study desk. When reading a book, it has a scent of fragrance, and it has the wonderful "Red Sleeve Timing Night Reading". artistic conception. The spiritual incense burner gives people more spiritual life. It crosses the time tunnel and chases and appreciates the profound history and culture.
The incense burner is an essential tool for the "fragrant road" and an indispensable aid for ancient Chinese folk, religious and ritual activities. There are many uses for him, or smocking, or furnishings, or worshipping Buddha. The shape is usually square or round, and the square incense burner generally has four feet; the round incense burner has three feet, one foot is in front and the two feet are placed behind.
The history of Chinese incense burner culture can be traced back to the "Ding" of the Shang and Zhou Dynasties. The royal incense burner of Guangxu in the Qing Dynasty was made of jade, very thin, and was hit inside with a flashlight, and the light source could be seen outside.
As early as before the Han Dynasty, there were incense burners made of pottery, porcelain, copper, iron and tile. With the rapid development of the bronze casting industry at the end of the Yuan Dynasty and the early Ming Dynasty, the incense burners of other materials were gradually replaced by copper incense burners, which were the first bronzes cast in brass in Chinese history.
During the Ming and Qing Dynasties, the copper incense burner became the leader in the incense, and it also laid the status of the Chinese copper incense burner in later generations. According to historical records, when Emperor Xuande of the Ming Dynasty reigned, in order to satisfy the hobby of playing the incense burner, he instructed the court to refer to the styles of famous kiln porcelains such as Ding, Yi, Guan, Ge, and Yi, as well as the Xuanhe Bogu catalogue. "Archaeography" and other historical records, design and production of incense burners.
This incense burner is small and exquisite, but it does not lose its weight. The shape is regular, round and full, with refined copper as the material, the texture is hard, the color is introverted and elegant, especially the ancient charm. The whole workmanship is refined and refined, the lines are smooth and fluent, the skill is skillful, the craft level is high, the characteristics of the times are outstanding, and it has great collection value.